Franz Skarbina

Last updated
Franz Skarbina
Franz Skarbina.jpg
Franz Skarbina in 1909.
Photograph by Marta Wolff
Born(1849-02-24)February 24, 1849
DiedMay 18, 1910(1910-05-18) (aged 61)
Berlin
NationalityGerman

Franz Skarbina (24 February 1849 - 18 May 1910) was a German impressionist painter, draftsman, etcher and illustrator. [1]

Contents

Life

Born in Berlin, he was the son of a goldsmith from Zagreb. From 1865 to 1869, he studied at the Prussian Academy of Arts. After graduation, he spent two years as a tutor to the daughters of Count Friedrich von Perponcher-Sedlnitzky  [ de ], during which time he travelled to Dresden, Vienna, Venice, Munich, Nuremberg and Merano. In 1877, he had acquired the funds to make a year-long study trip to the Netherlands, Belgium and France, where he came under the influence of impressionism.

He became an assistant teacher at the Prussian Academy in 1878 and, in 1881, he taught anatomical drawing at the Kunstgewerbemuseum Berlin. [1] The following year, he returned to Paris and exhibited at the Salon. From 1885 to 1886, he was in Paris again, with side trips to Northern France, Belgium and the Netherlands. This is considered to be one of his most productive periods.

In 1888, he was appointed a professor at the Prussian Academy and, in 1892, became a full member there. A year later, however, he resigned his teaching position due to disagreements with the academy's Director, Anton von Werner. The problem stemmed from his participation in the "Group of Eleven", an association of artists dedicated to promoting their own exhibitions of what was then considered "radical" art, free of the academy's influence. This eventually (in 1898) led to the establishment of the Berlin Secession, of which Skarbina was a co-founder. [1]

In 1895, he became a supervisory board member for the magazine Pan . In 1898, he served as one of the judges in a contest held by Ludwig Stollwerck to select the artists for a new series of trading cards. [2]

In 1901, he gave private lessons to Canada’s first female battlefield artist Mary Riter Hamilton.

He died at his home in Berlin, from an acute kidney ailment, and is buried in the Old Cemetery of St. Jacobkirche. All of the items in his estate were destroyed during World War II.

Selected paintings

Nazi-looted art

In 2016 Skarbina's Nach Hause was the object of a lawsuit filed by a Holocaust victim's son who was trying to locate the painting. David Toren requested that the Berlin auction house Villa Grisebach reveal the buyers of the Skarbina as well as two works by Beckmann. [3] [4]

Related Research Articles

<span class="mw-page-title-main">Franz Marc</span> German artist (1880–1916)

Franz Moritz Wilhelm Marc was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it.

<span class="mw-page-title-main">Max Liebermann</span> German painter (1847–1935)

Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.

<span class="mw-page-title-main">Felix Nussbaum</span> German painter

Felix Nussbaum was a German-Jewish surrealist painter. Nussbaum's work gives insights into the essence of one person among the victims of the Holocaust.

<span class="mw-page-title-main">Secession (art)</span> German historical art movement

In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.

<span class="mw-page-title-main">Adolph Menzel</span> German artist (1815–1905)

Adolph Friedrich Erdmann von Menzel was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century, and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.

<span class="mw-page-title-main">Otto Mueller</span> German artist (1874–1930)

Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.

<span class="mw-page-title-main">Nazi plunder</span> Nazi looting in WWII

Nazi plunder was the stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.

<span class="mw-page-title-main">Johannes Martini (painter)</span> German painter

Johannes Martini was a German oil painter and graphic artist.

<span class="mw-page-title-main">Franz Krüger</span> German painter (1797–1857)

Franz Krüger, known as Pferde-Krüger ("Horse-Krüger"), was a German (Prussian) painter and lithographer. He was best known for his romantic and lively portraits and pictures of horses, which made him the most in demand military and portrait painter in Berlin. His paintings of military parades and hundreds of portraits led to him painting many of the "well to do" of the city.

