General Nuisance | |
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Directed by | Jules White |
Written by | Clyde Bruckman Felix Adler |
Produced by | Jules White |
Starring | Buster Keaton Dorothy Appleby Elsie Ames Monty Collins Nick Arno Bud Jamison Lynton Brendt Harry Semels |
Cinematography | Benjamin Kline |
Edited by | Jerome Thoms |
Distributed by | Columbia Pictures |
Release date |
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Country | United States |
Language | English |
General Nuisance (1941) is the ninth short subject starring Buster Keaton made for Columbia Pictures.
Aristocratic millionaire Peter Hedley Lamar Jr. (Buster Keaton) is entranced by army nurse Dorothy Appleby but her cohort Elsie Ames lets Lamar know that Dorothy is only interested in men in uniform. Lamar enlists to be near Dorothy, but Elsie tries to woo Lamar by singing a silly song to him (and Buster sings and dances!). Still interested in Dorothy, Lamar wounds himself to get under the care of Dorothy. Elsie is still after him, but Dorothy finally comes around after Lamar saves her life. [1]
This short is a reworking of Buster's 1930 feature Doughboys .
Joseph Frank "Buster" Keaton was an American actor, comedian, and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
Steamboat Bill, Jr. is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers. It was not a box-office success and became the last picture Keaton made for United Artists. Keaton ended up moving to Metro-Goldwyn-Mayer, where he made one last film in his trademark style, The Cameraman, before his creative control was taken away by the studio.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934-37) and the earliest screen appearances of Shirley Temple (1932-34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
The Haunted House is a 1921 American two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline. The film has a runtime of 21 minutes.
Three Ages is a 1923 black-and-white American feature-length silent comedy film starring comedian Buster Keaton and Wallace Beery. The first feature Keaton wrote, directed, produced, and starred in, Keaton structured the film like three inter-cut short films. While Keaton was a proven success in the short film medium, he had yet to prove himself as a feature-length star. Had the project flopped, the film would have been broken into three short films, each covering one of the ages. The structure also worked as a parody of D. W. Griffith's 1916 film Intolerance.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The action centers in a sanitarium Arbuckle's character was involuntarily brought to by his wife to be operated on by Keaton's character for alcoholism.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Mooching Through Georgia is the second short subject starring American comedian Buster Keaton made for Columbia Pictures. Keaton made a total of ten films for the studio between 1939 and 1941.
The Gold Ghost is a 1934 short American pre-code comedy film starring Buster Keaton.
Allez Oop is a 1934 American short comedy film starring Buster Keaton. It was the second film Keaton made for Educational Pictures.
She's Oil Mine is the last short subject American comedian Buster Keaton made for Columbia Pictures. Keaton made a total of 10 films for the studio between 1939 and 1941.
Dorothy Appleby was an American film actress. She appeared in over 50 films between 1931 and 1943.
Evelyn Ebersis Young was an American film actress. At the height of her career in 1940, she appeared in 9 feature films. She was the leading female actress in The Wildcat of Tucson and Prairie Schooners, playing alongside Wild Bill Elliott and Dub Taylor in a Wild Bill Hickok series.
The Buster Keaton Story is a 1957 American biographical drama film directed by Sidney Sheldon and written by Sidney Sheldon and Robert Smith, following the life of Buster Keaton. The film stars Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre, Larry Keating and Jackie Coogan. It was released on April 21, 1957, by Paramount Pictures. The film was described by AllMovie as "sublimely inaccurate" regarding details of Keaton's life. It was produced by Paramount Pictures, which paid Keaton $50,000 for the rights to his life story.
Women in War is a 1940 American war film about the nurses of the British Voluntary Aid Detachment during the Battle of France. Directed by John H. Auer and starring Wendy Barrie, Elsie Janis and Patric Knowles, it was nominated for an Oscar for Best Visual Effects.
The Taming of the Snood is a 1940 film directed by Jules White. It is the fifth short subject starring Buster Keaton made for Columbia Pictures.
The Spook Speaks is a 1940 film directed by Jules White. It is the sixth short subject starring Buster Keaton made for Columbia Pictures.
His Ex Marks the Spot (1940) is the seventh short subject starring Buster Keaton made for Columbia Pictures.
Elsie Ames was an American comic dancer and film actress. Between 1937 and 1974 she acted in 15 films. She is best known as the female film partner of Buster Keaton.