Related Research Articles
Easy listening is a popular music genre and radio format that was most popular during the 1950s to the 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day.
Clifford Benjamin Brown was an American jazz trumpeter, pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have since been released by MCA Records due ABC's acquisition by the former in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Sketches of Spain is a studio album by the jazz trumpeter and composer Miles Davis. It was released on 18 July 1960 through Columbia Records. The recording took place between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music.
Nefertiti is a studio album by the jazz trumpeter and composer Miles Davis. It was released in March 1968 through Columbia Records. The recording was made at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions – three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock, and one by drummer Tony Williams.
In a Silent Way is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.
Jack Johnson is a studio album and soundtrack by the American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records.
On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.
Get Up with It is an album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it collected previously unreleased material that Davis had recorded between 1970 and 1974, some of which dated from the sessions for his studio albums Jack Johnson (1971) and On the Corner (1972).
Big Fun is an album by American jazz trumpeter Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. It was advertised as a new album with "four new Miles Davis compositions" One of three Davis albums released in 1974 and largely ignored, it was reissued on August 1, 2000, by Columbia and Legacy Records with additional material, which led to a critical reevaluation.
Tutu is an album by jazz trumpeter Miles Davis, released in 1986 by Warner Bros. Records. The album is Miles Davis' tribute to Archbishop Desmond Tutu who was a human rights and anti-apartheid activist. It was recorded primarily at Capitol Studios in Los Angeles and Clinton Recording in New York, except the song "Backyard Ritual", which was recorded at Le Gonks in West Hollywood. Davis received the 1986 Best Jazz Instrumental Performance, Soloist Grammy Award for his performance on the album.
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
Aura is a concept album by Miles Davis, produced by Danish composer/trumpeter Palle Mikkelborg, released in 1989. All compositions and arrangements are by Mikkelborg, who created the suite in tribute when Davis received the Léonie Sonning Music Prize in December 1984, the year Decoy was released. This was Miles Davis's final album released in his lifetime.
Young Man with a Horn, also known as Miles Davis, Vol. 1, is the second 10-inch LP by American jazz trumpeter Miles Davis, recorded at WOR studios on May 9, 1952 and released on Blue Note the following year.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.
Songs of Innocence and Experience is an album by American beat poet and writer Allen Ginsberg, recorded in 1969. For the recording, Ginsberg sang pieces from 18th-century English poet William Blake's illustrated poetry collection of the same name and set them to a folk-based instrumental idiom, featuring simple melodies and accompaniment performed with a host of jazz musicians. Among the album's contributors were trumpeter Don Cherry, arranger/pianist Bob Dorough, multi-instrumentalist Jon Sholle, drummer Elvin Jones, and Peter Orlovsky – Ginsberg's life-partner and fellow poet – who contributed vocals and helped produce the recording with British underground writer Barry Miles.
Techno-Bush is a 1984 studio album by South African jazz trumpeter Hugh Masekela. It was recorded in Gaborone, Botswana.
References
- ↑ "Gabriel Johnson Bio" (PDF).
- ↑ "Sing Out! - Publication Noted: January 2010". www.singout.org. 2010-01-01. Retrieved 2017-08-25.
Trumpet player combines the sounds of jazz and electronica on eight tracks.
- ↑ Christgau, Robert (2010-03-01). "Consumer Guide: March 2010". MSN Music. Retrieved 2017-08-25.
- ↑ Luhrssen, David (2010-01-19). "Gabriel Johnson". Shepherd Express. Retrieved 2017-08-25.
- ↑ Frey, Andrew (2010-02-01). "Maximum Ink music magazine of Wisconsin". www.maximumink.com. Retrieved 2017-08-25.
- ↑ Hull, Tom (2010-09-29). "Jazz Consumer Guide: Play Louder, and Pray for Peace". The Village Voice. Retrieved 2017-08-25.
