 | This article needs additional citations for verification .(June 2015) |
Gennaro Favai (1879–1958) was an Italian artist.
| | This article needs additional citations for verification .(June 2015) |
Gennaro Favai (1879–1958) was an Italian artist.
Gennaro Favai was born in Venice in 1879, son of Luigi Favai and contessa Teresa Albrizzi. In his formative years Favai studied the old masters; the Dutch and Spanish schools of the seventeenth century, the English school of the eighteenth century, and the French school of the nineteenth century (Borgmeyer 1912). Around 1895, shortly after enrolling in the Academy of Fine Arts in Venice, Favai was expelled. He continued to study under Vittore Zanetti Zilla, and formed a long lasting friendship with Mario de Maria. In 1898 Favai first exhibited work in the Società Promotrice Firenze, Firenze, Italy. Favai received increasing exposure through the 1904 St Louis Exposition, in the Paris Salon Société Nationale des Beaux-Arts 1905 exposition, and the 1907 Venice Biennale. In 1912, art critic Charles Louis Borgmeyer wrote an article on Favai’s early works in the Fine Arts Journal (Borgmeyer 1912). [1] [2]
Favai lived in Taormina and Syracuse from 1915 through 1917, followed by Capri in 1919. The exposure to these environs are central to his development of a new expression of landscape. Representation of this period is presented in the works published under the title Costa amalfitana: 50 disegni (Favai 1925) and 56 disegni dell'isola di Capri nel 1930 (Favai 1930). [3] Favai continued to work until his death in 1958. [4]
His works have been thematically divided into three main groups: The Venetian Views, The Core, and The Birds Eye View. [5] The first theme, referred to as the Venetian views are composed of street scenes and Venetian nightlife. Second theme, The Core, is heavily influenced Favai’s travels between the Amalfi Coast, Taormina, Syracuse, Capri, Rome, and Algiers. The exposure of these trips resulted in a new expression of the landscape and is marked by intense colors and strong contrasts between light and dark. The last theme, “The Birds Eye View,” is represented by overviews and cityscapes of Venice.
Favai was friends with the American poet Ezra Pound. Pound's daughter, Mary de Rachewiltz, gives us a very personal view of him and his wife Maria in her book Discretions (New York: New Directions, 1975). The scenes she recounts were those of early to mid-1930s: "Maria had a very heavy figure, always clad in black, and a very heavy Dutch accent. She was a poetess and her husband, Gennaro, a Venetian painter – a striking contrast: tall, thin, vivacious, in a dazzling white suit and with an enormous white beard and crinkly hair standing upright. His black eyes and his tongue were always active, except when he and Babbo [Ezra Pound] played chess – absorbed in their game for hours on a rainy afternoon, or evenings. I loved going to their house with Babbo, a big studio in Campo Sant Agnese, filled with heavy furniture, books and his own curious paintings: pale-coloured, misty landscapes, mostly views of Venice. I would be given art books to look at, and shown Maria's wonderful collection of teaspoons: the handles were topped by lacy windmills. Gennaro always greeted us loudly in Venetian at the top of the stairs and as soon as I was within reach he kissed me on the head: Che bei capei che bei capei, che bea putea. The usual Venetian refrain." (p. 97)
2012 - Museo del Paesaggio / Utopia del Sembiant: Il Paesaggio nei paesaggi [6]
2012 - Ca’ Pesaro International Gallery of Modern Art / Gennaro Favai: visioni e orizzonti 1879-1958 [7]
2015 - Palazzo Roverella / Il Demone Della Modernità [8] [9]
The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Giambattista Pittoni or Giovanni Battista Pittoni was a Venetian painter of the late Baroque or Rococo period. He was among the founders of the Academy of Fine Arts of Venice, of which in 1758 he became the second president, succeeding Tiepolo.
Antonio Visentini was a Venetian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and a professor at the Venetian Academy.
Ca' Pesaro is a Baroque marble palace turned art museum, facing the Grand Canal of Venice, Italy. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system.
Luca Carlevarijs or Carlevaris was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (vedute) of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi.
Luigi De Giudici was an Italian painter of the Venetian anti-academic movement in the first years of the twentieth century. His works were exhibited at Ca' Pesaro between 1912 and 1920 and at the International Exposition of Paris (1937).
Ettore Tito was an Italian artist particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region. He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915 Panama–Pacific International Exposition in San Francisco. In 1926 he was made a member of the Royal Academy of Italy. Tito was born in Castellammare di Stabia in the province of Naples and died in Venice, the city which was his home for most of his life.
Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter is an oil painting on canvas by Titian, now in the Royal Museum of Fine Arts in Antwerp.
Giovanni Battista Ciolina was an Italian neo-impressionist and divisionist painter.
Giuseppe Amisani was an Italian portrait painter of the Belle Époque.
Juti Ravenna was an Italian painter.
The Papafava were an aristocratic family of Padua, a junior branch of the Carraresi. It was admitted into the Venetian patriciate among the so-called Houses Made for Money.
Gian Maria Rastellini was an Italian neo-impressionist painter.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
The 17th Venice Biennale, held in 1930, was an exhibition of international contemporary art, with 11 participating nations. The Venice Biennale takes place biennially in Venice, Italy.
Sergio Franzoi was an Italian painter and teacher, one of the last representatives of the post-expressionist venetian current in Italy.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
