Related Research Articles
George FridericHandel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
Ronald Binge was a British composer and arranger of light music. He arranged many of Mantovani's most famous pieces before composing his own music, which included Elizabethan Serenade and "Sailing By".
Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
Eugene Bertram Krupa, was an American jazz drummer, bandleader and composer. Krupa is widely regarded as one of the most influential drummers in the history of popular music. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from an accompanist to an important solo voice in the band.
The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach (1685–1750). The piece opens with a toccata section, followed by a fugue that ends in a coda. Scholars differ as to when it was composed. It could have been as early as c. 1704. Alternatively, a date as late as the 1750s has been suggested. To a large extent, the piece conforms to the characteristics deemed typical of the north German organ school of the Baroque era with divergent stylistic influences, such as south German characteristics.
Vincent Ludwig Persichetti was an American composer, teacher, and pianist. An important musical educator and writer, he was known for his integration of various new ideas in musical composition into his own work and teaching, as well as for training many noted composers in composition at the Juilliard School.
Leroy Anderson was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Josef Gabriel Rheinberger was organist and composer from Liechtenstein, residing in Bavaria for most of his life. As court conductor in Munich, he was responsible for the music in the royal chapel. He is known for sacred music, works for organ and vocal works, such as masses, a Christmas cantata and the motet Abendlied; he also composed two operas and three singspiele, incidental music, secular choral music, two symphonies and other instrumental works, chamber music, and works for organ.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz.
Rodney Terence Argent is an English musician. In a career spanning more than 50 years, Argent came to prominence in the mid-1960s as the keyboardist, founder and leader of the rock band the Zombies, and went on to form the band Argent after the first break-up of the Zombies.
Horatio William Parker was an American composer, organist and teacher. He was a central figure in musical life in New Haven, Connecticut in the late 19th century, and is best remembered as the undergraduate teacher of Charles Ives while the composer attended Yale University.
Georges Delerue was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for A Little Romance (1980), three César Awards, two ASCAP Awards, and one Gemini Award for Sword of Gideon (1987). He was also nominated for four additional Academy Awards for Anne of the Thousand Days (1969), The Day of the Dolphin (1973), Julia (1977), and Agnes of God (1985), four additional César Awards, three Golden Globe Awards, and one Genie Award for Black Robe (1991).
Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Philip Frederick Wright James was an American composer, conductor and music educator.
Roland Forrest Seitz (1867–1946) was an American composer, bandmaster, and music publisher. For his many march compositions he earned the sobriquet “The Parade Music Prince”.
Joseph Willcox Jenkins was an American composer, professor of music, and musician. During his military service in the Korean War, he became the first arranger for the United States Army Chorus. He ended his teaching career as Professor Emeritus at the Mary Pappert School of Music, Duquesne University, where he had been a professor since 1961, and composed over 200 works.
"Let's Go Blue" is a short song most often associated with the University of Michigan, but widely performed during high school and professional sports as well. It was composed by Joe Carl and first arranged by Albert Ahronheim in the 1970s. The song consists of 32 bars and is 40 seconds long.
Will Hudson(néArthur Murray Hainer; March 8, 1908 – July 16, 1981) was a Canadian-born American composer, arranger, and big band leader who worked from the mid-1930s through the mid-1950s.
Hymn to St Peter is a cantata for treble soloist, SATB choir and organ composed by Benjamin Britten in 1955. The piece was the last Britten composed before he first travelled to Asia. He set the text from the gradual of the Feast of Saints Peter and Paul to music which was based on the plainsong of the Alleluia from the hymn. The piece starts with a sombre organ theme in B Flat and when the choir joins in it is initially in unison before breaking into harmonies. After a nimble interlude that recalls children's play, the piece returns to the original theme, ending with a coda played by the organ alone. The piece was first performed at the quincentenary celebrations of St Peter Mancroft, Norwich on 20 November 1955. It was subsequently performed by The Sixteen under Harry Christophers and has frequently been sung with children's voices.
References
- "George Rosenkrans Historical Marker". ExplorePAHistory.com. WITF-FM . Retrieved 2011-12-29.
- "George Rosenkrans". Scott Music Services. Retrieved 2012-01-11.
