Robert Bresson was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.
Béla Tarr is a Hungarian filmmaker. Debuting with the film Family Nest (1979), Tarr began his directorial career with a brief period of what he refers to as "social cinema", aimed at telling everyday stories about ordinary people, often in the style of cinema vérité. Over the next decade, he changed the cinematic style and thematic elements of his films. Tarr has been interpreted as having a pessimistic view of humanity; the characters in his works are often cynical, and have tumultuous relationships with one another in ways critics have found to be darkly comic.
Remodernist film developed in the United States and the United Kingdom in the early 21st century with ideas related to those of the international art movement Stuckism and its manifesto, Remodernism. Key figures are Jesse Richards and Peter Rinaldi.
The International Federation of Film Critics is an association of national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. It has members in more than 50 countries worldwide.
László Krasznahorkai is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango and The Melancholy of Resistance, have been turned into feature films by Hungarian film director Béla Tarr.
Sátántangó, also known in English as Satan's Tango, is a 1994 drama film directed by Hungarian filmmaker Béla Tarr. Shot in black-and-white and running for more than seven hours, it is based on the 1985 novel of the same name by Hungarian novelist László Krasznahorkai, whose works Tarr has frequently adapted since his 1988 film Damnation. Tarr had hoped to make the film since 1985 but was unable to proceed with production due to the strict political environment in Hungary.
The Man from London is a 2007 Hungarian film directed by Béla Tarr and Ágnes Hranitzky. It is an adaptation by Tarr and his collaborator-friend László Krasznahorkai of the 1934 novel L'Homme de Londres by prolific Belgian writer Georges Simenon. The film features an international ensemble cast including Czech actor Miroslav Krobot, Briton Tilda Swinton, and Hungarian actors János Derzsi and István Lénárt. The plot follows Maloin, a nondescript railway worker who recovers a briefcase containing a significant amount of money from the scene of a murder to which he is the only witness. Wracked by guilt and fear of being discovered, Maloin sinks into despondence and frustration, which leads to acrimony in his household. Meanwhile, an English police detective investigates the disappearance of the money and the unscrupulous characters connected to the crime.
The Mannheim-Heidelberg International Film Festival, often referred to by the German-language initialism IFFMH, is an annual film festival established in 1952 hosted jointly by the cities of Mannheim and Heidelberg in Baden-Württemberg, the southwest region of Germany.
László Nemes is a Hungarian film director and screenwriter. His 2015 debut feature film, Son of Saul, was screened in the main competition at the 2015 Cannes Film Festival, where it won the Grand Prix. He is the first Hungarian director whose film has won a Golden Globe for Best Foreign Language Film. Son of Saul is the second Hungarian film to win the Academy Award for Best Foreign Language Film. In 2016, Nemes was a member of the main competition jury of the 2016 Cannes Film Festival.
The 53rd Cannes Film Festival took place from 14 to 25 May 2000. French filmmaker Luc Besson was the Jury President for the main competition. Virginie Ledoyen was the mistress of ceremonies. Danish filmmaker Lars von Trier won the Palme d'Or for the musical-drama film Dancer in the Dark.
The Turin Horse is a 2011 Hungarian period drama film directed by Béla Tarr and Ágnes Hranitzky, starring János Derzsi, Erika Bók and Mihály Kormos. It was co-written by Tarr and his frequent collaborator László Krasznahorkai. It recalls the whipping of a horse in the Italian city of Turin that is rumoured to have caused the mental breakdown of philosopher Friedrich Nietzsche. The film is in black-and-white, shot in only 30 long takes by Tarr's regular cameraman Fred Kelemen, and depicts the repetitive daily lives of the horse-owner and his daughter.
György Fehér was a Hungarian film director and screenwriter. His film Szenvedély was screened in the Un Certain Regard section at the 1998 Cannes Film Festival. He was also a producer on Béla Tarr's seven-hour film Sátántangó.
Mike S. Ryan is an American film producer. He is most known for producing the indie hit feature Junebug, starring Amy Adams. Adams received a nomination for the 2006 Academy Award for Best Performance by an Actress in a Supporting Role, making it one of the most inexpensive films to ever receive a nomination. He has gone on to make films with such auteurs as Kelly Reichardt, Hal Hartley, Bela Tarr, Todd Solondz, and Rick Alverson.
Mihály Víg is a Hungarian composer, poet, songwriter, guitarist, singer and actor.
Werc Werk Works is an independent film production and finance company founded by Elizabeth Redleaf and Independent Spirit Award-nominated producer Christine Kunewa Walker. The company plans to make three to four films per year in the sub-$5 million range.
The 61st annual Berlin International Film Festival was held from 10 to 20 February 2011, with actress Isabella Rossellini as the president of the jury. The Coen Brothers film True Grit opened the festival. 300,000 tickets were sold in total during the event, to 20,000 attendees from 116 countries, including 3900 members of the press.
Slow cinema is a genre of art cinema characterised by a style that is minimalist, observational, and with little or no narrative, and which typically emphasizes long takes. It is sometimes called "contemplative cinema".
The Long Way Home is a 2013 Turkish drama film directed by Alphan Eseli.
Nana Ekvtimishvili is a Georgian writer and director.
The 30th European Film Awards were presented on 9 December 2017 in Berlin, Germany. The nominations and winners are selected by more than 2,500 members of the European Film Academy.
