Gasoline Alley | |
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Author(s) | Frank King (1883–1969) Bill Perry (Sunday strips only, 1951–1975) Dick Moores (1956–1986) Jim Scancarelli (1986–present) |
Current status/schedule | In syndication |
Launch date | November 24, 1918 |
Syndicate(s) | Tribune Content Agency [1] |
Genre(s) | Humor, gag-a-day |
Gasoline Alley is a comic strip created by Frank King and distributed by Tribune Content Agency. It centers on the lives of patriarch Walt Wallet, his family, and residents in the town of Gasoline Alley, with storylines reflecting traditional American values. [2]
The strip debuted on November 24, 1918; as of 2024 [update] , it is the longest-running current strip in the United States, and the second-longest running strip of all time in the United States, after The Katzenjammer Kids (which ran for 109 years, 1897–2006). Gasoline Alley has received critical accolades for its influential innovations. [3] In addition to new color and page design concepts, King introduced real-time continuity to comic strips by depicting his characters aging over generations. [4]
The strip originated on the Chicago Tribune's black-and-white Sunday page, The Rectangle, where staff artists contributed one-shot panels, continuing plots or themes. One corner of The Rectangle introduced King's Gasoline Alley, where characters Walt, Doc, Avery, and Bill held weekly conversations about automobiles. This panel slowly gained recognition, and the daily comic strip began August 24, 1919, in the New York Daily News. [5]
Some of the early characters were based on people Frank King knew. Skeezix was based on his son Robert Drew King. Walt was based on "jolly" overweight bachelor and Western Union traffic engineer Walter W. Drew, who had "a wisp of unruly hair". Bill and Amy were based on locomotive engineer William D. Gannon and his wife Gertrude. [6] Doc was based on Dr. Hughie Johnson. [7]
The early years were dominated by the character Walt Wallet. Tribune editor Joseph Patterson wanted to attract women to the strip by introducing a baby, but Walt was not married. That obstacle was avoided when Walt found a baby on his doorstep, as described by comics historian Don Markstein:
After a couple of years, the Tribune's editor, Captain Joseph Patterson, whose influence would later have profound effects on such strips as Terry and the Pirates and Little Orphan Annie , decided the strip should have something to appeal to women, as well, and suggested King add a baby. Only problem was the main character, Walt Wallet, was a confirmed bachelor. On February 14, 1921, Walt found the necessary baby abandoned on his doorstep. That was the day Gasoline Alley entered history as the first comic strip in which the characters aged normally. (Hairbreadth Harry had grown up in his strip, but stopped aging in his early 20s.) The baby, named Skeezix (cowboy slang for a motherless calf), grew up, fought in World War II, and is now a retired grandfather. Walt married after all, and had more children, who had children of their own. More characters entered the storyline on the periphery and some grew to occupy center stage. [4]
Skeezix called his adoptive father Uncle Walt. Unlike most comic strip children (like the Katzenjammer Kids or Little Orphan Annie), he did not remain a baby or even a little boy for long. He grew up to manhood, the first occasion where real time was shown continually elapsing in a major comic strip over generations. By the time the United States entered World War II, Skeezix was an adult, courting Nina Clock and enlisting in the armed forces in June 1942. He later married Nina and had children. In the late 1960s, he faced a typical midlife crisis. Walt Wallet himself married Phyllis Blossom on June 24, 1926, and had other children, who grew up and had kids of their own. During the 1970s and 1980s, under Dick Moores' authorship, the characters stopped aging. When Jim Scancarelli took over, natural aging was restored. [4]
The Sunday strip was launched October 24, 1920. The 1930s Sunday pages did not always employ traditional gags, but often offered a gentle view of nature, imaginary daydreaming with expressive art, or naturalistic views of small-town life. Reviewing Peter Maresca and Chris Ware's Sundays with Walt and Skeezix (Sunday Press Books, 2007), comics critic Steve Duin quoted writer Jeet Heer:
Unlike the daily strips, which traced narratives that went on for many months, the Sunday pages almost always worked as discrete units," Heer writes. "Whereas the dailies allowed events to unfold, Sunday was the day to savor experiences and ruminate on life. It is in his Sunday pages that we find King showing his visual storytelling skills at their most developed: with sequences beautifully testifying to his love of nature, his feeling for artistic form, and his deeply felt response to life. [8]
The Sunday pages included several toppers over the course of the run: That Phoney Nickel (Dec 14, 1930 – Sept 17, 1933), Puny Puns (Feb 5 – Sept 17, 1933), Corky (Aug 18, 1935 – 1945), and Little Brother Hugo aka Wilmer's Little Brother Hugo (January 30, 1944 – 1973). [9]
The strip is still published in newspapers in the 21st century. Walt Wallet is now well over a century old (124, as of February 2024 [10] ), while Skeezix has become a centenarian. Walt's wife Phyllis, age an estimated 105, died in the April 26, 2004, strip; Walt was left a widower after nearly eight decades of marriage. Walt Wallet appeared as a guest at Blondie and Dagwood's anniversary party, and on Gasoline Alley's 90th anniversary, Blondie , Beetle Bailey , Dennis the Menace , and Snuffy Smith each acknowledged the Gasoline Alley anniversary in their dialogue. Snuffy Smith presented a character crossover with Walt in the doorway of Snuffy's house where he was being welcomed and invited in by Snuffy. [11] In May 2013 at the cartoon retirement home, Walt is at a dinner when Maggie's (of Bringing Up Father ) pearl brooch is stolen; Fearless Fosdick is his usual incompetent self trying to catch the thief; cameos include such "retired" comics characters as Lil' Abner; Smokey Stover and Pogo and Albert. Even the active cartoon character Rex Morgan, M.D., appears.
