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Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as "compositing", and in casual usage is often called "photoshopping". A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic.
John Heartfield was a 20th-century German visual artist who pioneered the use of art as a political weapon. Some of his most famous photomontages were anti-Nazi and anti-fascist statements. Heartfield also created book jackets for book authors, such as Upton Sinclair, as well as stage sets for contemporary playwrights, such as Bertolt Brecht and Erwin Piscator.
The Burma Road was a road linking Burma with southwest China. Its terminals were Lashio, Burma, in the south and Kunming, China, the capital of Yunnan province in the north. It was built in 1937–1938 while Burma was a British colony to convey supplies to China during the Second Sino-Japanese War. Preventing the flow of supplies on the road helped motivate the occupation of Burma by the Empire of Japan in 1942 during World War II. Use of the road was restored to the Allies in 1945 after the completion of the Ledo Road. Some parts of the old road are still visible today.
The United States Office of War Information (OWI) was a United States government agency created during World War II. The OWI operated from June 1942 until September 1945. Through radio broadcasts, newspapers, posters, photographs, films and other forms of media, the OWI was the connection between the battlefront and civilian communities. The office also established several overseas branches, which launched a large-scale information and propaganda campaign abroad. From 1942 to 1945, the OWI reviewed film scripts, flagging material which portrayed the United States in a negative light, including anti-war sentiment.
The term "home front" covers the activities of the civilians in a nation at war. World War II was a total war; homeland military production became vital to both the Allied and Axis powers. Life on the home front during World War II was a significant part of the war effort for all participants and had a major impact on the outcome of the war. Governments became involved with new issues such as rationing, manpower allocation, home defense, evacuation in the face of air raids, and response to occupation by an enemy power. The morale and psychology of the people responded to leadership and propaganda. Typically women were mobilized to an unprecedented degree.
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde.
Censorship in the Empire of Japan was a continuation of a long tradition beginning in the feudal period of Japan. Government censorship of the press existed in Japan during the Edo period, as the Tokugawa bakufu was in many ways a police state, which sought to control the spread of information, including Christianity, the influx of Western ideas, pornography and any political writings critical of the shōgun and government.
The Soviet–Japanese War, known in Mongolia as the Liberation War of 1945, was a campaign of the Second World War that began with the Soviet invasion of Japanese-occupied territory following the Soviet declaration of war against Japan on 7 August 1945. The Soviet Union and Mongolian People's Republic toppled the Japanese puppet states of Manchukuo in Manchuria and Mengjiang in Inner Mongolia, as well as northern Korea, Karafuto on the island of Sakhalin, and the Kuril Islands. The defeat of Japan's Kwantung Army helped bring about the Japanese surrender and the end of World War II. The Soviet entry into the war was a significant factor in the Japanese government's decision to surrender unconditionally, as it was made apparent that the Soviet Union was not willing to act as a third party in negotiating an end to hostilities on conditional terms.
During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.
USSR in Construction was a journal published in the decade of 1930 to 1941, as well as briefly in 1949, in the Soviet Union. It became an artistic gem and counter-current in the first year of socialist realism. With elements such as oversized pages and multi-page fold-outs, each issue exists as an elaborate artistic creation. The first issue of the journal was edited by Maxim Gorky.
Operation N was a complex of sabotage, subversion and black-propaganda activities carried out by the Polish resistance against Nazi German occupation forces during World War II, from April 1941 to April 1944. These activities were organized by Office N, which in October 1941 was transformed into an Autonomous Sub-Department N of the Bureau of Information and Propaganda of the Armed Resistance, later of the Home Army. It was headed by Tadeusz Żenczykowski.
Amerika was a Russian-language magazine published by the United States Department of State during the Cold War for distribution in the Soviet Union. It was intended to inform Soviet citizens about American life. Amerika was distinguished among other Soviet publications by its high-grade paper, bright printing and numerous photos. The magazine has been described as "polite propaganda" and featured high-quality photography and articles about everyday life in the United States, as well as profiles of famous American people and institutions. Later it briefly existed as America Illustrated. In total, 454 issues of the magazine were published.
During World War II, it was estimated that between 35,000 and 50,000 members of the Imperial Japanese Armed Forces surrendered to Allied servicemembers prior to the end of World War II in Asia in August 1945. Also, Soviet troops seized and imprisoned more than half a million Japanese troops and civilians in China and other places. The number of Japanese soldiers, sailors, marines, and airmen who surrendered was limited by the Japanese military indoctrinating its personnel to fight to the death, Allied combat personnel often being unwilling to take prisoners, and many Japanese soldiers believing that those who surrendered would be killed by their captors.
Victory Through Air Power is an American animated documentary propaganda film produced by Walt Disney Productions and released by United Artists on July 17, 1943. It is based on the 1942 book Victory Through Air Power by Alexander P. de Seversky. De Seversky appeared in the film, an unusual departure from the Disney animated feature films of the time.
The foreign relations of Third Reich were characterized by the territorial expansionist ambitions of Germany's dictator Adolf Hitler and the promotion of the ideologies of anti-communism and antisemitism within Germany and its conquered territories. The Nazi regime oversaw Germany's rise as a militarist world power from the state of humiliation and disempowerment it had experienced following its defeat in World War I. From the late 1930s to its defeat in 1945, Germany was the most formidable of the Axis powers - a military alliance between Imperial Japan, Fascist Italy, and their allies and puppet states. Adolf Hitler made most of the major diplomatic policy decisions, while foreign minister Konstantin von Neurath handled routine business.
Jugoslavija was a Yugoslav multilingual illustrated arts magazine published between 1949 and 1959. Its full title in English was Yugoslavia: An Illustrated Magazine. The magazine was based in Belgrade. The magazine was a propaganda publication which included articles on arts and advertising illustrations.
Keimin Bunka Shidōsho was a Japanese-sponsored art and cultural institution in the Dutch East Indies during the Japanese Occupation in World War II.
Britanskii Soiuznik was a weekly British propaganda periodical which existed between 1942 and 1950.
References
- 1 2 3 4 Andrea Germer (2015). "Adapting Russian Constructivism and Socialist Realism. The Japanese Overseas Photo Magazine FRONT (1942–1945)". Zeithistorische Forschungen/Studies in Contemporary History. 12. doi:10.14765/zzf.dok-1439.
- 1 2 3 "Make Magazines, Not War". Print . 20 May 2012. Retrieved 10 September 2022.
- ↑ Kevin Michael Smith (Spring 2019). "Images Under Construction: Photomontage in Interwar Europe and Japan". Circulation. 9 (2). hdl:2027/spo.7977573.0009.203.
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