Freeplay (French : jeu libre) is a literary concept from Jacques Derrida's 1966 essay, "Structure, Sign, and Play in the Discourse of the Human Sciences". In his essay, Derrida speaks of a philosophical "event" that has occurred to the historic foundation of structure. Before the "event", man was the center of all things. After the "event", however, man could no longer be judged the center of the universe. Without this centralized reference, all that is left is "free play".
[U]p until the event which I wish to mark out and define, structure—or rather the structurality of structure—although it has always been involved, has always been neutralized or reduced, and this by a process of giving it a center or referring it to a point of presence, a fixed origin. The function of this center was not only to orient, balance, and organize the structure—one cannot in fact conceive of an unorganized structure—but above all to make sure that the organizing principle of the structure would limit what we might call the freeplay of the structure. No doubt that by orienting and organizing the coherence of the system, the center of a structure permits the Freeplay of its elements inside the total form. And even today the notion of a structure lacking any center represents the unthinkable itself.
— "Structure, Sign and Play" in Writing and Difference, p. 278
Besides the tension of Freeplay with history, there is also the tension of Freeplay with presence. Freeplay is the disruption of presence. The presence of an element is always a signifying and substitutive reference inscribed in a system of differences and the movement of a chain. Freeplay is always an interplay of absence and presence, but if it is to be radically conceived, freeplay must be conceived of before the alternative of presence and absence; being must be conceived of as presence or absence beginning with the possibility of Freeplay and not the other way around.
—"Structure, Sign and Play" in Writing and Difference, p. 294
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Post-structuralism is a philosophical movement that questions the objectivity or stability of the various interpretive structures that are posited by structuralism and considers them to be constituted by broader systems of power. Although post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media within pre-established, socially constructed structures.
Structuralism is an intellectual current and methodological approach, primarily in the social sciences, that interprets elements of human culture by way of their relationship to a broader system. It works to uncover the structural patterns that underlie all the things that humans do, think, perceive, and feel.
Jacques Derrida was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disowned the word "postmodernity".
Différance is a French term coined by Jacques Derrida. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning. Roughly speaking, the method of différance is a way to analyze how signs come to have meanings. It suggests that meaning is not inherent in a sign but arises from its relationships with other signs, a continual process of contrasting with what comes before and later. That is, a sign acquires meaning by being different from other signs. The meaning of a sign changes over time, as new signs keep appearing and old signs keep disappearing.
"Logocentrism" is a term coined by the German philosopher Ludwig Klages in the early 1900s. It refers to the tradition of Western science and philosophy that regards words and language as a fundamental expression of an external reality. It holds the logos as epistemologically superior and that there is an original, irreducible object which the logos represent. According to logocentrism, the logos is the ideal representation of the Platonic ideal.
A binary opposition is a pair of related terms or concepts that are opposite in meaning. Binary opposition is the system of language and/or thought by which two theoretical opposites are strictly defined and set off against one another. It is the contrast between two mutually exclusive terms, such as on and off, up and down, left and right. Binary opposition is an important concept of structuralism, which sees such distinctions as fundamental to all language and thought. In structuralism, a binary opposition is seen as a fundamental organizer of human philosophy, culture, and language.
"Structure, Sign, and Play in the Discourse of the Human Sciences" was a lecture presented at Johns Hopkins University on 21 October 1966 by philosopher Jacques Derrida. The lecture was then published in 1967 as chapter ten of Writing and Difference.
Difference is a key concept of philosophy, denoting the process or set of properties by which one entity is distinguished from another within a relational field or a given conceptual system. In the Western philosophical system, difference is traditionally viewed as being opposed to identity, following the Principles of Leibniz, and in particular, his Law of the identity of indiscernibles. In structuralist and poststructuralist accounts, however, difference is understood to be constitutive of both meaning and identity. In other words, because identity is viewed in non-essentialist terms as a construct, and because constructs only produce meaning through the interplay of differences, it is the case that for both structuralism and poststructuralism, identity cannot be said to exist without difference.