These characters break the strip's rule about aging with the calendar.
Daily:
Sunday:
King was succeeded by his former assistants, with Bill Perry taking responsibility for Sunday strips in 1951 and Dick Moores, first hired in 1956, becoming sole writer and artist for the daily strip in 1959. When Perry retired in 1975, Moores took over the Sunday strips, as well, combining the daily and Sunday stories into one continuity starting September 28, 1975. Moores died in 1986, and since then, Gasoline Alley has been written and drawn by Scancarelli, former assistant to Moores. Scancarelli returned to done-in-one separate situations for the Sunday strip. [11]
The strip and King were recognized with the National Cartoonists Society's Humor Strip Award in 1957, 1973, 1980, 1981, 1982, and 1985. King received the 1958 Society's Reuben Award, and Moores received it in 1974. Scancarelli received the Society's Story Comic Strip Award in 1988. The strip received an NCS plaque for the year's best story strip in 1981, 1982 and 1983. [16]
Examples of the full page Sunday strip were printed in The Comic Strip Century (1995, reissued in 2004 as 100 Years of Comic Strips), edited by Bill Blackbeard, Dale Crain and James Vance. Moores' dailies and Sundays have appeared in Comics Revue monthly, as have the first Scancarelli strips. In 1995, the strip was one of 20 included in the Comic Strip Classics series of commemorative US postage stamps.
In 2003, Spec Productions began a series of softcover collections, Frank King's Gasoline Alley Nostalgia Journal, reprinting the strip from the first Rectangle panel (November 24, 1918). To date, four volumes have appeared:
In 2005, the first of a series of reprint books, Walt and Skeezix , was published by Drawn & Quarterly, edited by Chris Ware and included contributions by Jeet Heer. The first volume covers 1921–22, beginning several weeks before baby Skeezix appears. These reprint only the daily strips, with Sundays slated to appear in another series: [17]
In 2007, Sunday Press Books published Sundays with Walt and Skeezix, which collects early Sunday strips in the original size and color.
In 2014, Dark Horse Comics published Gasoline Alley: The Complete Sundays Volume 1 1920–1922 and Gasoline Alley: The Complete Sundays Volume 2 1923–1925 in hardback.
Moores' work on the strip was published in three different collections, all currently out of print, as well as being serialized in Comics Revue magazine:
On October 9, 2012, IDW Publishing's imprint The Library of American Comics published a hardback collection titled Gasoline Alley, Volume 1, collecting several years of the daily strip by Frank King and Dick Moores. [18]
Several radio adaptations were made. Uncle Walt and Skeezix in 1931 starred Bill Idelson as Skeezix with Jean Gillespie as Nina Clock. Jimmy McCallion was Skeezix in the series that ran on NBC from February 17 to April 11, 1941, continuing on the Blue Network from April 28 to May 9 of that same year. The 15-minute series aired weekdays at 5:30 pm. Along with Nina (Janice Gilbert), the characters included Skeezix's boss Wumple (Cliff Soubier) and Ling Wee (Junius Matthews), a waiter in a Chinese restaurant. Charles Schenck directed the scripts by Kane Campbell.
