Sources
- The Nineteenth Annual Of Advertising Art, published by The Art Directors Club of New York, in 1940.
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Fred Chance was active in the field of illustration for over fifty years in Philadelphia and New York. He created covers for Vogue magazine in the early 1930s and was still active in magazine cover work in the late 1980s. He was a good friend of George Withers, who did illustrations for the Saturday Evening Post , Collier's , Redbook , Blue Book , Good Housekeeping and The New York Times .
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Frank Kelly Freas was an American science fiction and fantasy artist with a career spanning more than 50 years. He was known as the "Dean of Science Fiction Artists" and he was the second artist inducted by the Science Fiction Hall of Fame.
Edmund Alexander Emshwiller was an American visual artist notable for his science fiction illustrations and his pioneering experimental films. He usually signed his illustrations as Emsh but sometimes used Ed Emsh, Ed Emsler, Willer and others.
Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: the National Museum of American Illustration deemed his painting Daybreak (1922) to be the most successful art print of the 20th century.
The Saturday Evening Post is an American magazine, currently published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week.
Clarence Coles Phillips was an American artist and illustrator who signed his early works C. Coles Phillips, but after 1911 worked under the abbreviated name, Coles Phillips. He is known for his stylish images of women and a signature use of negative space in the paintings he created for advertisements and the covers of popular magazines.
Edward Sorel is an American illustrator, caricaturist, cartoonist, graphic designer and author. His work is known for its storytelling, its left-liberal social commentary, its criticism of reactionary right-wing politics and organized religion. Formerly a regular contributor to The Nation, New York Magazine and The Atlantic, his work is today seen more frequently in Vanity Fair. He has been hailed by The New York Times as "one of America's foremost political satirists". As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing".
Joseph Christian Leyendecker was one of the most prominent and financially successful freelance commercial artists in the U.S. He was active between 1895 and 1951 producing drawings and paintings for hundreds of posters, books, advertisements, and magazine covers and stories. He is best known for his 80 covers for Collier's Weekly, 322 covers for The Saturday Evening Post, and advertising illustrations for B. Kuppenheimer men's clothing and Arrow brand shirts and detachable collars. He was one of the few known gay artists working in the early-twentieth century U.S.
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book, magazine, newspaper (tabloid), comic book, video game, music album, CD, videotape, DVD, or podcast.
Franklin Booth was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century. He was one of the first modern ex libris designers in the United States.
Arnold Roth is an American cartoonist and illustrator for advertisements, album covers, books, magazines, and newspapers. Novelist John Updike wrote, "All cartoonists are geniuses, but Arnold Roth is especially so."
Margaret Brundage, born Margaret Hedda Johnson, was an American illustrator and painter who is remembered chiefly for having illustrated the pulp magazine Weird Tales. Working in pastels on illustration board, she created most of the covers for Weird Tales between 1933 and 1938.
Jessie Willcox Smith was an American illustrator during the Golden Age of American illustration. She was considered "one of the greatest pure illustrators". A contributor to books and magazines during the late 19th and early 20th centuries, Smith illustrated stories and articles for clients such as Century, Collier's, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. She had an ongoing relationship with Good Housekeeping, which included a long-running Mother Goose series of illustrations and also the creation of all of the Good Housekeeping covers from December 1917 to 1933. Among the more than 60 books that Smith illustrated were Louisa May Alcott's Little Women and An Old-Fashioned Girl, Henry Wadsworth Longfellow's Evangeline, and Robert Louis Stevenson's A Child's Garden of Verses.
Al Parker (1906–1985) was an American artist and illustrator.
Constantinos "Ted" CoConis was an American illustrator and painter who worked on many children's books, including the 1971 Newbery Award-winning The Summer of the Swans by Betsy Cromer Byars, and The Golden God, Apollo by Doris Gates. He is the creator of well-known movie posters, book covers, and magazine and story illustrations, for which he was inducted into the Society of Illustrators' Hall of Fame. In 1980, he left the world of illustration to pursue a career as a fine artist.
Clara Elsene Peck was an American illustrator and painter known for her illustrations of women and children in the early 20th century. Peck received her arts education from the Minneapolis School of Fine Arts and was employed as a magazine illustrator from 1906 to 1940. Peck's body of work encompasses a wide range, from popular women's magazines and children's books, works of fiction, commercial art for products like Ivory soap, and comic books and watercolor painting later in her career. Peck worked during the "Golden Age of American Illustration" (1880s–1930s) contemporaneous with noted female illustrators Jessie Willcox Smith, Elizabeth Shippen Green and Violet Oakley.
Mead Schaeffer was an American illustrator active from the early to middle twentieth century.
Charles Livingston Bull (1874–1932) was an American illustrator. Bull studied taxidermy in Rochester, New York and is known for his illustration of wildlife.
Tom Bachtell is a self-taught artist who is an illustrator and caricaturist for The New Yorker's Talk of the Town as well as other sections, contributing regularly for 23 years. He has done work for Entertainment Weekly, Newsweek, Forbes, Bon Appétit, Town & Country, Mother Jones, New York, Poetry, the New York Times, the Wall Street Journal, the New York Observer and London's Evening Standard as well as Marshall Field, Lands' End and the chamber-music series at the University of Chicago as part of his ad-campaign clientele. His brush-and-ink style is considered to be reminiscent of American cartoonists from the 1920s and 1930s. He was a finalist for the 18th Lambda Literary Awards as illustrator along with editor Robert Trachtenberg for the book When I Knew under the Belles Lettres category.
John La Gatta, also spelled LaGatta, was an advertising illustrator active during the first half of the 20th century.
Naiad June Einsel was an American commercial illustrator and artist. Over the course of her career, Einsel completed artwork for magazines, newspapers, and brands. Einsel, along with husband Walter, was inducted into the Society of Illustrators' Hall of Fame in 2008.