Fulcrum Gallery

Last updated

Entrance to Fulcrum under the Guggenheim Museum Gugg-outside.jpg
Entrance to Fulcrum under the Guggenheim Museum

Fulcrum Gallery (also known as "Shakespeare's Fulcrum" or "Fulcrum") was an American art gallery that opened underneath the Guggenheim Museum SoHo in New York City in January 1993, by Valerie Monroe Shakespeare. It was designed by her husband, Tery Fugate-Wilcox, who contributed the gallery motto: "Without Art we are but Monkeys with Car Keys". Fugate-Wilcox is credited as photographer on all of the gallery's ads, and was listed as one of the nineteen artists represented by the gallery. The owner said in an interview, that the name "Fulcrum", (written with angular "u's", like old Latin) came from Archimedes, "Give me a place to stand, a lever long enough and a fulcrum. and I can move the Earth". She said she hoped Fulcrum would become a "pivotal point in art history". [1] Fulcrum Gallery was founded to exhibit Actual Art exclusively [2] and did so until the effects of the attacks of 9/11 caused the gallery to close in February 2002.

Contents

History

The artist-oriented, artist-designed (by Tery Fugate-Wilcox) gallery was first located in a 5,000-square-foot (460 m2) space at 144 Mercer Street, under the Guggenheim Museum, SoHo. It was most notable for unusual exhibitions: paintings made by the rain, of water-soluble paint; [3] paintings of living grass; [4] dwarf apple trees that grew into glass sculptures; living hermit crabs that moved into glass shells; [5] a forest of two inch, by eight foot, clear tubes (hanging from the ceiling) containing water and one living plant each; [6] paintings made with rust or fluffy gold, silver and copper leaf, (unburnished); drawings of dust on white canvas; and soot from candles or debris from explosions. [7]

Artists Talk on Art

Fulcrum Gallery was home to ATOA (Artists Talk on Art), a non-profit organization that held public forums, panel discussions and open screenings for and about art and artists, every Friday night, at the gallery. Panels at the gallery included such notables as Christo and Jeanne-Claude, Tery Fugate-Wilcox, Leon Golub, Arthur Dantos, Larry Rivers, Holly Solomon, Chuck Close, the Andy Warhol Foundation, Hilton Kramer and Ivan Karp, of O.K. Harris Gallery on subjects like "Come on. What's it really Worth", (how art gets its value); "Two Camels for your Canvas", (on bartering); "The Art Wars: Actual vs. Virtual", (Actual Art versus Virtual Art); "Art Virgins", (collectors on their first art purchases) and "Art & Ethics", (ethical decisions artists face). "Why'd You Make That?" (moderated by Tery Fugate-Wilcox with Chuck Close, on the artist's reasons behind making art). [8]

Shakespeare's Fulcrum Gallery became notable in the art world [9] for its outrageous artist-designed ads by Tery Fugate-Wilcox in Art Now Gallery Guide [10] and Art in America . [11] The ads were shown by Robert Miller Gallery, as art. [12] The ads were usually accompanied by a series of controversial articles in the Gallery Guide by gallery owner Valerie Monroe Shakespeare, including "Plaza Plop", "Artists of the Aughts", "Shock Schlock", "Dirt, Dust, Rust & Smut". [13] After the exhibition at Robert Miller Gallery, [14] publisher of New York Arts Magazine chose one of the photographs for the cover of their next issue. Valerie Shakespeare's nude torso was to be featured on the cover. The publisher, Abe Lubelski asked Tery Fugate-Wilcox to design the cover. His design is shown below. After stating he was "thrilled with the design" Lubelski asked Fugate-Wilcox to include thin profiles on either side of Shakespeare's image, of Mayor Juliani and Hans Haake, so that the magazine could cash in on a major controversy, at the time, over an artwork, "Nazi Garbage Cans", Haake was showing in the Whitney Museum, as a parody of the Mayor's conflict with the sanitation union. [15]

Original design of New York Arts cover NYARTs.jpg
Original design of New York Arts cover

However, Lubelski then took it upon himself to reduce Shakespeare's figure to a circle, placed in the center of a Nazi flag, [16] without Tery's or Ms. Shakespeare's permission, sparking a lawsuit, which became an episode on Peoples' Court in Nov. 2000. [17]

