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Ghost Dance is a 1983 British film directed by Ken McMullen. This independent film explores the beliefs and myths surrounding the existence of ghosts and the nature of cinema.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. It is an adventure film strongly influenced by the work of Jacques Rivette and Jean-Luc Godard but with a unique intellectual and artistic discourse of its own and it is this that tempts the ghosts to appear, for Ghost Dance is permeated with all kinds of phantasmal presence. The film focuses on philosopher Jacques Derrida who considers ghosts to be the memory of something which has never been present. This theory is explored in the film. This film has also been compared with the following works: Celine and Julie Go Boating , Thelma & Louise , O Lucky Man , Sans Soleil , Week End , and Viva Maria .[ citation needed ]
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The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances, instead considering the constantly changing complex function of language, making static and idealist ideas of it inadequate. Deconstruction instead places emphasis on the mere appearance of language in both speech and writing, or suggests at least that essence as it is called is to be found in its appearance, while it itself is "undecidable", and everyday experiences cannot be empirically evaluated to find the actuality of language.
Jacques Derrida was an Algerian-born French philosopher. He developed a philosophical approach that came to be known as deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy.
Différance is a French term coined by Jacques Derrida. It is a central concept in Derrida's deconstruction, a critical outlook concerned with the relationship between text and meaning. The term différance means "difference and deferral of meaning."
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine (phallus) in the construction of meaning. The term is a blend word of the older terms phallocentrism and logocentrism.
Nicolas Abraham was a Hungarian-born French psychoanalyst best known for his work with Mária Török. The pair took a distinctive approach to psychoanalytic theory, holding that the use of preset notions may restrict an individual's motives in relation to the framework of their personal experiences.
Deconstructivism is a movement of postmodern architecture which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
"Arche-writing" is a term used by French philosopher Jacques Derrida in his attempt to re-orient the relationship between speech and writing.
Bernard Stiegler was a French philosopher. He was head of the Institut de recherche et d'innovation (IRI), which he founded in 2006 at the Centre Georges-Pompidou. He was also the founder in 2005 of the political and cultural group, Ars Industrialis; the founder in 2010 of the philosophy school, pharmakon.fr, held at Épineuil-le-Fleuriel; and a co-founder in 2018 of Collectif Internation, a group of "politicised researchers" His best known work is Technics and Time, 1: The Fault of Epimetheus.
The Reception of Derrida: Translation and Transformation by Michael Thomas explores the cross-cultural reception of Jacques Derrida's work, specifically how that work in all its diversity, has come to be identified with the word deconstruction. In response to this cultural and academic phenomenon, the book examines how Derrida's own understanding of translation and inheritance illuminate the 'translation and transformation' of his own works. Positioned against the misreadings of deconstruction, the book traces the relationship between Derrida's concern with the ethico-political dimension of deconstruction and an authorial legacy.
Of Grammatology is a 1967 book by the French philosopher Jacques Derrida. The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of speech and the independent act of writing.
Hauntology is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost. The term is a neologism first introduced by French philosopher Jacques Derrida in his 1993 book Specters of Marx. It has since been invoked in fields such as visual arts, philosophy, electronic music, anthropology, politics, fiction, and literary criticism.
Ken McMullen is a film director, artist and since 2012 Anniversary Professor of Film Studies at Kingston University, London. McMullen's films are grounded in philosophy, history, psychoanalysis and literature. McMullen's exhibition Signatures of the Invisible brought together artists and scientists working at CERN, the European particle physics facility near Geneva. His other work includes filming conversations with physicists at Stanford Linear Accelerator Centre, which he describes as "making a diary of the transition in human culture" because he believes physics is arriving at another shifting point. His latest work Arrows of Time is a radical new form of cinema consisting of 40 interchangeable elements that deal with literature, philosophy, and contemporary physics, premiered at the Museum of Modern Art in San Francisco in April 2007.
Partition is a film by award-winning director Ken McMullen. The film is set in the turmoil surrounding the transfer of political power in British India from British to Indian hands and the Partition of the Indian subcontinent into the Dominion of Pakistan and the Republic of India in 1947. Made in 1987, the film was released on DVD in 2007. Its screening has been voted Time Out Critics' choice No 1 after 20 years.
Stanton A. Waterman is a five-time Emmy winning cinematographer and underwater film producer.
Niall Lucy was an Australian writer and scholar best known for his work in deconstruction.
The Post Card: From Socrates to Freud and Beyond is a 1980 book by the French philosopher Jacques Derrida. It is a "satire of epistolary literature." After Glas (1974), it is sometimes considered Derrida's most "literary" book, and continues the critical engagement with psychoanalysis first signaled in "Freud and the Scene of Writing" from Derrida's Writing and Difference (1967).
David Robert Wills is a noted translator of Jacques Derrida, including The Gift of Death, Right of Inspection, Counterpath, and The Animal That Therefore I Am. Currently, Wills is a professor of French at Brown University.
Mark Dooley is an Irish philosopher, writer and newspaper columnist. A specialist in continental philosophy, theology and the philosophy of religion, he is the author of several books, including The Politics of Exodus: Kierkegaard's Ethics of Responsibility (2001), Roger Scruton: The Philosopher of Dover Beach (2009), and Why Be a Catholic? (2011).
The Ghost Dance is a 1982 American Western slasher film directed and co-written by Peter F. Buffa, and starring Julie Amato, Victor Mohica, Henry Bal, and Frank Salsedo. Its plot follows a Native American shaman who becomes possessed by an evil spirit that drives him to kill. It was the first slasher film to be based around and feature Native American characters.
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling.