Juan Downey was a Chilean artist who was a pioneer in the fields of video art and interactive art.
Phill Niblock is an American composer, filmmaker, videographer, and director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.
José Luis Alcaine is a Spanish cinematographer. Educated in Tangier, he was the first cinematographer to use a fluorescent tube as key lighting in the 1970s. He has worked on films such as Belle Époque, Two Much (1995), Blast from the Past (1999), and The Skin I Live In (2011).
Hollis William Frampton, Jr. was an American avant-garde filmmaker, photographer, writer, theoretician, and pioneer of digital art. He was best known for his innovative and non-linear structural films that defined the movement, including Lemon (1969), Zorns Lemma (1970), and Hapax Legomena (1971–1972), as well as his anthology book, Circles of Confusion: Film, Photography, Video: Texts, 1968–1980 (1983).
Mary Ellen Bute was a pioneer American film animator, producer, and director. She was one of the first female experimental filmmakers, and was the creator of some of the first electronically generated film images. Her specialty was visual music; while working in New York City between 1934 and 1958, Bute made fourteen short abstract musical films. Many of these were seen in regular movie theaters, such as Radio City Music Hall, usually preceding a prestigious film. Several of her abstract films were part of her Seeing Sound series.
Ken Jacobs is an American experimental filmmaker. His style often involves the use of found footage which he edits and manipulates. He has also directed films using his own footage.
Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
Steina Vasulka and Woody Vasulka are early pioneers of video art, and have been producing work since the early 1960s. The couple met in the early 1960s and moved to New York City in 1965, where they began showing video art at the Whitney Museum and founded The Kitchen in 1971. Steina and Woody both became Guggenheim fellows: Steina in 1976, and Woody in 1979.
Keiichi Tanaami is one of the leading pop artists of postwar Japan, and has been active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Carey Burtt is a filmmaker and musician based in New York City, mainly working in the underground genre.
Marjorie Keller (1950–1994) was an experimental filmmaker, author, activist, film scholar. J. Hoberman called her "an unselfish champion of the avant-garde."
Richard Roger Reeves is a Canadian animated filmmaker. He is known for his whimsical abstract animated films created using a drawn on film technique.
Heinz Emigholz is a filmmaker, actor, artist, writer and producer. He lives and works in Berlin and Malta. Emigholz has produced a comprehensive filmic and artistic oeuvre and has also done performance art and acted in other directors’ films.
Swedish artist Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden, where she now resides. She has worked as an experimental filmmaker since the 1960s. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles of the 1960s and to the present. As of 2006, she has to her credit 20 films, five videos, and one video installation.
Takahiko Iimura was a Japanese avant-garde filmmaker and fine artist. He is considered one of the pioneers of experimental and independent filmmaking in Japan. Iimura was born in Tokyo and was a graduate of Keio University. His film Onan (1963) won the Special Prize at the Brussels International Independent Film Festival in 1964. He published a seminal work on experimental filmmaking in 1970, Geijutsu to higeijutsu no aida, and a biography of Yoko Ono, Ono Yōko hito to sakuhin, in 1985. Iimura made much of his film in New York City, but became a professor at the Nagoya Zokei University of Art & Design in 1992.
Andrea Callard is a media artist long connected with the artists group Colab in New York City.
Radomir Damnjanović Damnjan is a Serbian painter and conceptual artist. He lives and works in Milan and Belgrade.
Babette Mangolte is a French cinematographer, film director, and photographer who has lived and worked in the United States since 1970.
Naomi Uman is an American and Mexican experimental filmmaker and a visual artist. Uman received an MFA in Filmmaking from CalArts in 1998. Uman's work is often "marked by her signature handmade aesthetic, often shooting, hand-processing and editing her films with the most rudimentary of practices." She was once private chef to Gloria Vanderbilt, Malcolm Forbes, and Calvin Klein. Her award-winning films have screened widely at major international festivals as well as the Guggenheim Museum, the Whitney Museum of American Art, and the Museo de Arte Moderno in Mexico City.
