Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
Choro, also popularly called chorinho, is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
Alfredo da Rocha Viana Filho, known as Pixinguinha was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha composed popular music, particularly within the genre known as choro.
Laranjeiras is an upper-middle-class neighborhood located in the South Zone of Rio de Janeiro, Brazil. Primarily residential, It is one of the city's oldest neighborhoods, having been founded in the 17th century, with the construction of country houses in the valley located around the Carioca River, which bordered Corcovado Mountain. Because of this, the neighborhood was previously called Vale do Carioca, or Carioca Valley.
Carlos Alberto Ferreira Braga, commonly known as Braguinha or João de Barro, was a Brazilian songwriter and occasional singer.
São Gonçalo is a municipality in Rio de Janeiro, Brazil, in the Southeast region. It is located in the Metropolitan Region of Rio de Janeiro, having land limits with the municipalities of Niterói, Maricá and Itaboraí, and a maritime limit, by Guanabara Bay, with the capital, Rio de Janeiro. According to the 2022 census, it has a population of 896,744 inhabitants, making it the second most populous municipality in the state and the 18th most populous in the country.
Heloísa Maria Buarque de Hollanda, whose artistic name was Miúcha, was a Brazilian singer and composer.
Olivia Hime is a Brazilian singer and lyricist. She is also the co-owner and musical manager of the record label Biscoito Fino. In 2005, the song Cancao Transparente, composed by Hime and her husband, pianist and composer Francis Hime, was nominated for a Latin Grammy Award for Best Brazilian Song.
Maria Rosa Canelas, better known as Rosinha de Valença, was a Brazilian composer, arranger and musician. She is considered one of the best acoustic guitarists in Brazilian music and played with many famous artists, including Baden Powell, Sérgio Mendes, Sylvia Telles and Sivuca.
The discography of Brazilian singer Maria Bethânia consists of 34 studio albums, 15 live albums, several participations in movie and telenovela soundtracks as well as numerous collaborations with other artists.
Chôros No. 1 is a 1920 composition for guitar by Brazilian composer Heitor Villa-Lobos.
Chôros No. 7, subtitled "Settimino" (Septet), is an instrumental septet written in 1924 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 7 is of modest length, a performance lasting about eight-and-a-half minutes.
Chôros No. 10 is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 10 is of moderate length, one performance recorded by the composer lasting just under thirteen minutes.
Chôros No. 5 is a solo piano composition written in 1925 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 5 is one of the shorter members of the series, with a performance lasting about four-and-a-half minutes.
Chôros No. 12 is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 12 is one of the longest compositions in the series, a performance lasting about 35 minutes.
Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.
Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.
Geraldo Carneiro is a Brazilian musician, writer and screenwriter.
William Blanco Abrunhosa Trindade, commonly known as Billy Blanco, was a Brazilian architect, musician, composer, and writer.
