Established | 1878 |
---|---|
Location | Corso Vannucci 19, 0612 Perugia, Italy |
Coordinates | 43°06′35″N12°23′16″E / 43.1097°N 12.3879°E |
Type | Art museum, Historic site |
Website | gallerianazionaledellumbria.it |
The Galleria Nazionale dell'Umbria (English: National Gallery of Umbria) the Italian national paintings collection of Umbria, housed in the Palazzo dei Priori, Perugia, in central Italy. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year.
The collection's origins lie in the foundation of the Perugian Accademia del Disegno in the mid-16th century. The Academy was originally based in the Convento degli Olivetani at Montemorcino, where it began to assemble a collection of paintings and drawings. The town became part of the French department of Trasimène in 1798 and its religious houses were suppressed. This suppression was repeated by the united Kingdom of Italy from the 1860s onwards - both suppressions shifted a large number of paintings and artworks from church to state ownership.
In 1863, the civic paintings collection was formally named after Pietro Vannucci, but the problem of establishing an appropriate site to house the collection was not solved until 1878, when it moved into the third floor of the Palazzo dei Priori in the town centre. With the addition of acquisitions, donations and bequests, the pinacoteca became the Regia Galleria Vannucci in 1918, under the patronage of the king. The name was later changed to Galleria Nazionale dell'Umbria. Over the years the entire complex of Palazzo dei Priori has been repeatedly affected by renovations and functional adaptation. The museum path, inaugurated in its current form in 2006, occupies an area of 4000 square meters on two floors. [1]
Chronologically ordered, the permanent collection has Renaissance and Medieval paintings and sculptures from Italian artists such as Arnolfo di Cambio, Nicola Pisano, Giovanni Pisano, Duccio, Gentile da Fabriano, Fra Angelico, Benozzo Gozzoli, Giovanni Boccati and Piero della Francesca. The particular attention of the collection is given to the Umbrian masters; Benedetto Bonfigli, Bartolomeo Caporali, Fiorenzo di Lorenzo, Perugino, Pintoricchio and their students and followers. [1]
A brief overview of the museum in the official website lists:
First Floor
Second Floor
Perugia is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about 164 km (102 mi) north of Rome and 148 km (92 mi) southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Benedetto Bonfigli was an Italian Renaissance painter born in Perugia, and part of the Umbria school of painters including Raphael and Perugino. He is also known as Buonfiglio. Influenced by the style of Domenico Veneziano, Benozzo Gozzoli, and Fra Angelico, Bonfigli primarily painted frescos for the church and was at one point employed in the Vatican. His best-preserved work is the Annunciation, but his masterpiece is the decoration of the chapel of the Palazzo dei Priori. Bonfigli specialized in gonfaloni, a Perugian style using banners painted on canvas or linen. Little is known of his personal life, but he was an esteemed painter in Perugia before Perugino, who is said to be his pupil.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Fiorenzo di Lorenzo was an Italian painter, of the Umbrian school. He lived and worked at Perugia, where most of his authentic works are still preserved in the Galleria Nazionale dell'Umbria.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Montefalco is a historic small hill town in Umbria, Italy, with a population of 5,581 in August 2017. It has been settled since pre-Roman times, and retains many of its historic buildings. From 1446 to 1861 it was part of the Papal States. It is one of I Borghi più belli d'Italia.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
The basilica diSan Pietro is a Catholic basilica and abbey in the Italian city of Perugia. Its bell tower, standing at 70 meters tall, is the tallest structure in Perugia and is one of the city's most significant symbols. It is an Italian national monument
Niccolò di Liberatore, known as L'Alunno (1430–1502) was an Italian painter of the Umbrian school.
The Savoy Gallery is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.
The decade of the 1430s in art involved some significant events.
The Palazzo dei Priori or comunale is one of the best examples in Italy of a public palace from the communal era. It is located in the central Piazza IV Novembre in Perugia, Umbria. It extends along Corso Vannucci up to Via Boncambi. It still houses part of the municipality, and, on the third floor, the Galleria Nazionale dell'Umbria. It takes its name from the Priori, the highest political authority governing the city in the medieval era.
Bartolomeo Caporali was an Italian painter and miniaturist in Perugia, Umbria during the early Renaissance period. His style was influenced by Umbrian artists Gozzoli and Boccati, two of his first mentors, and continued to evolve as younger Umbrian artists came onto the scene, such as Fiorenzo di Lorenzo, Perugino and Pinturicchio. Although primarily a painter, he is also known for executing missals, restoration work, gilding, armorials, banners and celebratory decorations, which speaks to his decorative, detail-oriented artistic style. His most famous works include Madonna and Saints (1487) for the church of Santa Maria Maddalena at Castiglione del Lago, The Virgin and Child Between Two Praying Angels, and his Adoration of the Shepherds.
San Domenico is a Roman Catholic basilica church, located on Piazza Giordano Bruno and via del Castellano in the city of Perugia, region of Umbria, central Italy.
Decemviri Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1495–1496, and housed in the Pinacoteca Vaticana in Vatican City.
Carlo Spiridione Mariotti was an Italian painter; he often painted genre scenes.
Pompeo Cocchi di Pier Gentile was an Italian painter of the Renaissance period, active in Umbria.
The Museo Nazionale del Palazzo di Venezia is a state museum in Rome (Italy), housed in the palace of the same name together with the important Library of Archaeology and Art History.
Madonna and Child with St Herculanus and St Constantius or Madonna of the Kitchen is a 1515 painting by Perugino, now in the Galleria Nazionale dell'Umbria in Perugia. Its title refers to the fact that it once hung in the former kitchen of the Palazzo dei Priori in Perugia. The two accompanying saints are Herculanus and Constantius, both local saints to Perugia.