 | |
| Author | Ernst Zahn |
|---|---|
| Country | Switzerland |
| Language | German |
| Genre | Drama |
Publication date | 1925 |
| Media type | |
Frau Sixta is a 1925 historical novel by the Swiss writer Ernst Zahn.
| | |
| Author | Ernst Zahn |
|---|---|
| Country | Switzerland |
| Language | German |
| Genre | Drama |
Publication date | 1925 |
| Media type | |
Frau Sixta is a 1925 historical novel by the Swiss writer Ernst Zahn.
In 1938 it was turned into a German film Frau Sixta directed by Gustav Ucicky and starring Gustav Fröhlich, Franziska Kinz and Ilse Werner. [1]
Anton Kutter was a German film director and screenwriter. He studied mechanical engineering at Stuttgart Technical University.
Herbert Windt was a German composer who became one of the most significant film score composers of the Third Reich. He was best known for his collaborations with the director Leni Riefenstahl on films Triumph of the Will and Olympia.
Gustav Fröhlich was a German actor and film director. He landed secondary roles in a number of films and plays before landing his breakthrough role of Freder Fredersen in Fritz Lang's 1927 film Metropolis. He remained a popular film star in Germany until the 1950s.
The Pedestrian is a 1973 film directed by Maximilian Schell. It is about the trial of an elderly war criminal. The film was a co-production between companies in Germany, Switzerland and Israel; the movie was distributed in the United States by Cinerama Releasing Corporation.
Heidemarie Hatheyer was an Austrian film actress. She appeared in 43 films between 1938 and 1988.
Josef Theodor Ludwig Eichheim was a German film actor.
Gustl Gstettenbaur was a German stage, film and television actor.
Rolf Pinegger was a German stage and film actor who appeared in over forty films, generally in supporting roles.
Hans Kuhnert was a German actor, art director and production designer. Kuhnert began his career as an actor during the silent era. He played the lead alongside Olga Tschechowa in Violet. From the mid-1930s Kuhnert switched to working on the visual design of film sets. He worked frequently at this into the 1960s. He was sometimes credited as Hanns H. Kuhnert.
Josefine Dora was an Austrian stage and film actress. She appeared in over 100 films, generally in supporting roles such as in The Virtuous Sinner (1931).
Hans Schneeberger was an Austrian cinematographer who worked on over eighty films during his career. During the 1920s and early 1930s Schneeberger worked frequently with the director Arnold Fanck, including films starring Leni Riefenstahl. Schneeberger also made a handful of acting appearances, including playing opposite Riefenstahl in The Great Leap (1927). He filmed the famous final shot in The Third Man but was not credited. Schneeberger was later employed by the largest Austrian company Wien-Film for a number of productions.
Gustav Waldau was a German actor. He appeared in more than 100 films between 1915 and 1955.
Peter Ostermayr was a German film producer, screenwriter and film director. Ostermayr was a pioneer during the early years of German cinema, with his brothers Franz Osten and Ottmar Ostermayr. In 1907 they took over their father's photography business and turned into a film studio. After serving in the First World War he founded a company which later evolved into Bavaria Film, and acquired the Emelka Studios in Munich. While Bavaria went on to become a leading German production company, Ostermayr had left by the mid-1920s and worked at several other studios including the giant UFA.
Eduard Köck was an Austrian stage and film actor. He made a few silent film appearances, but most of his screen performances were character roles during the 1940s and 1950s.
Frau is a German honorific for women.
Willy Rösner (1893–1966) was a German stage and film actor.
A Night of Change is a 1935 German drama film directed by Hans Deppe and starring Gustav Fröhlich, Heinrich George, and Rose Stradner.
Frau Sixta is a 1938 German historical drama film directed by Gustav Ucicky and starring Gustav Fröhlich, Franziska Kinz and Ilse Werner. It is based on the 1925 novel of the same title by the Swiss writer Ernst Zahn.
Ernst Johann Pröckl was an Austrian stage actor and director. He also appeared in numerous films, mainly German.
Franz Koehn was a German art director. He worked designing sets for the German film industry, mainly during the Nazi era.
 | This article about a historical novel of the 1920s is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |