George Hirliman (1901–1952) was a film producer.
Hirliman was born September 8, 1901, in Fort Lee, New Jersey. He married Eleanor Hunt, an actress. The couple adopted Georgelle Hirliman [1] in 1936, and later gave birth to daughter Kathy Hirliman in 1942.
He started his career at the Life Photo Film Corporation as an office boy and worked his way up to film director at Hirlagraph Motion Pictures, the largest film lab at that time. [2] In 1924, his production company purchased the Solax Studios and renovated the two stages, and studios. The studio building was later destroyed in a fire. [3]
When he moved to Hollywood, he worked five years at Consolidated Films Industries working on production and financing. During his tenure there, he made 30 feature films. [2] In 1935, Hirliman produced De la Sarten a Fuego / From the Frying Pan into the Fire, an English and duel Spanish production. [4] In 1936, he produced Reefer Madness [5] and a series of four "G-Man" films starring his wife.
In 1936, he patented Hirlicolor. It was a two-color process that didn't need additional lighting and any color film lab could develop. During this time, he worked with Consolidated Films. [6]
In 1941, he was working at the Colonnade Picture Studio in Miami. [2]
In 1943, Hirliman's Film Classics contracted Hal Roach Studios to re-release much of the studios films where they also re-edited the films and threw away the title sequences. [7]
He died on March 30, 1952, in New York City, New York. [5]
Reefer Madness is a 1936 American propaganda film about drugs, revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana – upon trying it, they become addicted, eventually leading them to become involved in various crimes such as a hit and run accident, manslaughter, murder, conspiracy to murder and attempted rape. While all this is happening, they suffer hallucinations, descend into insanity, associate with organized crime and commit suicide. The film was directed by Louis J. Gasnier and featured a cast of mainly little-known actors.
Franciska Gaal was a Hungarian cabaret artist and film actress of Jewish heritage. Gaal starred in a popular series of European romantic comedies during the 1930s. After attracting interest in Hollywood she moved there and made three films.
Louis Joseph Gasnier was a French-American film director, producer, screenwriter and stage actor. A cinema pioneer, Gasnier shepherded the early career of comedian Max Linder, co-directed the enormously successful film serial The Perils of Pauline (1914) and capped his output with the notorious low-budget exploitation film Reefer Madness (1936) which was both a critical and box office failure.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
Dorothea Wieck, born Dora Bertha Olavia Wieck, was a German theatre and film actress.
The Escape is a 1944 Mexican historical adventure film directed by Norman Foster and starring Esther Fernandez, Ricardo Montalbán, and Carlos Orellana. It is based on the short story Boule de suif by Guy de Maupassant. The sets were designed by the art director José Rodríguez Granada.
Arthur Alexander (1909–1989) was an American independent film producer. He worked with his brother Max and produced.films through.various studios including their own Beacon Productions, Colony Pictures, and Max Alexander Productions.
The Singer of Naples is a 1935 American musical film directed by Howard Bretherton and Moreno Cuyar and starring Enrico Caruso Jr., Mona Maris and Carmen Río. It was made in Spanish by the Hollywood studio Warner Brothers. Unlike many other American Spanish language films of the era it was not a remake of an English language film.
Thus is Life is a 1930 American Spanish language romantic comedy film directed by George Crone and starring José Bohr, Delia Magana and Lolita Vendrell. It was produced as the Spanish version of the English language film What a Man!, also directed by Crone. In the early years of sound such multi-language versions were common, and only declined with the development of dubbing.
Lumiton is a former film production company and current museum located in Munro, Buenos Aires, Argentina. Lumiton Studios was founded in 1932 at the start of the golden age of film in that country. Its lowbrow, populist films appealed to local audiences and were highly successful in Argentina and throughout Latin America. It was the main competitor to Argentina Sono Film in the 1940s.
Figaro is a 1929 French silent historical comedy film directed by Tony Lekain and Gaston Ravel and starring Ernst Van Duren, Arlette Marchal and Marie Bell. It is an adaptation of the 1778 Beaumarchais play The Marriage of Figaro, with material also used from its two sequels. It was released in 1929 in the US as a silent film, then reissued there in 1932 with an added music track, recorded by SpA Bixiophone, under the title IL BARBIERE DI SIVIGLIA.
Spanish Nights is a 1931 American Pre-Code drama film directed by Henri de la Falaise and starring Jeanne Helbling, Rose Dione and Geymond Vital. It is the French-language version of Transgression, with only Adrienne D'Ambricourt appearing in both films.
Nights in Port Said is a 1932 French drama film directed by Leo Mittler and starring Renée Héribel, Gustav Diessl and Oskar Homolka. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art director Alfred Junge. It was produced and distributed by the French subsidiary of Paramount Pictures.
Orient Express is a 1927 German silent thriller film directed by Wilhelm Thiele and starring Lil Dagover, Heinrich George and Angelo Ferrari.
Road of Hell is a 1931 American drama film directed by Richard Harlan and starring Juan Torena, Maria Alba and Carlos Villarías. It is the Spanish-language version of Fox Film's The Man Who Came Back (1931) based upon the play by Jules Eckert Goodman, which was in turn adapted from the novel by John Fleming Wilson. Such Multiple-language versions were common in the early years of sound film.
The Sacred Flame is a lost 1931 American drama film directed by William Dieterle and Berthold Viertel and starring Gustav Fröhlich, Dita Parlo and Hans Heinrich von Twardowski. It was made by Warner Brothers as a German-language remake of the studio's 1929 film The Sacred Flame. It is based upon the 1928 play of the same name by W. Somerset Maugham.
Henry Houry (1874–1972) was a French stage actor. He also appeared in and directed films. He worked for a while in the United States during the silent era, directing the 1918 Corinne Griffith film Love Watches.
The Devil on Horseback is a 1936 American musical comedy film directed by Crane Wilbur and starring Lili Damita, Fred Keating, and Renee Torres. A separate Spanish-language version was also produced. It was based on a play written by Crane Wilber himself about a Latin American freedom fighter.
Let's Get Married is a 1931 French comedy film directed by Louis Mercanton and starring Alice Cocéa, Fernand Gravey and Marguerite Moreno. It was made at the Joinville Studios in Paris by the French subsidiary of Paramount Pictures as a remake of the company's 1930 film Her Wedding Night. Such multiple-language versions were common in the early years of sound film before dubbing became commonplace.
The Woman and the Puppet is a 1929 French silent drama film directed by Jacques de Baroncelli and starring Conchita Montenegro, Tristan Sévère and Henri Lévêque. It is an adaptation of the novel of the same name by Pierre Louÿs. and the play of the same name by Pierre Frondaie.