George P. Quigley | |
---|---|
Occupation(s) | Director, Producer |
Notable work | Mistaken Identity, Murder with Music, Bob Howard's House Party, Sarumba |
George P. Quigley was a director and producer of films in the United States and Cuba. The National Museum of African American History and Culture includes coverage of two films he directed and other sources identify several more. [1] [2] Quigley was the producer and director for three films produced by Century Productions during the period from mid 1946 to early 1948: Mistaken Identity, Murder with Music and Bob Howard's House Party. [2] He was also involved with Super Sleuth produced by Consolidated National Films in 1944. [2]
He produced Sarumba , which was thought to be the first feature-length film produced in Havana by an American company. Five weeks of shooting for the film concluded in April 1947. Quigley used Havana's National Studio, finding that labor costs were about half of what they were in the United States. His report on the industry conditions in Havana was covered by Variety , and the U.S. consul planned to release a guidebook based on his experience. [3] As of October that year, Century Productions planned to close a deal for the film, and planned to film a second movie in Havana. [4] The film's release by Eagle-Lion Films was announced in October 1949. [5] It was given a "B" rating by the National Legion of Decency, indicating that it was "morally objectionable in part." [6] It received some less than favorable reviews. [7] [8] [9] A theater in Albany, New York withdrew the film shortly after it was released, along with The Devil in the Flesh , a film protested by the National League of Decency. [10]
Julius Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.
The National Legion of Decency, also known as the Catholic Legion of Decency, was a Catholic group founded in 1934 by Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences. Members were asked to pledge to patronize only those motion pictures which did not "offend decency and Christian morality". The concept soon gained support from other churches.
Born to Kill is a 1947 RKO Pictures American film noir starring Lawrence Tierney, Claire Trevor and Walter Slezak with Esther Howard, Elisha Cook Jr., and Audrey Long in supporting roles. The film was director Robert Wise's first film noir production, preceding his later work on The Set-Up (1949) and The Captive City (1952).
The French Line is a 1953 American musical film starring Jane Russell made by RKO Radio Pictures, directed by Lloyd Bacon and produced by Edmund Grainger, with Howard Hughes as executive producer. The screenplay was by Mary Loos and Richard Sale, based on a story by Matty Kemp and Isabel Dawn. It was filmed in three strip technicolor and Dual strip polarized 3D during what many consider 3-D film's "golden era" of 1952-1954.
Three Came Home is a 1950 American World War II film directed by Jean Negulesco, based on the memoirs of the same name by writer Agnes Newton Keith. It depicts Keith's life in North Borneo in the period immediately before the Japanese invasion in 1942, and her subsequent internment and suffering, separated from her husband Harry, and with a young son to care for. Keith was initially interned at Berhala Island near Sandakan, North Borneo but spent most of her captivity at Batu Lintang camp at Kuching, Sarawak. The camp was liberated in September 1945.
Pathé Exchange, commonly known as Pathé, was an American film production and distribution company, largely of Hollywood's silent era. Known for its trailblazing newsreel and wide array of shorts, it grew out of the American division of the major French studio Pathé Frères, which began distributing films in the United States in 1904. Ten years later, it produced the enormously successful The Perils of Pauline, a twenty-episode serial that came to define the genre. The American operation was incorporated as Pathé Exchange toward the end of 1914 and spun off as an independent entity in 1921; the Merrill Lynch investment firm acquired a controlling stake. The following year, it released Robert J. Flaherty's groundbreaking documentary Nanook of the North. Other notable feature releases included the controversial drama Sex (1920) and director/producer Cecil B. DeMille's box-office-topping biblical epic The King of Kings (1927/28). During much of the 1920s, Pathé distributed the shorts of comedy pioneers Hal Roach and Mack Sennett and innovative animator Paul Terry. For Roach and then his own production company, acclaimed comedian Harold Lloyd starred in many feature and short releases from Pathé and the closely linked Associated Exhibitors, including the 1925 smash hit The Freshman.