Barbara Ellen Johnson was an American literary critic and translator, born in Boston. She was a Professor of English and Comparative Literature and the Fredric Wertham Professor of Law and Psychiatry in Society at Harvard University. Her scholarship incorporated a variety of structuralist and poststructuralist perspectives—including deconstruction, Lacanian psychoanalysis, and feminist theory—into a critical, interdisciplinary study of literature. As a scholar, teacher, and translator, Johnson helped make the theories of French philosopher Jacques Derrida accessible to English-speaking audiences in the United States at a time when they had just begun to gain recognition in France. Accordingly, she is often associated with the "Yale School" of academic literary criticism.
Limited Inc is a 1988 book by the French philosopher Jacques Derrida, containing two essays and an interview.
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
Nietzschean affirmation is a concept that has been scholarly identified in the philosophy of Friedrich Nietzsche. An example used to describe the concept is a fragment in Nietzsche's The Will to Power:
Suppose that we said yes to a single moment, then we have not only said yes to ourselves, but to the whole of existence. For nothing stands alone, either in ourselves or in things; and if our soul did but once vibrate and resound with a chord of happiness, then all of eternity was necessary to bring forth this one occurrence—and in this single moment when we said yes, all of eternity was embraced, redeemed, justified and affirmed.
Of Grammatology is a 1967 book by the French philosopher Jacques Derrida. The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of speech and the independent act of writing.
Sous rature is a strategic philosophical device originally developed by Martin Heidegger. Though never used in its contemporary French terminology by Heidegger, it is usually translated as 'under erasure', and involves the crossing out of a word within a text, but allowing it to remain legible and in place. Used extensively by Jacques Derrida, it signifies that a word is "inadequate yet necessary"; that a particular signifier is not wholly suitable for the concept it represents, but must be used as the constraints of our language offer nothing better.
Trace is one of the most important concepts in Derridian deconstruction. In the 1960s, Jacques Derrida used this concept in two of his early books, namely Writing and Difference and Of Grammatology.
Speech and Phenomena: And Other Essays on Husserl's Theory of Signs, or Voice and Phenomenon: Introduction to the Problem of the Sign in Husserl's Phenomenology, is a book about the phenomenology of Edmund Husserl by the French philosopher Jacques Derrida, published in 1967 alongside Derrida's Of Grammatology and Writing and Difference. In Speech and Phenomena, Derrida articulates his mature relationship to Husserl, putting forward an argument concerning Husserl's phenomenological project as a whole in relation to a key distinction in Husserl's theory of language in the Logical Investigations (1900–1901) and how this distinction relates to his description of internal time consciousness. Derrida also develops key discussions of the terms deconstruction and différance. Derrida commented that Speech and Phenomena is the "essay I value the most". Derrida's best known work on Husserl's phenomenology, it is widely considered one of his most important philosophical works.
Writing and Difference is a book by the French philosopher Jacques Derrida. The work, which collects some of the early lectures and essays that established his fame, was published in 1967 alongside Of Grammatology and Speech and Phenomena.
"Cogito and the History of Madness" is a 1963 paper by the French philosopher Jacques Derrida that critically responds to Michel Foucault's book History of Madness. In this paper, Derrida questions the intentions and feasibility of Foucault's book, particularly in relation to the historical importance attributed by Foucault to the treatment of madness by Descartes in the Meditations on First Philosophy. Derrida's paper began a high-profile exchange between Derrida and Foucault as well as a considerable amount of attention from scholars. Foucault responded directly to Derrida in an appendix added to the 1972 edition of the History of Madness titled "My body, this paper, this fire." Derrida again considered Foucault's 1961 text on madness with "To do Justice to Freud: The History of madness in the age of psychoanalysis" in 1991. The exchange between Derrida and Foucault was sometimes acrimonious and it is said that "the two writers stopped communicating for ten years." Commentators on the exchange include Shoshana Felman, Gayatri Spivak, Geoffrey Bennington, Slavoj Žižek, Edward Saïd, Rémi Brague, Manfred Frank, and Christopher Norris.