Sam Gilliam was an American abstract painter and sculptor. Born in Mississippi and raised in Kentucky, Gilliam spent his entire adult life in Washington, D.C., eventually being described as the "dean" of the city's arts community. Originally associated with the Washington Color School, a group of Washington-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s, Gilliam began to move beyond the movement's core aesthetics of flat fields of color when he introduced sculptural elements to his paintings. His work has also been described as lyrical abstraction.
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Kotaro Nukaga, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
The Park Place Gallery was a contemporary cooperative art gallery, in operation from 1963 to 1967, and was located in New York City. The Park Place Gallery was a notable as a post-World War II gallery for both its location and that it supported a group of artists working with geometric abstraction and space.
Derek Fordjour is an American interdisciplinary artist and educator of Ghanaian heritage who works in collage, video/film, sculpture, and painting. Fordjour lives and works in New York City.
Don Voisine is an American abstract painter living in the Williamsburg neighborhood of Brooklyn, New York, USA. In the fall of 2016, "X/V," a 15 year survey of his work, was organized by the Center for Maine Contemporary Art, Rockland, ME. In 1997 he was elected a member of American Abstract Artists and became President of the group in 2004. Voisine was elected to the National Academy in 2010. His work is included in the public collections of the Corcoran Gallery of Art, Washington, DC; Cincinnati Art Museum,Cincinnati, OH; Peabody Essex Museum, Salem MA; the Portland Museum of Art, Portland, ME; the Missoula Art Museum, Missoula, MT and the National Academy, New York, NY.
Minus Space is an art gallery located in Dumbo, Brooklyn, NY. It specializes in abstract art and reductive art.
Tony DeLap was a West Coast artist, known for his abstract sculpture utilizing illusionist techniques and meticulous craftsmanship. As a pioneer of West Coast minimalism and Op Art, DeLap's oeuvre is a testament to his willingness to continuously challenge the viewer's perception of reality.
Stephen Westfall is an American painter, critic, and professor at Rutgers University and Bard College.
Emily Mason was an American abstract painter and printmaker. Mason developed her individual approach to the Abstract Expressionist and color field painting traditions with her veils of color and spontaneous gestural mark. Mason was born and raised in New York City, where she lived and worked until her death.
Alvin D. Loving Jr., better known as Al Loving, was an African-American abstract expressionist painter. His work is known for hard-edge abstraction, fabric constructions, and large paper collages, all exploring complicated color relationships.
Candida Alvarez is an American artist and professor, known for her paintings and drawings.
Brenda Goodman is an artist and painter currently living and working in Pine Hill, New York. Her artistic practice includes paintings, works on paper, and sculptures.
Douglas Melini is a New York City and New Jersey based American painter and a CalArts alumnus.
Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.
Robert Swain is an American artist working in the field of Color Sensation.
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
Amanda Church is an American artist known for abstract paintings that reference the human figure and other discernible elements. Her works straddle representational and formalist art traditions, suggesting recognizable body parts, objects, and perspectival elements in an otherwise abstract field. Church's distinctive use of contrasting style elements has been consistently noted by critics such as Hyperallergic's Cora Fisher, who described Church's work as "whimsically overruling the left-right brain dichotomy as well as the traditionally gendered axis that divides geometric and decorative art." Church received a Guggenheim Fellowship in 2015 and a Pollock-Krasner Foundation grant in 2017, among other awards. Her work has been covered in publications such as The New York Times, The Boston Globe, ARTnews, Hyperallergic and Forbes Magazine. Her paintings have been exhibited in major U.S. cities as well as internationally, in galleries and museums such as the Brooklyn Museum of Art and the Aldrich Museum. She lives and works in New York.
James Little is an American painter and curator. He is known for his works of geometric abstraction which are often imbued with exuberant color. He has been based in New York City.
Betsy Kaufman is a visual artist based in New York known for abstract paintings and works on paper, as well as needlepoint sculptures. Critics distinguish her work by its subversion of modernist systems and its insertion of strong emotion, humor, and narrative into geometric abstraction. Writer Ingrid Schaffner observed that Kaufman's paintings are "inherently based on disruption … She has made the accidents, oppositions, contradictions, and mercurialness, which most organizing impulses work hard to minimize, into the rationale that guides the unpredictable and forceful narrative of her abstractions." Kaufman has exhibited at the Brooklyn Museum, Musée d’art moderne de Saint-Etienne (France), Queens Museum of Art, Staatsgalerie Stuttgart (Germany) and the Tang Museum, among other venues.
