Freddie Crump, also referred to as Freddy Crump, Fred Crump and Rastus Crump [1] (died May 4, 1979 in Holland) was a drummer from the United States. He performed in various vaudeville [2] productions including with Gonzelle White in Cuba, performed in Europe, and was featured in several films. He was African American.
Crump's career started out in the 1920s.
Vitaphone filmed his performance with the Norman Thomas Quintette in the short film Harlem-Mania. [3] [4] He would get off his seat and move around doing stunts, tricks, and laughing audibly. [2] He also performed on film with Victor Feldman in the 1942 comedy film King Arthur Was a Gentleman [5] in an act where he drummed on glasses and his own teeth. [6] [7] [8]
Crump spent time in Britain and Europe performing with the Johnny Claes' Big Band. [9] Claes was born in London, but his father was Belgian, [10] and Claes and performed there with an octet that included Ronnie Scott and Crump. [11] He appeared with Claes' band in the 1946 film George in Civvy Street . [12] He also appeared on several BBC radio programs doing his own comedy routines.
Count Basie was inspired by the showman's performances. [13]
Billboard noted the quality of his performance in a review of White's vaudeville group in Havana. [14] Carlo Krahmer described what he was like. [15] Tony Crombie said he was "the most fantastic drummer I've seen in my life, including Buddy Rich". [15] Ronnie Scott described Crump as a little Black guy who had a beat up drum kit that no one else could have played. [16]
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber.
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Swing music is a style of jazz that developed in the United States during the late 1920s and early '30s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt.
Carlos Wesley "Don" Byas was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Noble Lee Sissle was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical Shuffle Along (1921), and its hit song "I'm Just Wild About Harry".
Ronnie Scott OBE was a British jazz tenor saxophonist and jazz club owner. He co-founded Ronnie Scott's Jazz Club in London's Soho district, one of the world's most popular jazz clubs, in 1959.
Howard McGhee was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro.
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who ushered in the bebop style in America. It has been said that while New Orleans was the birthplace of jazz, "America's music" grew up in Kansas City.
Henry Franklin "Buster" Smith, also known as Professor Smith, was an American jazz alto saxophonist and mentor to Charlie Parker. Smith was instrumental in instituting the Texas Sax Sound with Count Basie and Lester Young in the 1930s.
Oliver C. Todd (1916–2001) was an American jazz band leader, organ, piano, and trumpet player. He was born in Kansas City, United States. He was one of the city's most famous band leaders and led a band known as the Hottentots, a group he formed in 1934 with Kansas City, Kansas, resident Margaret Johnson, who would assume leadership after Todd left the band in 1936.
The Harlem Playgirls was an African American swing band active in the Midwest and throughout the United States from the mid-1930s to the early 1940s.
Myra Taylor was an American jazz singer and songwriter. She began performing as a teenager and continued into her nineties.
Ronald "Jack" Washington was an American jazz saxophonist who was a member of the Count Basie orchestra in the 1930s and 1940s.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
Henry "Rubberlegs" Williams was an American blues and jazz singer, dancer and occasional female impersonator. A star of Vaudeville, he is probably best remembered for his singing work with Charlie Parker and Dizzy Gillespie, although it was his dancing for which he was renowned in New York City and Boston.
The Paradise Club or Club Paradise was a nightclub and jazz club at 220 North Illinois Avenue in Atlantic City, New Jersey. It was one of two major black jazz clubs in Atlantic City during its heyday from the 1920s through 1950s, the other being Club Harlem. Entertaining a predominantly white clientele, it was known for its raucous floor shows featuring gyrating black dancers accompanied by high-energy jazz bands led by the likes of Count Basie, Jimmie Lunceford, and Lucky Millinder. In 1954 the Paradise Club merged with Club Harlem under joint ownership.
The Golden Gate Ballroom, originally named the "State Palace Ballroom", was a luxurious ballroom located at the intersection of Lenox Avenue and 142nd Street in Harlem in New York City. It was allegedly the largest public auditorium in Harlem, with 25,000 square feet and a capacity of about 5,000 people on the dance floor in addition to several thousand spectators.
Gonzell White, also written Gonzelle White, was an American jazz, blues, and vaudeville performer in the United States.