Franco Piavoli | |
---|---|
Born | |
Nationality | Italian |
Occupation | Film director, screenwriter, producer |
Spouse(s) | Neria Poli |
Franco Piavoli (born 21 June 1933) is an Italian film director, screenwriter, and producer. [1] [2] [3]
Piavoli studied law at the University of Pavia in Lombardy. [4] Throughout the 1950s and 1960s he made a number of short films: Uccellanda (1953), Ambulatorio (1954), Incidente (1955), La stagioni (1960), Domenica sera (1962), Emigranti (1963), and Evasi (1964).
Nearly 20 years later, Piavoli released his first feature film The Blue Planet in 1982, which competed at the 39th Venice International Film Festival. Piavoli directed Nostos: The Return in 1989, a film inspired by Ulysses' return to Ithaca in the Odyssey , and contains only sparse dialogue that imitates "sounds of ancient Mediterranean languages". [4] [5]
In 2009, Piavoli worked with Ermanno Olmi on Olmi's documentary about food production Terra Madre . [6]
Feature films
Short films
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Nostos is a theme used in Ancient Greek literature, which includes an epic hero returning home by sea. In Ancient Greek society, it was deemed a high level of heroism or greatness for those who managed to return. This journey is usually very extensive and includes being shipwrecked in an unknown location and going through certain trials that test the hero. The return is not only about returning home physically, but also focuses on the hero retaining or elevating their identity and status upon arrival. The theme of Nostos is brought to life in Homer's The Odyssey, where the main hero Odysseus tries to return home after battling in the Trojan War. Odysseus is challenged by many temptations, such as the Sirens and the Lotus-eaters. If Odysseus had given into these temptations it would have meant certain death and thus failing to return home. Nostos is used today in many forms of literature and movies.
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Nostos: The Return is a 1989 Italian adventure drama film directed by Franco Piavoli, starring Luigi Mezzanotte and Branca De Camargo. Drawing from Homer's Odyssey, the film depicts Odysseus' homeward journey across the Mediterranean Sea following the Trojan War, and his struggles against natural obstacles and inner torments. The film relies on visual storytelling and the portrayal of nature; dialogue is minimal, without subtitles, and spoken in an imaginary Mediterranean language. Nostos: The Return explores themes of homecoming, the memory of war, time, and man's relationship with nature.