Giovanni Cimabue, c. 1240 – 1302, was an Italian painter and designer of mosaics from Florence. He was also known as Cenni di Pepo or Cenni di Pepi.
Guido Reni was an Italian Baroque painter, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
The Scrovegni Chapel, also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the Monastero degli Eremitani in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Musei Civici di Padova.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
Prospero Fontana (1512–1597) was a Bolognese painter of late Renaissance and Mannerist art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he worked with other prominent artists of the period. He was a prominent figure in the city of Bologna, serving as official arbitrator in the business disputes of local artists. In his later career Fontana trained younger painters, including his own daughter Lavinia.
The Bolognese school of painting, also known as the school of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
Elisabetta Sirani was an Italian Baroque painter and printmaker who died in unexplained circumstances at the age of 27. She was one of the first women artists in early modern Bologna, who established an academy for other women artists.
Filippo Scannabecchi, known as Lippo di Dalmasio, was an Italian painter from Bologna, a son of Dalmasio Scannabecchi.
Carlo Cesare Malvasia (1616–1693) was an Italian scholar and art historian from Bologna, best known for his biographies of Baroque artists titled Felsina pittrice, published in 1678. Together with his contemporary Giovanni Pietro Bellori, Malvasia is considered "among the best informed and most intelligent historians and critics of art who ever lived."
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early-Baroque.
Antonio Randa was an Italian painter of the classicist period, active in Ferrara, Modena, Rovigo, Florence, Comacchio and his native Bologna.
The National Art Gallery of Bologna is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city.
Il Guerrin Meschino is an Italian prose chivalric romance with some elements of verisimilitude, written by the Italian cantastorie, systematizer and translator from French Andrea da Barberino, who completed it about 1410.
Simone di Filippo Benvenuti, known as Simone dei Crocifissi or Simone da Bologna, was an Italian painter. Born and died in Bologna, he painted many religious panel paintings, and also frescoes in the churches of Santo Stefano and San Michele in Bosco, both at Bologna.
Jacopo di Paolo was an Italian painter and miniaturist active in Bologna in the fourteenth and fifteenth centuries.
Oderisi da Gubbio was an Italian painter and manuscript illuminator of the 13th century. Few details of his life are known. Documents to his activities in Bologna span from 1262 to 1271. In 1292, he was called to Rome by Pope Boniface VIII to illuminate manuscripts in the papal library.
Adoration of the Shepherds is the title of a lost drawing by Raphael, described in a letter of 8 September 1508, from Raphael to his friend Francesco Raibolini alias Francesco Francia. This letter's contents were first published in 1678, in Carlo Cesare Malvasia's book Felsina Pittrice. Malvasia gave a full account of the letter, which he claimed to have found among the papers of Count Antonio Lambertini in Bologna. While the existence and contents of the letter are disputed, according to Malvasia it described the delivery of a drawing of the Adoration of the Shepherds to Francesco Francia. This drawing has been considered lost or never to have existed.
Marjorie Elizabeth Cropper is a British-born art historian with a special interest in Italian and French Renaissance and Baroque art and art literature. Dean of the National Gallery of Art’s Center for Advanced Study in the Visual Arts (CASVA) from December 2000 through May 2020, she previously held positions as Professor of Art History at Johns Hopkins University and director of the university’s Charles S. Singleton Center for Italian Studies at Villa Spelman in Florence.
Francesco di Neri di Ranuccio, known better as Francesco da Barberino (1264–1348), was a Tuscan notary, doctor of law and author.
