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Ghost Dance is a 1983 British film directed by Ken McMullen. This independent film explores the beliefs and myths surrounding the existence of ghosts and the nature of cinema. In it, Derrida explains his theory of the revenant, which is closely linked to media recording, especially in film.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. It is an adventure film strongly influenced by the work of Jacques Rivette and Jean-Luc Godard but with a unique intellectual and artistic discourse of its own and it is this that tempts the ghosts to appear, for Ghost Dance is permeated with all kinds of phantasmal presence. The film focuses on philosopher Jacques Derrida who considers ghosts to be the memory of something which has never been present. This theory is explored in the film. This film has also been compared with the following works: Celine and Julie Go Boating , Thelma & Louise , O Lucky Man , Sans Soleil , Week End , and Viva Maria .[ citation needed ]
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In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Post-structuralism is a philosophical movement that questions the objectivity or stability of the various interpretive structures that are posited by structuralism and considers them to be constituted by broader systems of power. Although post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media within pre-established, socially constructed structures.
Jacques Derrida was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disowned the word "postmodernity".
Hélène Cixous is a French writer, playwright and literary critic. During her academic career, she was primarily associated with the Centre universitaire de Vincennes, which she co-founded in 1969 and where she created the first centre of women's studies at a European university. Known for her experimental writing style and great versatility as a writer and thinker, she has written more than seventy books dealing with multiple genres: theatre, literary and feminist theory, art criticism, autobiography and poetic fiction.
Différance is a French term coined by Jacques Derrida. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning. Roughly speaking, the method of différance is a way to analyze how signs come to have meanings. It suggests that meaning is not inherent in a sign but arises from its relationships with other signs, a continual process of contrasting with what comes before and later. That is, a sign acquires meaning by being different from other signs. The meaning of a sign changes over time, as new signs keep appearing and old signs keep disappearing.
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine (phallus) in the construction of meaning. The term is a blend word of the older terms phallocentrism and logocentrism.
Delusion and Dream in Jensen's Gradiva is an essay written in 1907 by Sigmund Freud that subjects the novel Gradiva by Wilhelm Jensen, and especially its protagonist, to psychoanalysis.
Nicolas Abraham was a Hungarian-born French psychoanalyst best known for his work with Mária Török. The pair took a distinctive approach to psychoanalytic theory, holding that the use of preset notions may restrict an individual's motives in relation to the framework of their personal experiences.
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
In the philosophy of language, "Arche-writing" is a concept introduced by French philosopher Jacques Derrida which refers to an abstract kind of writing that precedes both speech and actual writing. In the West, phonetic writing was considered as a secondary imitation of speech, a poor copy of the immediate living act of speech. Arche-writing is, in a sense, language, in that it is already there before we use it, it already has a pregiven, yet malleable, structure/genesis, which is a semi-fixed set-up of different words and syntax. This fixedness is the writing to which Derrida refers; such a 'writing' can even be seen in cultures that do not employ writing, it could be seen in notches on a rope or barrel, fixed customs, or placements around the living areas.
Bernard Stiegler was a French philosopher. He was head of the Institut de recherche et d'innovation (IRI), which he founded in 2006 at the Centre Georges-Pompidou. He was also the founder in 2005 of the political and cultural group, Ars Industrialis; the founder in 2010 of the philosophy school, pharmakon.fr, held at Épineuil-le-Fleuriel; and a co-founder in 2018 of Collectif Internation, a group of "politicised researchers" His best known work is Technics and Time, 1: The Fault of Epimetheus.
Hauntology is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost. The term is a neologism first introduced by French philosopher Jacques Derrida in his 1993 book Spectres of Marx. It has since been invoked in fields such as visual arts, philosophy, electronic music, anthropology, criminology, politics, fiction, and literary criticism.
Ken McMullen is a film director, artist and since 2012 Anniversary Professor of Film Studies at Kingston University, London. McMullen's films are grounded in philosophy, history, psychoanalysis and literature. McMullen's exhibition Signatures of the Invisible brought together artists and scientists working at CERN, the European particle physics facility near Geneva. His other work includes filming conversations with physicists at Stanford Linear Accelerator Centre, which he describes as "making a diary of the transition in human culture" because he believes physics is arriving at another shifting point. His latest work Arrows of Time is a radical new form of cinema consisting of 40 interchangeable elements that deal with literature, philosophy, and contemporary physics, premiered at the Museum of Modern Art in San Francisco in April 2007.
Trace is one of the most important concepts in Derridian deconstruction. In the 1960s, Jacques Derrida used this concept in two of his early books, namely Writing and Difference and Of Grammatology.
Graphemics or graphematics is the linguistic study of writing systems and their basic components, i.e. graphemes.
Julie H. Rivkin is an American literary critic and professor of English at Connecticut College since 1982. She is best known for her publications on literary theory and Henry James, and has published several works on both subjects. Rivkin received her B.A. and PhD from Yale University and is currently the Associate Dean of Faculty at Connecticut College, a member of the Modern Language Association, and Vice President of the Henry James Society. Her other specializations include American literature and gender studies.
Niall Lucy was an Australian writer and scholar best known for his work in deconstruction.
David Robert Wills is a noted translator of Jacques Derrida, including The Gift of Death, Right of Inspection, Counterpath, and The Animal That Therefore I Am. Currently, Wills is a professor of French at Brown University.
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling.
Jodey Castricano is a Canadian scholar of English and cultural studies who is a Professor at the University of British Columbia, Okanagan. They are known for their work in critical theory, critical animal studies, and gothic studies.