Frank Hudec | |
---|---|
Born | Cicero, Illinois, U.S. |
Genres | Jazz |
Instrument(s) | drums |
Years active | 1950s-1970s |
Frank Hudec (born c. 1927) [1] was an American drummer who was part of the Stan Seltzer Trio. He recorded on Decca Records. He was born in Cicero, Illinois and studied with Frank Pechl and played with Al Hirt. [2]
Pierre Dewey LaFontaine Jr., known professionally as Pete Fountain, was an American jazz clarinetist.
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn, but is often played by jazz bands. One of the most famous jazz recordings of "The Saints" was made on May 13, 1938, by Louis Armstrong and his orchestra.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Jukebox Ella: The Complete Verve Singles, Vol. 1 is a 2003 compilation album by the American jazz singer Ella Fitzgerald. The album contains all the singles Fitzgerald recorded for Verve Records label between 1956 and 1965.
Rita Coolidge is the self-titled debut album by Rita Coolidge.
All Killer, No Filler: The Anthology is a 1993 box set collecting 42 songs by rock and roll and rockabilly pioneer Jerry Lee Lewis from the mid-1950s to the 1980s, including 27 charting hits. The album has been critically well received. In 2003, Rolling Stone listed the album at #245 in its list of "Rolling Stone's 500 Greatest Albums of All Time", maintaining its rating in a 2012 revised list, and dropping to #325 in the 2020 update. Country Music: The Rough Guide indicated that "[t]his is the kind of full-bodied, decades-spanning treatment that Lewis's long, diverse career more than well deserves."
Backstreets of Desire is an album by Willy DeVille. It was recorded in various Los Angeles recording studios in 1992. To make the album, DeVille was joined by many prominent musicians, including Dr. John, David Hidalgo of Los Lobos, Zachary Richard, Jim Gilstrap, Freebo, Efrain Toro, and Jimmy Zavala.
Bird: The Complete Charlie Parker on Verve is a 1990 box-set by jazz musician Charlie Parker. It features every extant note Parker recorded for labels controlled by Norman Granz as well as his appearances at Jazz at the Philharmonic. Parker recorded for Granz primarily in the last five years of his life, a period during which, besides playing with his famous quintet, he experimented with strings, Afro-Cuban jazz and mixed chorus. Among the albums produced during Parker’s Verve years were Bird & Diz, Charlie Parker with Strings, and Swedish Schnapps.
"Black Bottom Stomp" is a jazz composition. It was composed by Jelly Roll Morton in 1925 and was originally entitled "Queen of Spades". It was recorded in Chicago by Morton and His Red Hot Peppers, for Victor Records on September 15, 1926.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
"Java" is an instrumental adaptation from a 1958 LP of piano compositions, The Wild Sounds of New Orleans, by Tousan, also known as New Orleans producer/songwriter Allen Toussaint. As was the case of the rest of Toussaint's LP, "Java" was composed in studio, primarily by Toussaint.
Raymond Harry "Ray" Brown is an American composer, arranger, trumpet player, and jazz educator. He has performed as trumpet player and arranged music for Stan Kenton, Bill Watrous, Bill Berry, Frank Capp – Nat Pierce, and the Full Faith and Credit Big Band.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Beauty and the Beard is an album by Al Hirt and Ann-Margret released by RCA Victor in 1964. The album was arranged by Marty Paich and produced by Steve Sholes.
The Soft Swing is an album by saxophonist Stan Getz and recorded in 1957 and first released on the Verve label. According to the liner notes by Stewart Clay on a 2016 CD re-release, it was the only studio session in which Getz collaborated with Mose Allison, although some Mutual broadcasts from the Village Vanguard and the Red Hill Inn are included as bonus tracks of the re-release. "Although none of Allison's compositions are played here", wrote jazz critic Alun Morgan about The Soft Swing, "Mose's George Wallington-like solos add piquancy to the occasion. Such an instance can be heard on the broadcast track that closes our CD [the 2016 Phono re-release], on which Stan Getz sits out, which is 'Ain't You a Mess'."
Shorty Rogers Plays Richard Rodgers is an album by American jazz trumpeter and arranger Shorty Rogers performing songs composed by Richard Rodgers, issued by RCA Victor in 1957.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Charles "Hungry" Williams was an American rhythm & blues drummer, best known for the innovative and influential technique he used on numerous recordings that came out of New Orleans in the 1950s and 1960s.
Stan Seltzer's a great talent on the keys of the piano -- one who's clearly got some high-end training somewhere back in his career, but who also manages to keep things nice and lean in this small combo set! The album's the only one we've seen by Seltzer -- a well-recorded date for the Hi Fi label in LA -- with backing from Red Mitchell on bass and Frank Hudec on drums, and an overall sound that's rich in feeling, but never too flowery or overly emotive. Stan's got a great command of the piano -- flowing across the keys with a rich understanding of its tones -- and he brings out a sound here that's way more than just simple cocktail tinkling, and which almost has the evocative power of a deeper soundtrack score of the time. Titles include "A Foggy Day", "Crissy's Blues", "Speak Low", "Have You Met Miss Jones", "Let's Fall In Love", and "Easy To Love".
Al Hirt (trumpet); Marty Paich (conductor); Jerry Hirt (trombone); Pee Wee Spitelera (clarinet); Ronnie Dupont (piano); Lowell Miller (bass); Frank Hudec (drums).