Funk (disambiguation)

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Funk is a genre of music.

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Funk or Funky may also refer to:

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People

Aircraft

Arts, entertainment, and media

Music

Other uses in arts, entertainment, and media

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<span class="mw-page-title-main">Disco</span> Music genre

Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.

<span class="mw-page-title-main">Funk</span> 1960s music genre

Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.

Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.

The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.

<span class="mw-page-title-main">The Meters</span> American funk band

The Meters are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Their original songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics.

<span class="mw-page-title-main">Soul jazz</span> Music genre

Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.

Dance is an art form of coordinated bodily movement, typically to music and musical rhythms.

<span class="mw-page-title-main">Del the Funky Homosapien</span> American rapper

Teren Delvon Jones, better known by his stage name Del the Funky Homosapien or Sir DZL, is an American rapper.

Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. The use of disco strings are also common in the genre, although not always. Funky house uses specific techniques and a specific sound, characterized by bassline, swooshes, swirls and other synthesized sounds which give the music a bouncy tempo with around 128 BPM.

<i>Here, My Dear</i> 1978 studio album by Marvin Gaye

Here, My Dear is the fifteenth studio album by music artist Marvin Gaye, released as a double album on December 15, 1978, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place between 1977 and 1978 at Gaye's personal studios, Marvin Gaye Studios, in Los Angeles, California. The album was notable for its subject matter focusing largely on Gaye's acrimonious divorce from his first wife, Anna Gordy Gaye.

<span class="mw-page-title-main">The J.B.'s</span> Band

The J.B.'s was the name of James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

<span class="mw-page-title-main">Wild Cherry (band)</span> American rock band

Wild Cherry was an American funk rock band formed in Mingo Junction, Ohio, in 1970 that was best known for its song "Play That Funky Music".

<i>No One Can Do It Better</i> 1989 studio album by The D.O.C.

No One Can Do It Better is the debut studio album by The D.O.C., released on August 1, 1989, by Ruthless Records and Atlantic Records. It reached no. 1 on the US Top R&B/Hip-Hop Albums chart for two weeks, while peaking in the Top 20 on the Billboard 200 chart. The album was certified Gold by the RIAA three months after it was released, and Platinum on April 21, 1994. This was the only solo album The D.O.C. was able to record before a car accident resulted in crushing his larynx and permanently changing his voice. In recent years, however, he has been undergoing vocal surgery. He would not release another album until 7 years later, with Helter Skelter (1996), also released by Warner Music Group, but on Giant Records rather than Atlantic. The Formula has been seen as the song that invented G-funk.

Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk."

<i>Zapp</i> (album) 1980 studio album by Zapp

Zapp is the debut studio album by the American funk band Zapp, released on July 30, 1980, by Warner Bros. Records. The album's style and sound bears a striking resemblance to Parliament-Funkadelic, as the band was working with and being mentored by P-Funk members William Earl "Bootsy" Collins and George Clinton during the album's production. Produced by frontman Roger Troutman along with funk musician Bootsy Collins, who also provided the guitar work for the album, Zapp was recorded between late 1979 and early 1980 at the United Sound Studios in Detroit, Michigan, of which Parliament-Funkadelic frequented.

Overton Loyd is an American artist best known for creating the cover art for the Parliament album Motor Booty Affair and several other records. His style of art varies often from work to work, and can range from loose sketches and paintings to fully fleshed out pieces. He is a friend of George Clinton of Parliament, and most of the subjects for his art are either Clinton or Parliament.

<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.

<span class="mw-page-title-main">Psychedelic funk</span> Music genre

Psychedelic funk is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk.