Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.
Edward Hopper was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were among the first abstract paintings in American art. Though it was short-lived and did not attract many adherents, Synchromism became the first American avant-garde art movement to receive international attention. One of the difficulties inherent in describing Synchromism as a coherent style is connected to the fact that some Synchromist works are purely abstract while others include representational imagery.
The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.
The 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show. Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The postwar New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Harry Jackson, Helen Frankenthaler, Michael Goldberg, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., John Ferren, Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Joop Sanders, Robert Motherwell, Barnett Newman, and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
Barbara Ellen Rose was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art", her influential 1965 essay, defined and outlined the historical basis of minimalist art. She also wrote a widely used textbook, American Art Since 1900: A Critical History.
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Mercedes Matter was an American painter, draughtswoman, and writer. She was a founding member of the American Abstract Artists, and the Founder and Dean Emeritus of the New York Studio School.
Robert Carleton Hobbs is an American art historian and curator specializing in twentieth-century art. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University, a highly ranked art department. Since 2004 he has served as a visiting professor at Yale University. He has held positions at Cornell University, University of Iowa, Florida State University, and Tehran Museum of Contemporary Art in Iran, and is known for a number of books, in-depth essays, and exhibitions.
Janet Sobel, born Jennie Olechovsky, was a Ukrainian-born American Abstract Expressionist painter whose career started mid-life, at age forty-five in 1938. Sobel pioneered the drip painting technique; her work directly influenced Jackson Pollock. She was credited as exhibiting the first instance of all-over painting seen by Clement Greenberg, a notable art critic.
George McNeil was an American abstract expressionist painter.
Lilly Fenichel (1927–2016), was an American painter who explored abstraction through a wide range of media and approaches, with her various periods linked together by a common emphasis on color harmonies and expressive, often calligraphic gesture. Her earliest work is associated with second-generation Bay Area Abstract Expressionism.
Room in New York is a 1932 oil-on-canvas painting by the American artist Edward Hopper that portrays two individuals in a New York City flat. It is held in the collection of the Sheldon Museum of Art. The painting is said to have been inspired by the glimpses of lighted interiors seen by the artist near the district where he lived in Washington Square.
April Kingsley was an American art critic and curator known for her support of abstract expressionism in New York City, her work on the catalogue raisonné of Franz Kline, and her book about the rise of abstract expressionism, The Turning Point. In addition to her work as an art critic, art historian, and author, Kingsley was an educator and a curator especially of figurative- and abstract-expressionist work.
Francis Valentine O'Connor was an American art historian who was pioneering scholar of the visual art of the New Deal and an expert on the contemporary artist Jackson Pollock.
2 Broadway murals are a pair of untitled decorative mosaic murals by the American artist Lee Krasner completed in 1959 and located at 2 Broadway in Lower Manhattan, New York. Both murals are abstract with colorful planes made from glass tesserae in green, gold, black, and crimson, echoing the dynamism of Krasner's Abstract Expressionist painting style. The larger mural, installed above the Broadway entrance, is 86 feet by 12 feet, while the smaller one is 15 feet by 15 feet and placed above the entrance facing Broad Street. They were commissioned in 1958 by the New York-based real estate company Uris Brothers, which was headquartered at and owned the office building at 2 Broadway. Krasner designed and completed the murals in collaboration with her nephew, Roland Stein.
