George Guthrie (born 1842, in Newcastle) moved away from the town eastwards towards the coast, and worked as a blacksmith in Wallsend and Sunderland. [1] [2]
He came to the attention of Joe Wilson, the great Music Hall performer, who said that many of Guthrie’s songs had considerable merit, and were much to be admired.
One of his songs "Heh ye seen wor Cuddy" sung to the tune of "The King of the Cannibal Islands" appears on page 13 of J. W. Swanston’s The Tyneside Songster [3] and page 518 of Thomas Allan’s illustrated edition of Tyneside Songs and Readings.
Thomas Allan was an English collector of songs and a music publisher from Newcastle upon Tyne who played a major part in the recording of the music of the day.
Ralph Blackett was an English poet, hymn writer, and businessman, associated with Tyneside in North East England.
The Shields Song Book is a book of songs written by people of South Shields and published by C. W. Barnes in 1826.
John Leonard was a Tyneside radical poet and songwriter of the early 19th century. His only dialect song was "Winlaton Hopping".
T. Moor was a Tyneside singer/songwriter of the 19th century. The only song attributed to his name is "The Skipper's Dream".
James Morrison was a Newcastle songwriter in the early part of the 19th century. His best known song is probably "Burdon’s Address to his Cavalry".
John Peacock was a South Shields born songwriter and poet in the 19th century. His most famous piece is possibly "Marsden Rocks".
John Morrison was a Tyneside songwriter from the early nineteenth century.
Phill Hodgson was a Tyneside songwriter, who, according to the information given by John Bell in his Rhymes of Northern Bards published in 1812, has the short song "Jesmond Mill" attributed to his name.
Metcalf Ross was an English master printer and sometime poet/songwriter in Tyneside. He was born in Sunderland, Tyne and Wear.
Allan's Illustrated Edition of Tyneside Songs and Readings... is an historic book of Tyneside popular and traditional songs that consisted, in its final published form, of a compilation of approximately 400 song lyrics and notes, with added songwriter and subject biographies and geographical details, together spanning over 600 pages. It was reprinted in 1972 by Frank Graham, Newcastle upon Tyne, with an introduction by music scholar David Harker.
William Watson (1796–1840) was a Tyneside concert hall singer and songwriter in the early 19th century. His most famous song is "Dance To Thy Daddy".
William Stephenson (senior) (1763–1836) was a watchmaker from Gateshead, schoolteacher, poet and songwriter, and father of William Stephenson (junior). His best known works are probably "The Quayside Shaver" and "The Skipper’s Wedding"
William Stephenson (junior) (2 September 1797 – 20 May 1838) was a Geordie printer, publisher, auctioneer, poet and songwriter born in Gateshead, the son of William Stephenson (senior).
Thomas Kerr was a Tyneside writer, journalist and songwriter of the middle and late 19th century.
Matthew Tate (1837-1920) was an English poet and songwriter, who spent much of his adult life living in Blyth.
John William Chater (1840–1885) was a prominent 19th-century Tyneside publisher, printer and bookseller, with premises in the centre of Newcastle.
Matthew C. James was a Tyneside marine draughtsman, naval architect and manager, who wrote songs and poems in the local Geordie dialect as a side-line and as a hobby.
John Higgins was a town crier in Newcastle upon Tyne in the 19th century.
Robert Elliott was a mid to late 19th century miner and poet. He was from Choppington, Northumberland.
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