Cuban musical theatre has its own distinctive style and history. From the 18th century to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the theatres, and many compositions got their first airing on the stage. In addition to staging some European operas and operettas, Cuban composers gradually developed ideas which better suited their creole audience. Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions.
The Diaz Ayala Cuban and Latin American Popular Music Collection-FIU, located in the City of Sweetwater, Miami-Dade County, Florida, is a Special Collection of Latin American Music donated to Florida International University Libraries in 2001 by the Cuban discographer Cristobal Diaz Ayala.
The Melody Masters were a series of first-rate big band musical film shorts produced by Warner Brothers, under the supervision of Samuel Sax at their Vitaphone studio in New York between 1931 and 1939, and in Burbank, California with producer Gordon Hollingshead in charge between 1940 and 1946.
Don't Tell the Wife is a 1937 American comedy film directed by Christy Cabanne using a screenplay by Nat Perrin adapted from the play, Once Over Lightly, written by George Holland. The film stars Guy Kibbee, Una Merkel, and Lynne Overman, with Lucille Ball, William Demarest, and Academy Award winner Hattie McDaniel in supporting roles. Produced by RKO Radio Pictures, it premiered in New York City on February 18, 1937, and was released nationwide on March 5.
Double Danger is a 1938 American crime drama directed by Lew Landers, using a screenplay by Arthur T. Horman and J. Robert Bren based on Horman's story. The film stars Preston Foster and Whitney Bourne, with supporting roles by Donald Meek and Samuel S. Hinds. Produced by RKO Radio Pictures, it was released on January 28, 1938.
Arizona Legion is a 1939 American Western film directed by David Howard from a screenplay by Oliver Drake, based on Bernard McConville's story. Produced and distributed by RKO Radio Pictures, it was released on January 20, 1939, and stars George O'Brien and Laraine Day.
Almost a Gentleman is a 1939 American drama film directed by Leslie Goodwins from a screenplay by David Silverstein and Jo Pagano, based on the story by Harold Shumate. The film stars James Ellison, Helen Wood and Robert Kent. It was released by RKO Radio Pictures on March 31, 1939.
Conspiracy is a 1939 American spy drama film directed by Lew Landers, from a screenplay by Jerome Chodorov, based on the story, "Salute to Hate", by John McCarthy and Faith Thomas. The film stars Allan Lane, Linda Hayes, and Robert Barrat, and was produced and distributed by RKO Radio Pictures, who premiered the film in New York City on August 23, 1939, with a general release on September 1.
Daring Young Man is a 1942 American comedy film directed by Frank R. Strayer, which stars Joe E. Brown, Marguerite Chapman, and William Wright. Brown plays the dual roles of a failure turned champion bowler, Jonathan Peckinpaw, and his own grandmother. The original screenplay was written by Karen DeWolf and Connie Lee. The supporting cast features Claire Dodd, Lloyd Bridges, and a cameo appearance by Arthur Lake as Dagwood Bumstead.
The Blazing Sun is a 1950 American Western film directed by John English and starring Gene Autry, Lynne Roberts, and Anne Gwynne.
Sarumba is a 1950 American musical drama film directed by Marion Gering and starring Michael Whalen, Doris Dowling and Tommy Wonder. As of 1949 the film was reported to be owned outright by Walter Gould.
The Protestant Film Commission, also known as the Protestant Film Office, was an American film agency which promoted Protestant religious and moral values in Hollywood cinema. Representing 200,000 American Protestant churches with approximately 34 million members, the Commission was founded in 1945 as a consulting agency for Hollywood film scripts and also provided reviews and ratings for general-market Hollywood films.
George William Campbell Dixon was an Australian and British journalist, publicist and playwright. He was an employee of the Hobart newspaper The Mercury, Melbourne's The Argus and The Herald, and London's Daily Mail; from 1931 until his death, he headed the film criticism division of The Daily Telegraph. In 1950, he served as president of the Critics' Circle.