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Chris Langdon (born 1952) is an American artist based in Los Angeles who produced a large body of work in many media, including painting, sculpture, graphics, assemblage, photography, film, and video.
While attending California Institute of the Arts from 1971-76 in the Film (BFA) and Art (MFA) schools, Chris was extremely prolific, in particular producing about forty 16mm and 35mm films, in addition to assisting artists Robert Nelson, John Baldessari, and Jack Goldstein in the production of some of their films.
Chris's film work was influenced by, but also satirized tendencies in the Los Angeles art world toward conceptual and structural work. Most of her film work makes extensive use of lively and unexpected humor and employs the tropes of so-called "low" culture, including corny references and pulp media, to make biting critiques and comments on (and devilish subversions of) the ways in which we ingest images, and what our minds then do with them. For instance, the film Bondage Boy (1973) uses an absurd and unlikely bondage setup as a satire on structuralism, while a phony post-mortem documentary on Picasso (Picasso (1973)) allows us to question the authority of images. This is the Brain of Otis Crawfield (1973) could be seen as a damning statement on both the Anglo co-opting of African-American culture and humanity, as well as a send-up of superficial "emotional" pieces that use clichéd cinematic tricks to manipulate audience reaction. Another film, Love Hospital Trailer (ca.1975) presents a series of goofy romantic and pseudo-professional interludes among its all-male cast in the guise of a soap opera TV spot.
Chris ended a long initial string of filmmaking in about 1976, and retired from making art in 1994. In 2008, she resumed painting.
The Academy Film Archive has preserved a number of Chris Langdon's films, including Bondage Girl, Picasso, and Choppers. [1]
All films are 16mm unless noted. Several films are lost, a handful of which are not listed here due to lack of information.
Phillip Earl Niblock was an American composer, filmmaker, and videographer. In 1985, he was appointed director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.
Hollis William Frampton, Jr. was an American avant-garde filmmaker, photographer, writer, theoretician, and pioneer of digital art. He was best known for his innovative and non-linear structural films that defined the movement, including Lemon (1969), Zorns Lemma (1970), and Hapax Legomena (1971–1972), as well as his anthology book, Circles of Confusion: Film, Photography, Video: Texts, 1968–1980 (1983).
Robert Beavers is an American experimental filmmaker. Born and raised in Massachusetts, he attended Deerfield Academy which he left before graduating to move to New York in 1965 to pursue filmmaking. He lived in New York until 1967 when he and his partner, Gregory Markopoulos, left the United States for Europe, where they continued to live and make films until Markopoulos's death in 1992.
Suzan Pitt Kraning, known professionally as Suzan Pitt, was an American film director, animator, painter, and fashion designer best known for her surrealist animated shorts, including Asparagus (1979).
Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
Keiichi Tanaami is one of the leading pop artists of postwar Japan, and has been active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist.
Péter Halász was a Hungarian actor, director and playwright. In 1993 he won the Hungarian Film Critics Awards for Best Actor. He founded several theater companies in Budapest and New York City including the Kassák Haz Studió, the "appartement theatre", Squat Theatre, Love Theatre and Varosi Szinhaz. As a film actor he appeared Fat Man and Little Boy (1989), Sunshine (1999), and The Breed, among others. In February, 2006 his terminal liver cancer led to his final performance: lying in an open coffin in a Budapest art museum. He died a month after at the age of 62. He had four children: Judith Halasz, Cora Fisher, Gabor Halasz, and David Halasz.
Gariné Torossian is a Canadian filmmaker. Her works include Stone, Time, Touch which won best documentary at the Warsaw International Film Festival in 2007. Her films have screened at MoMa, the Telluride Film Festival (Colorado), Lux Cinema (London), the Egyptian Theatre, the Jerusalem Film Festival, the Warsaw International Film Festival, Berlinale, and a host of cinematheques, including those in Berlin, Edmonton, Ottawa, Winnipeg and Vancouver. Torossian's debut short, Visions (1992), was part of a retrospective at Centre Pompidou when she was 22. Her subsequent shorts were screened at New York Museum of Modern Art Cineprobe series when she was 25, and at the Spielberg theatre at the Egyptian in Los Angeles (2019). Torossian's work has been broadcast on Arte France, Documentary Channel (Canada), Bravo Canada, Sundance Channel (USA), SBS (Australia) and WTN (Canada). Her films focus on notions of memory, longing and identity, underlined by her diverse and comprehensive filmography.
Islam el Azzazi is a still photographer, graphic designer, and filmmaker who is based in Cairo, Egypt.
Carey Burtt is a filmmaker and musician based in New York City, mainly working in the underground genre.
Richard Roger Reeves is a Canadian animated filmmaker. He is known for his whimsical abstract animated films created using a drawn on film technique.
Swedish artist Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden, where she now resides. She has worked as an experimental filmmaker since the 1960s. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles of the 1960s and to the present. As of 2006, she has to her credit 20 films, five videos, and one video installation.
Takahiko Iimura was a Japanese avant-garde filmmaker and fine artist. He is considered one of the pioneers of experimental and independent filmmaking in Japan. Iimura was born in Tokyo and was a graduate of Keio University. His film Onan (1963) won the Special Prize at the Brussels International Independent Film Festival in 1964. He published a seminal work on experimental filmmaking in 1970, Geijutsu to higeijutsu no aida, and a biography of Yoko Ono, Ono Yōko hito to sakuhin, in 1985. Iimura made much of his film in New York City, but became a professor at the Nagoya Zokei University of Art & Design in 1992.
Andrea Callard is an American media artist connected with the artists group Colab in New York City.
Jennifer West is an American artist. She is known for her digitized films that are made by hand manipulating film celluloid. She serves as faculty at the University of Southern California (USC) at the Roski School of Art and Design. She lives and works in Los Angeles.
Andrej Zdravič is a Slovenian independent filmmaker, sound and media artist. He was educated in Ljubljana, Algiers and Buffalo, receiving his BA (1975) and MA degrees (1980) in Media Studies at the State University of New York, Buffalo. He was awarded a Slovenian Prešeren Foundation Award in 1999 and received an honorary award for artistic achievement from University of Ljubljana in 2006.
Leandro Katz is an Argentine-born writer, visual artist and filmmaker known primarily for his films and photographic installations. His works include long-term, multi-media projects that delve into Latin American history through a combination of scholarly research, anthropology, photography, moving images and printed texts.
Jamie Nares is a British transgender woman artist living and working in New York City since 1974. Nares makes paintings and films ; played guitar in the no wave groups James Chance and the Contortions and the Del-Byzanteens ; and was a founding member of Colab.
Richard Kerr is a Canadian filmmaker, visual artist and professor. Since the late 1970s, Kerr developed his practice across diverse media including analog film and digital video. Kerr is a faculty member at Concordia University in Montreal, where he teaches experimental filmmaking.