One ongoing exhibition at Shakespeare's Fulcrum included an all glass beehive, by Robert Dugrenier, which sat in the gallery's front window, with a tube to the outdoors, for the bees to seek out all the rooftop gardens, returning to make wax and honey sculptures inside the hive, programmed by the artist to take the desired form. Many SoHo residents came in to thank the artist for enabling their gardens to bear fruit for the first time. The bees were covered by CNN, in a 4-minute spot that aired all over the world, HBO, Art Now Gallery Guide, New York City Guide, the New York Times, Where Magazine and New York Magazine. [18]

WNYW's Good Day New York did its entire show, with Julie Golden, live from Fulcrum Gallery on March 9, 1995 [19] and the movie Great Expectations used Shakespeare's Fulcrum Gallery in one of its scenes.

The "exploded" painting, ensuing party and Dragon Chinese-NY.jpg
The "exploded" painting, ensuing party and Dragon

The gallery's exhibitions were also featured on NY1, for Earth Day, during and exhibition of grass "paintings" by Maria Ceppe.

CBS, WNYW, NBC, and ABC, covered, along with the New York Times, art exploded in the street by Tery Fugate-Wilcox on Chinese New Year despite a ban on explosives by Mayor Giuliani. The owner, Valerie Shakespeare was interviewed during the huge Chinese dinner party, open to the public, and asked what she thought of the Mayor allowing a SoHo art gallery to set off explosives, while banning the same for all of Chinatown, breaking their 5000-year-old traditions? Ms. Shakespeare was seen on all the networks, saying, "I think it stinks!" [20]

Shakespeare's Fulcrum Dinners

Fulcrum gallery began, like many other galleries, having "regular" openings with tiny cups of white wine. But being raised in Arizona, Shakespeare's sense of hospitality moved her to offer food as well. After a particularly crowded opening, for which she had cooked all day, she noticed the neither she, nor none of her artists, staff or collectors had gotten anything to eat. As she sat in a restaurant, buying dinner for over 30 people, she wondered, "What's wrong with this picture?" So began her signature sit-down dinners every week, for friends and supporters of Actual Art. [21]

In 1997, Fulcrum Gallery moved to a two-level space, complete with outdoor sculpture garden for art to weather, and a firepole, at 480 Broome Street, in SoHo. This gallery was also artist-designed, by Tery Fugate-Wilcox.

The gallery continued at the Broome Street location, where the installation of a full kitchen permitted the gallery's weekly sit-down dinners to be expanded for 35 to 45 people and the occasional buffet party for hundreds, including the dinner party for Chinese New Year, with art by Tery Fugate-Wilcox, that was blown up on the street, complete with fireworks and a dragon for the celebration, during a ban by Mayor Rudy Giuliani on explosives, [22] and a Nude Portrait Marathon with Barneby Ruhe making conventional paintings of nude models, while Tery Fugate-Wilcox had living nudes standing in huge frames on the walls of the gallery. Some of the most notable works at the new location included: a glass beehive, by Robert DuGrenier; [23] a 55-gallon glass tank of water that grew slime and algae, by Tery Fugate-Wilcox; [24] steel drawings made by rusting etched steel plates in a studio under the sea. [25]

There, the gallery became well known in the artworld, for its sit-down dinner parties, every Tuesday night, which Shakespeare cooked herself and served on an ever-expanding long table, down the center of the gallery. [26] The dinners were "intimate affairs for forty or fifty people", [27] including such celebrity guests as Michael Kennedy, Mary McFadden, Robert De Niro, Robert Goulet, Eric Douglas, [28] John DeLorean, John F. Kennedy Jr. and his wife, Carolyn, many of whom bought art, supported the gallery or just loved to "hang out". [27]

Model of the San Andreas Fault Sculpture, by Tery Fugate-Wilcox Notxt.jpg
Model of the San Andreas Fault Sculpture, by Tery Fugate-Wilcox

In addition, Shakespeare's Fulcrum always had an ongoing exhibit of the San Andreas Fault Sculpture Project, by Tery Fugate-Wilcox, in its own space, complete with model, maps of the proposed site, plate tectonics information, seismic graphs, stereoscopic aerial photographs of the entire San Andreas Fault, taken by practice runs of the U2 spy planes, on special maneuvers, requested by the Geologic Survey. [29]