The syndicated series of 1948–49 featured a cast of Bill Lipton, Mason Adams, and Robert Dryden. Sponsored by Autolite, the program used opening theme music by the Polka Dots, a harmonica group. The 15-minute episodes focused on Skeezix running a gas station and garage, the Wallet and Bobble Garage, with his partner, Wilmer Bobble. In New York, this series aired on WOR from July 16, 1948, to January 7, 1949. [19]
Gasoline Alley was adapted into two feature films, Gasoline Alley (1951) and Corky of Gasoline Alley (1951). The films starred Jimmy Lydon as Skeezix, known at that time for Life with Father (1947) and his earlier character of Henry Aldrich. [20]
A comic strip is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.
Bringing Up Father is an American comic strip created by cartoonist George McManus. Distributed by King Features Syndicate, it ran for 87 years, from January 2, 1913, to May 28, 2000.
Frank Oscar King was an American cartoonist best known for his comic strip Gasoline Alley. In addition to innovations with color and page design, King introduced real-time continuity in comic strips by showing his characters aging over generations.
A daily strip is a newspaper comic strip format, appearing on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. They typically are smaller, 3–4 grids compared to the full page Sunday strip and are black and white.
Richard Arnold Moores was an American cartoonist whose best known work was the comic strip Gasoline Alley, which he worked on for nearly three decades.
James Scancarelli, known professionally as Jim Scancarelli, is an American cartoonist and musician. Since 1986, he has been writing and drawing the syndicated comic strip Gasoline Alley for Tribune Media Services. In that role, his predecessors were Frank King, Bill Perry and Dick Moores. He had served as an assistant to the latter for several years before taking over. Scancarelli is also a prizewinning bluegrass fiddler.
Gasoline Alley may refer to:
Nemo, the Classic Comics Library was a magazine devoted to the history and creators of vintage comic strips. Created by comics historian Rick Marschall, it was published between 1983 and 1990 by Fantagraphics.
Toots and Casper is a family comic strip by Jimmy Murphy, distributed to newspapers for 38 years by King Features Syndicate, from December 17, 1918 to December 30, 1956. The strip spawned many merchandising tie-ins, including books, dolls, paper dolls, pins, bisque nodders and comic books.
Mark J. Cohen was an American collector of comic books and comic book art, and a prominent cartoonists' agent and dealer in original comics art. He was an occasional contributor to the Gasoline Alley comic strip.
This is a timeline of significant events in comics in the 1920s.
William Miles Perry was an American cartoonist, known as an assistant on, and later a primary artist for, the Gasoline Alley comic strip.
Corky means cork-like. It is an English and Irish unisex name that also serves as a nickname for Courtney. It may also refer to:
The Sunday Funnies is a publication reprinting vintage Sunday comic strips at a large size (16"x22") in color. The format is similar to that traditionally used by newspapers to publish color comics, yet instead of newsprint, it is printed on a quality, non-glossy, 60-pound offset stock for clarity and longevity. Featured are classic American comic strips from the late 19th century to the 1930s. The publication's title is taken from the generic label often used for the color comics sections of Sunday newspapers.
Gasoline Alley was an American radio sitcom based on the popularity of the newspaper comic strip Gasoline Alley by Frank King. It first aired in 1931 under the name "Uncle Walt and Skeezix".
Gasoline Alley is a 1951 American comedy film directed by Edward Bernds and starring Scotty Beckett, Jimmy Lydon and Susan Morrow. It is based on the comic strip of the same name by Frank King. It was followed the same year by a sequel, Corky of Gasoline Alley.
Corky of Gasoline Alley is a 1951 American comedy film directed by Edward Bernds and starring Scotty Beckett, Jimmy Lydon, and Susan Morrow. It is based on the comic strip Gasoline Alley by Frank King, and is the sequel to the previous film Gasoline Alley.
Uncle Remus and His Tales of Br'er Rabbit is an American Disney comic strip that ran on Sundays from October 14, 1945, to December 31, 1972. It first appeared as a topper strip for the Mickey Mouse Sunday page, but after the first few years, almost always appeared on its own. The strip replaced the 1932-1945 Silly Symphony strip, which had spent its final year on gag strips featuring Panchito from The Three Caballeros.
Walt and Skeezix is a hardcover book collection of the daily comic strips of Gasoline Alley, an American comic strip written and drawn by Frank King, originally syndicated in newspapers by Tribune Content Agency between 1918 and 1969. The collection is published by the Canadian publisher Drawn & Quarterly; the first volume of the series was released in 2005.
Jim Hardy is a 1936-1942 American adventure comic strip written and drawn by Dick Moores and distributed by United Features Syndicate. It was Moores' first solo comic strip work, before he gained renown for his work on Gasoline Alley. The strip told the story of Jim Hardy, a down-on-his-luck "man against the world".
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