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David Cunningham | |
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Born | |
Nationality | British |
Occupation(s) | composer, music producer |
Years active | 1976-present |
Known for | The Flying Lizards |
Notable work |
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David Cunningham (born 20 December 1954) is a composer and record producer from Northern Ireland. His first significant success came with The Flying Lizards' single 'Money', an international hit in 1979.
Cunningham was born in Armagh on 20 December 1954. [1] Between 1973 and 1977 he attended Maidstone College of Art, in Maidstone in Kent. In 1976 he released Grey Scale, a LP of pieces in minimalist idiom, as part of his Degree show. [1] The cover was from fellow student and video artist, Stephen Partridge with whom he made a number of collaborations over the next 20 years. Cunningham has worked as a musician and record producer, engaging with an eclectic range of people and music, from bands such as This Heat, Palais Schaumburg to improvisers (David Toop, Steve Beresford) to Michael Nyman's music for Peter Greenaway's films.
From about 1993, Cunningham began to make installations in which sounds within an architectural space were picked up by a microphone and then fed back into the space; the presence of an audience altered both the shape of the space and the sounds within it. A work of this type, The Listening Room, was installed in the Queen's Powder Magazine on Goat Island in Sydney Harbour during the Sydney Biennale of 1998. [1] [2]
Film and television work has included two long continuing collaborations - with William Raban, recently '72-82', 'London Republic' and 'Available Light' and with Ken McMullen, most recently with 'Οχί An Act of Resistance' and McMullen's earlier films 'Being and Doing', 'Zina' and (alongside Michael Giles and Jamie Muir) 'Ghost Dance'. Related work has included the production and treatment of sound for installation and broadcast artworks by Susan Hiller, Cerith Wyn Evans, Laure Prouvost, Martin Creed, Amikam Toren, João Penalva, Ceal Floyer, Ian Breakwell, Gillian Wearing, Thomas Demand, Sam Taylor-Johnson, John Latham, David Hall, Stephen Partridge, Bruce McLean, Tony Sinden, Brad Butler and Karen Mirza and many others.
Chris Cunningham is a British video artist and music video director who directed music videos for electronic musicians such as Autechre, Squarepusher, and Aphex Twin and Björk. Early in his career he worked as a comic book artist. He has created art installations and directed short movies. In the mid 2000s, Cunningham began doing music production work, and has also designed album artwork for a variety of musicians. Cunningham worked on a never completed movie adaptation of William Gibson's cyberpunk novel Neuromancer.
Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
The Flying Lizards were an experimental English new wave band, formed in 1976. They are best known for their eccentric cover version of Barrett Strong's "Money", featuring Deborah Evans-Stickland on lead vocals, which reached the UK and North American record charts in 1979. They followed this with their self-titled album that year, which reached number 60 on the UK Albums Chart.
"Money (That's What I Want)" is a rhythm and blues song written by Tamla founder Berry Gordy and Janie Bradford, which was the first hit record for Gordy's Motown enterprise. Barrett Strong recorded it in 1959 as a single for the Tamla label, distributed nationally on Anna Records. Many artists later recorded the tune, including the Beatles in 1963 and the Flying Lizards in 1979.
David Toop is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of British new wave band The Flying Lizards.
David Chesworth is an Australian-based interdisciplinary artist, composer and sound designer. Known for his conceptual, and at times, minimalist music, he has worked solo, in post-punk groups, electronic music, contemporary ensembles and experimental performance. He has also created installation and video artworks with collaborator Sonia Leber, such as Zaum Tractor included in the 56th Venice Biennale (2015) and This Is Before We Disappear From View commissioned by Sydney Biennale (2014).
Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records, in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.
Directors Label is a series of DVDs released by Palm Pictures compiling the work of notable music video directors.
Robin Rimbaud is a British electronic musician who works under the name Scanner due to his use of cell phone and police scanners in live performance. He is also a member of the band Githead with Wire's Colin Newman and Malka Spigel and Max Franken from Minimal Compact.
Russell Mills is a British artist. He has produced record covers and book covers for Brian Eno, the Cocteau Twins, Michael Nyman, David Sylvian, Peter Gabriel, and Nine Inch Nails.
Paul Schütze is an Australian artist resident in London. Over thirty years his work has spanned composition, performance, installation, video, printmaking and photography.
Palais Schaumburg was a German new wave band from Hamburg, Germany. The style was classified as Neue Deutsche Welle, and strongly characterized by their avant garde music and dadaistic attitude.
The Flying Lizards is the 1980 debut album by The Flying Lizards and was released on the Virgin Records label.
Yasuaki Shimizu is a Japanese composer, saxophonist and producer. He is known for his interpretations of the music of J.S. Bach, in particular the "Cello Suites 1-6" re-arranged for and performed on tenor saxophone.
Max Eastley is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969–1972) at Middlesex University. He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs.
Stephen Partridge is an English video artist who studied under David Hall and his career as an artist, academic and researcher, helped to establish video as an art form in the UK.
Timo Blunck is a German composer, lyricist, producer, bassist and vocalist.
Fourth Wall is the second studio album by English rock band the Flying Lizards. It was released in 1981 by record label Virgin. The album features numerous collaborators, including Robert Fripp.
Angelica Mesiti is an Australian multi-disciplinary artist of Italian descent, best known for her combination of performance with video, sound and spatial installation that result in highly contemplative spaces. Her work is situated at the interstice of diasporic cultures, gestural communication and sensory togetherness.