The gallery closed in 2002, when the effects of the September 11, 2001 attacks effectively closed down SoHo. Although the gallery struggled to keep its doors open, especially since several of its staff were living in the gallery, after they were made homeless by the collapse of the twin towers, the inability, coupled with unwillingness of clients to fly into New York City in the aftermath of the tragedy, finally caused Fulcrum Gallery, along with many other galleries and businesses, to go out of business and close its doors permanently. [30]

Chronological list of one-person exhibitions

"Painting Brushes" "Collection" "3500 A.D. Diffusion" "2500 A.D. Diffusion" Silver, Copper & Gold fluffy leaf Tetrahedrons Tery-art.jpg
"Painting Brushes" "Collection" "3500 A.D. Diffusion" "2500 A.D. Diffusion" Silver, Copper & Gold fluffy leaf Tetrahedrons

Group exhibitions

Related Research Articles

<span class="mw-page-title-main">Terry Fugate-Wilcox</span> American painter

Tery Fugate-Wilcox, is a minimalist and natural-process postminimalist -ist painter and sculptor best known for three monumental art works in New York City and surrounding region: the LMCC-sponsored Holland Tunnel Wall, the 3-storey Self-Watering Tetrahedrons fountain located in Prudential's Gateway 4 lobby until 1998, and the permanently installed 36-foot-tall 3000 A.D. Diffusion Piece in J. Hood Wright Park overlooking the George Washington Bridge. The latter is the subject of a New York City official historical sign. The artist is an NEA-laureate with creations in the collections of the Smithsonian Institution, the National Gallery of Australia, NYC Parks, and several museums. His art at times led to tangles with the House Un-American Activities Committee, the New York City Department of Buildings, and magazine "Art in America". He was co-organizer of the Fulcrum Gallery located in the basement of the SoHo Branch of the Guggenheim Museum until both sites closed in 2002 in part due to the economic effects arising from the September 11 attacks on SoHo and TriBeCa.

<span class="mw-page-title-main">Nancy Graves</span> American painter (1939–1995)

Nancy Graves was an American sculptor, painter, printmaker, and sometime filmmaker known for her focus on natural phenomena like camels or maps of the Moon. Her works are included in many public collections, including those of the National Gallery of Art, the Brooklyn Museum of Art, the Smithsonian American Art Museum, the National Gallery of Australia (Canberra), the Des Moines Art Center, Walker Art Center (Minneapolis), and the Museum of Fine Arts. When Graves was just 29, she was given a solo exhibition at the Whitney Museum of American Art. At the time she was the youngest artist, and fifth woman to achieve this honor.

<span class="mw-page-title-main">Gagosian Gallery</span> Art gallery in Various

The Gagosian Gallery is a contemporary art gallery owned and directed by Larry Gagosian. The gallery exhibits some of the most influential artists of the 20th and 21st centuries. There are 18 gallery spaces – six in New York City, two in London, three in Paris, and one each in Basel, Gstaad, Beverly Hills, Rome, Athens, Geneva and Hong Kong.

Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American pop art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called "Neo-Geo" show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.

<span class="mw-page-title-main">Joshua Neustein</span> Israeli artist

Joshua Neustein is a contemporary visual artist who lives and works in New York City. He is known for his Conceptual Art, environmental installations, Land Art, Postminimalist torn paper works, epistemic abstraction, deconstructed canvas works, and large-scale map paintings.

Amanda Ross-Ho is an artist based in Los Angeles that works in painting, drawing, sculpture, installation, photography and uses found objects. She participated in the 2008 Whitney Biennial.

<span class="mw-page-title-main">George Condo</span> American painter

George Condo is an American visual artist who works in painting, drawing, sculpture and printmaking. He lives and works in New York City.

Nava Lubelski is a contemporary artist who works and lives in Asheville, North Carolina.

Artists’ Choice Museum in New York City was started in 1976 by many of the same younger artists who were active in the Alliance of Figurative Artists and the Figurative Coops. The first exhibition, a survey of 146 contemporary figurative artists was selected and organized by the artists of the Green Mountain, Bowery, Prince Street, and First Street Galleries - although it was a broad survey and did not exhibit just artists from those galleries. After the first show older artists were brought into its structure. Other group shows followed in clusters of galleries on 57th street and in museums: “Benefit Exhibit” in 1979, “Younger Artists: Benefit Exhibit” in 1980, “Intimate Visions” in 1982, “Narrative Sculpture” in 1982, “Painted Light” in 1983 and “Bodies and Souls” in 1983 to name some. By 1980 The Museum was publishing a bimonthly newsletter and by 1982 a magazine. By 1984 the Museum finally had a home; a building on West Broadway. This space only lasted until 1986 when the organization ceased to exist.

