Marie Prevost was a Canadian-born film actress. During her 20-year career, she made 121 silent and sound films.
Kiss Me Again is a 1925 American silent romantic comedy film directed by Ernst Lubitsch. It stars Marie Prevost, Monte Blue, and Clara Bow. The film was based on the French play Divorçons! (1880), by Victorien Sardou and Émile de Najac, and the adapted version of the play Cyprienne.
Blind Alleys is a 1927 American silent romantic drama film directed by Frank Tuttle and starring Thomas Meighan and Evelyn Brent.
The Lover of Camille is a 1924 American silent romantic drama film directed by Harry Beaumont, and starring Monte Blue. The film was based on the French play Deburau by Sacha Guitry, which was also adapted into a Broadway play by Harley Granville-Barker.
Down on the Farm is a 1920 silent film feature-length rural comedy produced by Mack Sennett, starring Louise Fazenda, and featuring Harry Gribbon, James Finlayson and Billy Armstrong. It premiered at the Yost Theater in Santa Ana, California on December 28–30, 1919, and was released nationally three months later, opening at the Strand Theatre in Fort Wayne, Indiana on April 4, 1920.
Getting Gertie's Garter is a 1945 American slapstick comedy film written and directed by Allan Dwan, and starring Dennis O'Keefe, Marie McDonald, and Barry Sullivan. The film is based on the 1921 play of the same name by Wilson Collison and Avery Hopwood. The play was previously adapted for the screen as a silent film released in 1927 by Metropolitan Pictures and starred Marie Prevost and Charles Ray.
Getting Gertie's Garter is a play written by Wilson Collison and Avery Hopwood. Producer A. H. Woods staged it on Broadway, where it opened at the Republic Theatre on August 1, 1921. Hazel Dawn played the role of Gertie. The play was a sex farce, but unlike most productions of its type, the setting was a hayloft instead of a bedroom. It was a success at the box office, running for 15 weeks with 120 performances on Broadway, then moving to touring companies.
The Sideshow is a 1928 American silent drama film directed by Erle C. Kenton and starring Marie Prevost, Ralph Graves, and Alan Roscoe.
The Girl in the Pullman is a 1927 American silent comedy film directed by Erle C. Kenton and starring Marie Prevost, Harrison Ford, and Franklin Pangborn.
The Romantic Age is a 1927 American silent drama film directed by Robert Florey and starring Eugene O'Brien, Alberta Vaughn and Bert Woodruff.
Nobody's Fool is a 1921 American silent comedy film written and directed by King Baggot and starring Marie Prevost, Helen Harris and Vernon Snively.
Moonlight Follies is a 1921 American silent comedy film directed by King Baggot and starring Marie Prevost, Lionel Belmore and Marie Crisp.
Don't Get Personal is a 1922 American silent comedy film directed by Clarence G. Badger and starring Marie Prevost, George Nichols and Daisy Jefferson.
Kissed is a 1922 American silent comedy film directed by King Baggot and starring Marie Prevost, Lloyd Whitlock, and Lillian Langdon.
For Wives Only is a 1926 American silent comedy film directed by Victor Heerman and starring Marie Prevost, Victor Varconi, and Charles K. Gerrard.
The Night Bride is a 1927 American silent comedy film directed by E. Mason Hopper and starring Marie Prevost, Harrison Ford, and Franklin Pangborn.
Golf Widows is a 1928 American silent comedy film directed by Erle C. Kenton and starring Vera Reynolds, Harrison Ford and Sally Rand.
Heroes in Blue is a 1927 American silent drama film directed by Duke Worne and starring John Bowers, Sally Rand and Gareth Hughes.
The Thrill Seekers is a 1927 American silent drama film directed by Harry Revier and starring Ruth Clifford, Gloria Grey and Robert McKim.
Fools in the Dark is a 1924 American silent comedy film directed by Alfred Santell and starring Patsy Ruth Miller, Matt Moore and Bertram Grassby.
