The Kushan Empire was a syncretic empire, formed by the Yuezhi, in the Bactrian territories in the early 1st century. It spread to encompass much of what is now Uzbekistan, Afghanistan, Pakistan and Northern India, at least as far as Saketa and Sarnath near Varanasi (Benares), where inscriptions have been found dating to the era of the Kushan Emperor Kanishka the Great.
Gandhāra was an ancient Indo-Aryan civilization centered in the present-day north-west Pakistan and including parts of north-east Afghanistan, roughly at the outskirts of northwestern Indian subcontinent. The core of the region of Gandhara was the Peshawar valley and Swat valley, though the cultural influence of "Greater Gandhara" extended across the Indus river to the Taxila region in Potohar Plateau and westwards into the Kabul valley in Afghanistan, and northwards up to the Karakoram range.
Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the 4th century BC and the 5th century AD in Gandhara, in present-day north-western Pakistan and parts of north-east Afghanistan.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
The history of Buddhism can be traced back to the 5th century BCE. Buddhism arose in Ancient India, in and around the ancient Kingdom of Magadha, and is based on the teachings of the renunciate Siddhārtha Gautama. The religion evolved as it spread from the northeastern region of the Indian subcontinent throughout Central, East, and Southeast Asia. At one time or another, it influenced most of Asia.
Swat District is a district in the Malakand Division of Khyber Pakhtunkhwa, Pakistan. With a population of 2,309,570 per the 2017 national census, Swat is the 15th-largest district of Khyber Pakhtunkhwa province.
The Guimet Museum is an art museum located at 6, place d'Iéna in the 16th arrondissement of Paris, France. Literally translated into English, its full name is the National Museum of Asian Arts-Guimet, or Guimet National Museum of Asian Arts.
The Mahājanapadas were sixteen kingdoms or oligarchic republics that existed in ancient India from the sixth to fourth centuries BCE during the second urbanisation period.
The Kidarites, or Kidara Huns, were a dynasty that ruled Bactria and adjoining parts of Central Asia and South Asia in the 4th and 5th centuries. The Kidarites belonged to a complex of peoples known collectively in India as the Huna, and in Europe as the Chionites, and may even be considered as identical to the Chionites. The 5th century Byzantine historian Priscus called them Kidarite Huns, or "Huns who are Kidarites". The Huna/Xionite tribes are often linked, albeit controversially, to the Huns who invaded Eastern Europe during a similar period. They are entirely different from the Hephthalites, who replaced them about a century later.
Kushano-Sasanian Kingdom is a historiographic term used by modern scholars to refer to a branch of the Sasanian Persians who established their rule in Bactria during the 3rd and 4th centuries CE at the expense of the declining Kushans. They captured the provinces of Sogdiana, Bactria and Gandhara from the Kushans in 225 CE. The Sasanians established governors for the Sasanian Empire, who minted their own coinage and took the title of Kushanshas, i.e. "Kings of the Kushans". They are sometimes considered as forming a "sub-kingdom" inside the Sasanian Empire. This administration continued until 360-370 CE, when the Kushano-Sasanians lost much of its domains to the invading Kidarite Huns, whilst the rest was incorporated into the imperial Sasanian Empire. Later, the Kidarites were in turn displaced by the Hephthalites. The Sasanians were able to re-establish some authority after they destroyed the Hephthalites with the help of the Turks in 565, but their rule collapsed under Arab attacks in the mid 7th century.
Gandhāra was an Ancient Indian kingdom mentioned in the Indian epics Mahabharata and Ramayana. Gandhara prince Shakuni was the root of all the conspiracies of Duryodhana against the Pandavas, which finally resulted in the Kurukshetra War. Shakuni's sister was the wife of the Kuru king Dhritarashtra and was known as Gandhari after the area of Gandhāra. Puskalavati, Takshasila (Taxila) and Purushapura (Peshawar) were cities in this Gandhara kingdom. Takshasila was founded by Raghava Rama's brother Bharata. Bharata's descendants ruled this kingdom afterwards. During the epic's period, the kingdom was ruled by Shakuni's father Suvala, Shakuni and Shakuni's son. Arjuna defeated Shakuni's son during his post-war military campaign for Yudhishthira's Aswamedha Yagna.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
The Hindu, Buddhist and Jain architectural heritage of Pakistan is part of a long history of settlement and civilization in Pakistan. The Indus Valley civilization collapsed in the middle of the second millennium BCE and was followed by the Vedic Civilisation, which extended over much of northern India and Pakistan.
Buddhism in Pakistan took root in the third century BCE under the Mauryan king Ashoka. The Major Rock Edicts of Ashoka inscribed on rock boulders in Mansehra and Shahbaz Garhi written in the Kharosthi script recording aspects of the emperor's dharma or righteous law represent some of the earliest evidence of deciphered writing in South Asia, dating to middle of the third century BCE. The Indo-Greek king Menander embraced Buddhism as attested in the Milinda Panha, which dates from sometime between 100 BC and 200 AD, following a dialogue with the monk Nāgasena in Sagala, present-day Sialkot.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes. Some Buddhist cultural objects related to the Indo-Greeks are known, such as the Shinkot casket.By far the most important Indo-Greek remains found are numerous coins of the Indo-Greek kings, considered as some of the most artistically brilliant of Antiquity. Most of the works of art of the Greco-Buddhist art of Gandhara are usually attributed to the direct successors of the Indo-Greeks in Ancient India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans. Many Gandharan works of art cannot be dated exactly, leaving the exact chronology open to interpretation. With the realization that the Indo-Greeks ruled in India until at least 10-20 CE with the reign of Strato II in the Punjab, the possibility of a direct connection between the Indo-Greeks and Greco-Buddhist art has been reaffirmed recently.
Gandhāran Buddhism refers to the Buddhist culture of ancient Gandhāra which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad. The region has yielded the Gandhāran Buddhist texts written in Gāndhārī Prakrit the oldest Buddhist manuscripts yet discovered. Gandhāra was also home to a unique Buddhist artistic and architectural culture which blended elements from Indian, Hellenistic, Roman and Parthian art. Buddhist Gandhāra was also influential as the gateway through which Buddhism spread to Central Asia and China.
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture, and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek and Bactrian, which they used together with the Indian Brahmi script.
The Brussels Buddha is a famous Buddha statue from the Greco-Buddhist art of Gandhara. It is named after the first collection to which it belonged, the Claude de Marteau collection in Brussels, Belgium, although it is now in a private collection in Japan, belonging to the Agonshū sect of Buddhism. The Brussels Buddha belongs to the category of the "Seated Buddha triads", which can be seen contemporaneously in the Greco-Buddhist art of Gandhara and in the art of Mathura in the early Kushan period. The precise location where the statue was discovered is unknown, but it was acquired in Peshawar, and it is thought to have been excavated in Sahri Bahlol due to its similarity with a statue from the same location, now in the Peshawar Museum.
Tapa Shotor, also Tape Shotor or Tapa-e-shotor, was a large Sarvastivadin monastery near Hadda, Afghanistan, and is now an archaeological site. According to archaeologist Raymond Allchin, the site of Tapa Shotor suggests that the Greco-Buddhist art of Gandhara descended directly from the art of Hellenistic Bactria, as seen in Ai-Khanoum.