Valerie Lynch Napaltjarri is an Indigenous Australian artist from Papunya in Australia's Northern Territory. She is a painter and printmaker whose work has been collected by the National Gallery of Australia.

R. H. Quaytman is an American contemporary artist, best known for paintings on wood panels, using abstract and photographic elements in site-specific "Chapters", now numbering 35. Each chapter is guided by architectural, historical and social characteristics of the original site. Since 2008, her work has been collected by a number of modern art museums. She is also an educator and author based in Connecticut.

<span class="mw-page-title-main">Marjorie Strider</span> American painter, sculptor and performance artist (1931 - 2014)

Marjorie Virginia Strider was an American painter, sculptor and performance artist best known for her three-dimensional paintings and site-specific soft sculpture installations.

Valerie Jaudon is an American painter commonly associated with various Postminimal practices – the Pattern and Decoration movement of the 1970s, site-specific public art, and new tendencies in abstraction.

<span class="mw-page-title-main">Team Gallery</span> Art gallery in New York City

Team Gallery is a contemporary art gallery located in the SoHo neighborhood of New York City, with an additional project space in Venice, Los Angeles, California. It was founded by José Freire and Lisa Ruyter in 1996. Team has represented such artists as Ryan McGinley, Banks Violette, Cory Arcangel, Sam McKinniss, and Gardar Eide Einarsson.

Actual Art is a genre of art that was first named by critic Alfred Frankenstein of the San Francisco Chronicle in a review of Helene Aylon’s work. The name was chosen because the art was "real", but the term realism was already in use. Frankenstein described Aylon's work as a genre of art that involves “the self-conscious enlistment of the forces of nature, by artists, toward the completion of their art”. Collaboration with nature necessarily brings the dimension of time into as an integral component of the artworks, with some requiring many thousands of years for their completion. The artists consider the future of the work to be as important as its present, relinquishing control over the work to nature.

<span class="mw-page-title-main">Leonardo Drew</span> American contemporary artist (born 1961)

Leonardo Drew is a contemporary artist based in Brooklyn, New York. He creates sculptures from natural materials and through processes of oxidation, burning, and decay, Drew transforms these objects into massive sculptures that critique social injustices and the cyclical nature of existence.

<span class="mw-page-title-main">Valerie Hegarty</span> American artist (born 1967)

Valerie Hegarty is an American painter, sculptor, and installation artist. She is known for irreverent, often critical works that replicate canonical paintings, furnishings, and architectural spaces from American or personal history undergoing various processes of transformation. Hegarty most often portrays her recreations in meticulously realized, trompe l’oeil states of decay, ruin, or physical attack related to their circumstances. Her work examines American historical themes involving colonization, slavery, Manifest Destiny, nationalism, art-historical movements and their ideological tenets, romantic conceptions of nature, and environmental degradation. Sculpture critic Robin Reisenfeld wrote that among other things, Hegarty's art is "informed by 19th-century American landscape painting as an expression of the sublime, as well as by the manufacturing of two-dimensional 'masterworks' to be destroyed in three-dimensional fashion in order to evoke entropic forces of growth and decay."

<span class="mw-page-title-main">Jennie C. Jones</span> American artist

Jennie C. Jones is an African-American artist living and working in Brooklyn, New York. Her work has been described, by Ken Johnson, as evoking minimalism, and paying tribute to the cross-pollination of different genres of music, especially jazz. As an artist, she connects most of her work between art and sound. Such connections are made with multiple mediums, from paintings to sculptures and paper to audio collages. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, one of the biggest awards given to an individual artist in the United States. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of 50,000 dollars. In December 2015 a 10-year survey of Jones's work, titled Compilation, opened at the Contemporary Arts Museum in Houston, Texas.

David Suter is an American artist known for his many years producing editorial illustrations for clients such as The Washington Post, Time, and The New York Times. Known as "Suterisms" or "visual koans", his illustrations are notable for their use of bistable perception, in which Suter combines multiple images and concepts into a single image. Suter is also an accomplished fine art painter and sculptor.

