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The White-Slave Traffic Act, also called the Mann Act, is a United States federal law, passed June 25, 1910. It is named after Congressman James Robert Mann of Illinois.
Isabella Fiorella Elettra Giovanna Rossellini is an Italian-American actress. The daughter of Swedish actress Ingrid Bergman and Italian film director Roberto Rossellini, she is noted for her successful tenure as a Lancôme model.
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Return from the Ashes is a 1965 British thriller film directed by J. Lee Thompson and starring Ingrid Thulin, Maximilian Schell, Samantha Eggar and Herbert Lom. It is based on a novel by French crime writer Hubert Monteilhet, adapted for film by prolific screenwriter Julius J. Epstein. The novel would also serve as the source material for the 2014 German film Phoenix, directed by Christian Petzold, though the latter film makes multiple changes to the book's elements and concerns itself solely with the plot to reclaim an inheritance.
Salon Kitty is a 1976 erotic-war-drama film directed by Tinto Brass. The film was coproduced by Italy, France and West Germany. It is based on the novel of the same name by Peter Norden, covering the real life events of the Salon Kitty operation, under which the Sicherheitsdienst took over an expensive brothel in Berlin, had the place wire tapped, and replaced all the prostitutes with trained spies, in order to gather information on various members of the Nazi party and foreign dignitaries.
Jack of Hearts is a 1950 Swedish drama film directed by Hasse Ekman and starring Ekman, Hans Strååt, Margareta Fahlén and Eva Dahlbeck. It was shot at the Centrumateljéerna Studios in Stockholm and on location around the city. The film's sets were designed by the art director Bibi Lindström.
Night Games is a 1966 Swedish movie directed by Mai Zetterling and starring Ingrid Thulin. The film premiered at the 27th Venice International Film Festival where it was considered so controversial that it was shown to the jury in private. The film was also the cause of former child-star Shirley Temple's resignation from the San Francisco International Film Festival. Temple denounced the film as “pornography for profit” and was against its being shown at the festival.
References
- ↑ Filmportal.de
- ↑ Films 1962/64, p. 98. Dusseldorf 1965
- ↑ Encyclopedia of international Film