<span class="mw-page-title-main">Gunter Demnig</span> German artist

Gunter Demnig is a German artist. He is best known for his Stolperstein memorials to the victims of Nazi persecution, including Jews, homosexuals, Romani and the disabled. The project places engraved brass stones in front of a former residence for a Holocaust victim who was deported and murdered by Nazi Germany. The memorial effort began in Germany and has since spread, with more than 100,000 stones placed across 26 countries in Europe.

<span class="mw-page-title-main">Hildebrand Gurlitt</span> German art dealer authorized by Third Reich to sell looted art, historian

Hildebrand Gurlitt was a German art historian and art gallery director who dealt in Nazi-looted art as one of Hitler's and Goering's four authorized dealers for "degenerate art".

<span class="mw-page-title-main">Gurlitt Collection</span> Art collection

The Gurlitt Collection was a collection of around 1,500 art works assembled by Cornelius Gurlitt, the son of one of Hitler's official art dealers, Hildebrand Gurlitt (1895–1956), and which was found to have contained several artworks looted from Jews by the Nazis.

<span class="mw-page-title-main">Cornelius Gurlitt (art collector)</span>

Rolf Nikolaus Cornelius Gurlitt was a German art collector. The son of Hildebrand Gurlitt, a Nazi-era dealer of looted art, Gurlitt was discovered to have concealed a stash of artworks known as the Gurlitt trove or Gurlitt Collection, several of which have been proven to have been looted from Jews by Nazis.

<span class="mw-page-title-main">Paul Friedrich Meyerheim</span> German painter

Paul Friedrich Meyerheim was a German painter and graphic artist. He did portraits and landscapes, but is best known as a painter of animals.

<i>Two Riders on the Beach</i> 1901 paintings by Max Liebermann

Two Riders on the Beach is the title of two similar paintings by the German artist Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas.

<span class="mw-page-title-main">Fritz Gurlitt</span>

Friedrich "Fritz" Gurlitt, originally from Vienna, was a Berlin based art dealer and collector, specialising, in particular, in contemporary art. After his early death the art gallery he had established in central Berlin was taken on by his son, the dealer Wolfgang Gurlitt (1888-1965).

<span class="mw-page-title-main">Ludwig Dettmann</span> German painter

Ludwig Julius Christian Dettmann was a German Impressionist painter. Shortly before his death, he was added to the Gottbegnadeten list, a roster of artists considered crucial to Nazi culture.

<span class="mw-page-title-main">Mary Lane</span> American writer and journalist

Mary MacPherson Lane is an American non-fiction writer and journalist specializing in Western European art and history.

Max Schlichting was a painter of German Impressionism. Schlichting, who also worked as a professor and art official, is known for French subjects and depictions of landscapes in Flanders and the Netherlands.

<span class="mw-page-title-main">Große Berliner Kunstausstellung</span> Annual Art Exhibition in Berlin (1893–1969)

Große Berliner Kunstausstellung , abbreviated GroBeKa or GBK, was an annual art exhibition that existed from 1893 to 1969 with intermittent breaks. In 1917 and 1918, during World War I, it was not held in Berlin but in Düsseldorf. In 1919 and 1920, it operated under the name Kunstausstellung Berlin. From 1970 to 1995, the Freie Berliner Kunstausstellung was held annually in its place.

References

  1. 1 2 3 Komander, Gerhild H. M. (September 2004). "Timeline for Franz Skarbina". Die Geschichte Berlins.
  2. Hofacker, Prof. Karl. In: Kunstgewerbeblatt. 9. Jahrgang, Leipzig 1898.
  3. "Blind, 90-year-old son of Holocaust victims sues to find his family's art". www.lootedart.com. The Art Newspaper. Retrieved 2021-06-02.
  4. "Survivor Sues To Locate Family's Looted Art". Artnet News. 2016-04-04. Archived from the original on 2016-08-01. Retrieved 2021-06-02. Toren's great uncle, industrialist David Friedmann, had 54 pieces of museum quality art in his Breslau mansion, all of which were seized by the Nazis in 1940. Toren, who escaped as a child on the Kindertransport in 1939, recently discovered that three works from his family's collection were in the trove of Cornelius Gurlitt, son of Hitler's art dealer, Hildebrand Gurlitt. Two of the works discovered in the Gurlitt trove were by Max Liebermann, and the third by Franz Skarbina.

Further reading