<span class="mw-page-title-main">Kasmin Gallery</span>

The Kasmin Gallery, formerly known as the Paul Kasmin Gallery, is a New York City fine art gallery, founded in SoHo in 1989.

References

  1. [Randell, Susan. "Dealers in the 1990s", Manhattan Arts International, June–Aug. 1994 pg. 6, Illust.]
  2. ["Actual Art At Shakespeare's Fulcrum" Wall Street Reporter]
  3. [Tery Fugate-Wilcox at Shakesperare's Fulcrum" Art in America , Illust. December 2000]
  4. [Mory Alter, CBS News]
  5. [Morry Alter, CBS News]
  6. ["Michele Brody" Cover Magazine, Art Reviews, illust. April 1996]
  7. ["Dirt, Dust, Rust, Smut & Soot", Courier Lifestyles, pg. 16, March 6, 1995]
  8. link to ATOA Website
  9. [Lancion, Kathryn. "Contraian Gallery gains Cultural Leverage", Crain's Small Business, 7, 1994]
  10. [Art Now Gallery Guide, January 1993 – December 2001]
  11. [Art in America]
  12. ["Tery Fugate-Wilcox at Robert Miller Gallery" NY Arts, International Edition, April 2000]
  13. [Shakespeare, Valerie. Art Now Gallery Guide, January 1995 – December 1998]
  14. [Lubelski, Abraham. "Tery Fugate-Wilcox at Robert Miller Gallery" New York Arts, International Edition, April 2000]
  15. [Lubelski, Abraham. "Hans Haake at the Whitney Biennial" NY Arts, International Edition, April 2000, Illust.]
  16. [COVER, illust. New York Arts, International Edition, April 2000]
  17. ["The People's Court" NBC TV, November 2000]
  18. [CNN, HBO, Art Now Gallery Guide, New York City Guide, the New York Times, New York Magazine, Where Magazine]
  19. [Good Day New York, Fox 5, 3/9/95]
  20. ["Chinese New Year without its usual Bang", New York Times]
  21. [New Yorker Magazine Goings on About Town Fulcrum Gallery Feb. 1995]
  22. [ NBC, ABC, CBS, WNYW News; New York Times]
  23. CNN TV, "It's the Bees Knees at Fulcrum Gallery" Jane Moos, 4 min. world wide, summer 1999
  24. [The Wall Street Journal Erica Schacter "Don't Drink the Water: Tery Fugate-Wilcox" November 11, 1997, illust.]
  25. The Royal Gazette, Patricia Calnan, "Dan Dempster at Fulcrum" Jan. 1997 illust.
  26. Currier, Richard. "Art and Exhibitionism" YouTube
  27. 1 2 ["Fulcrum Dinner Party", Palm Beach Society, Manhattan Montage]
  28. [Johnson, Richard. "We Hear...Eric Douglas at Fulcrum Gallery" New York Post , pg. 6]
  29. [Savitt, Mark, "Terry Fugate-Wilcox", Arts Magazine, December,1975, p.10, illust]
  30. ["Life is" New York Observer January 2005]
  31. ["Art & Antiques", Where Magazine, Dec. 1993]
  32. ["Nathan Slate Joseph at Fulcrum Gallery" Where Magazine January 1994]
  33. ["Works that Defy the Limitations of Definition, Elaine Lorenze" New York Times May 29, 1994]
  34. [Morry Alter, CBS News]
  35. ["Mobile Homes make Tenants 'Crabby'" CBS News, January 13, 1995]
  36. ["Watching Grass Grow, Maria Ceppi" CBS News, January 13, 1995]
  37. ["Rust never sleeps-it just becomes art", New York Post , April 10, 1995]
  38. [ New Yorker Magazine , Goings on About Town May 1995]
  39. ["Solo in SoHo, Dan Dempster" The Bermudian, February 1996]
  40. ["Too Jewish? Helene Aylon" New York Times , March 8, 1996]
  41. ["Michele Brody" Cover Magazine, Art Reviews, April 1996]
  42. ["Dirt, Dust, Rust, Smut & Soot", Courier Lifestyles]
  43. ["Beyond Virtual...Back to Actual Fulcrum Gallery SoHo" City News]
  44. [Zimmer, William. "Actual Art at Squibb", The New York Times, July 28, 1985, p. C2, illust.]