Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
The New York Film Festival (NYFF) is an annual film festival held every autumn in New York City, presented by the Film Society of Lincoln Center (FSLC). Founded in 1963 by Richard Roud and Amos Vogel with the support of Lincoln Center president William Schuman, it is one of the longest-running and most prestigious film festivals in the United States. The non-competitive festival is centered around a “Main Slate” of typically 20-30 feature films, with sidebars for experimental cinema and retrospectives, and recently introduced documentary and trans-media sections. Programming is led by a rotating Selection Committee, chaired by the Director of the New York Film Festival, with many committee members remaining from year to year. Separate committees and individuals program the short film, experimental, and trans-media sections.
The Hong Kong International Film Festival is one of Asia’s oldest international film festival. Founded in 1976, the festival features different movies, filmmakers from different countries in Hong Kong.
Criss-Cross was an artists' co-operative that was formed in Colorado, USA, in the early 1970s. Having evolved from the 1960s artists' community, Drop City, Criss-Cross focused on issues surrounding "pattern and structure" and became associated with the 1970s art movement Pattern and Decoration (P&D).
He received his MFA in film, from the California Institute of the Arts.
The California Institute of the Arts (CalArts) is a private art university in the Los Angeles suburb of Santa Clarita, California, United States. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for students of both the visual and performing arts. It offers Bachelor of Fine Arts, Master of Fine Arts, Master of Arts, and Doctor of Musical Arts degrees through its six schools: Art, Critical Studies, Dance, Film/Video, Music, and Theater.
The Academy Film Archive preserved Four Frames and Throbs by Worden. [1]
The Academy Film Archive is part of the Academy Foundation, established in 1944 with the purpose of organizing and overseeing the Academy of Motion Picture Arts and Sciences’ educational and cultural activities, including the preservation of motion picture history. Although the current incarnation of the Academy Film Archive began in 1991, the Academy of Motion Picture Arts and Sciences acquired its first film in 1929.
A silent film is a film with no synchronized recorded sound. In silent films for entertainment, the plot may be conveyed by the use of title cards, written indications of the plot and key dialogue lines. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system.
Super 8mm film is a motion picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
Martin Arnold is an experimental filmmaker known for his obsessive deconstruction of found footage.
Ken Jacobs is an American experimental filmmaker. He is the director of Tom, Tom, the Piper's Son, which was admitted to the National Film Registry in 2007. His Star Spangled to Death is a nearly seven-hour film consisting largely of found footage.
For other people named James Whitney, see James Whitney (disambiguation)
Karim Aïnouz is a Brazilian film director and visual artist.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A true bricoleur, her tools include narrative and documentary styles, improvised performance and scripted dialogue, sync-sound film, found footage, digital animation, and crude Pixelvision video. Her work is primarily an investigation cultural identity and the role of the subject in various genres. Her interests include: women, sexuality and feminism; genre; reenactment; artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Creteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Gariné Torossian is an Armenian-Canadian filmmaker. Her works include Stone, Time, Touch which won best documentary at the Warsaw International Film Festival in 2007. Her films have screened at MoMa, the Telluride Film Festival (Colorado), Lux Cinema (London), the Egyptian Theatre, the Jerusalem Film Festival, the Warsaw International Film Festival, Berlinale, and a host of cinematheques, including those in Berlin, Edmonton, Ottawa, Winnipeg and Vancouver. Torossian's debut short, Visions (1992), was part of a retrospective at Centre Pompidou when she was 22. Her subsequent shorts were screened at New York Museum of Modern Art Cineprobe series when she was 25, and at the Spielberg theatre at the Egyptian (2019). Torossian's work has been broadcast on Arte France, Documentary Channel (Canada), Bravo Canada, Sundance Channel (USA), SBS (Australia) and WTN (Canada). Her films focus on notions of memory, longing and identity, underlined by her diverse and comprehensive filmography.
Marjorie Keller (1950–1994) was an experimental filmmaker, author, activist, film scholar, and wife of P. Adams Sitney, the American avant-garde cinema historian. J. Hoberman called her "an unselfish champion of the avant-garde."
Richard Roger Reeves is a Canadian animated filmmaker. He is known for his whimsical abstract animated films created using a drawn on film technique.
Swedish artist Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden, where she now resides. She has worked as an experimental filmmaker since the 1960s. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles of the 60s and to the present. As of 2006 she has to her credit twenty films, five videos, and one video installation.
Takahiko Iimura is a Japanese avant-garde filmmaker and fine artist. He is considered one of the pioneers of experimental and independent filmmaking in Japan. Iimura was born in Tokyo and is a graduate of Keio University. His film Onan (1963) won the Special Prize at the Brussels International Independent Film Festival in 1964. He published a seminal work on experimental filmmaking in 1970, Geijutsu to higeijutsu no aida, and a biography of Yoko Ono, Ono Yōko hito to sakuhin, in 1985. Iimura made much of his film in New York City, but became a professor at the Nagoya Zokei University of Art & Design in 1992.
Andrej Zdravič is a Slovenian independent filmmaker, sound and media artist. He was educated in Ljubljana, Algiers and Buffalo, receiving his BA (1975) and MA Degrees (1980) in Media Studies at the State University of New York, Buffalo. He was awarded a Slovenian Prešeren Foundation Award in 1999 and received an honorary award for artistic achievement from University of Ljubljana in 2006.
American artist Joseph Cornell (1903–1972) is justifiably best known for his boxes which constitute a singular contribution to the Surrealist canon and to the art of assemblage. However, he also pursued experimental film-making as an amateur beginning in the 1930s. Cornell was the principal pioneer of collage films in a purely artistic sense and, although the introduction of his films into the public forum was relatively late compared to when they were made, his work as a filmmaker has been widely influential.
The Student Experimental Film Festival in Binghamton, also known as SEFF Binghamton, is an annual film festival in Binghamton, NY. The film festival features short experimental films made by students from around the country. The film festival is organized and curated by Binghamton University students enrolled in Curating Film and Video, an undergraduate course offered by the Cinema department.
The Treasures From American Film Archives series of DVDs is produced by the National Film Preservation Foundation (NFPF), a nonprofit organization created by the U.S. Congress in 1997. The NFPF publishes these DVD sets, with accompanying booklets and extensive commentary, to promote public access to the films preserved by the American archival community.
Leandro Katz is an Argentine-born writer, visual artist and filmmaker known primarily for his films and photographic installations. His works include long-term, multi-media projects that delve into Latin American history through a combination of scholarly research, anthropology, photography, moving images and printed texts.
Jean-Claude Mocik, was born on February 9, 1958 in Livry Gargan. He is a film-maker, video director, a director and teacher.
Naomi Uman is an American experimental filmmaker and a visual artist. Uman received an MFA in Filmmaking from CalArts in 1998. Uman's work is often "marked by her signature handmade aesthetic, often shooting, hand-processing and editing her films with the most rudimentary of practices." She was once private chef to Gloria Vanderbilt, Malcolm Forbes, and Calvin Klein. Her award-winning films have screened widely at major international festivals as well as the Guggenheim Museum, the Whitney Museum of American Art, and the Museo de Arte Moderno in Mexico City.
