| This Heat | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | September 1979 | |||
| Recorded | 1976–1978 | |||
| Studio | The Workhouse Studios, Old Kent Road; Cold Storage, Brixton | |||
| Genre | ||||
| Length | 48:24 | |||
| Label | Piano | |||
| Producer |
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| This Heat chronology | ||||
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This Heat is the debut studio album by English experimental rock band This Heat. Recorded between 1976 and 1978, it was released in September 1979 by record label Piano. [1]
| Review scores | |
|---|---|
| Source | Rating |
| All About Jazz |  [2] |
| AllMusic |  [3] |
| Cokemachineglow | 93% [4] |
| The Great Alternative & Indie Discography | 8/10 [5] |
| Mojo |  [6] |
| Pitchfork | 9.0/10 [7] |
| Popmatters |   [8] |
| Record Mirror | [9] |
| Sounds | [10] |
| Uncut | 9/10 [11] |
In a contemporary review for NME , Andy Gill wrote: "For much of This Heat's album, it's difficult and at times impossible to decipher which instrument is playing what. This is some indication of their intentions, and the way This Heat set about realising those intentions." [12] Vivien Goldman, writing in Melody Maker , remarked that This Heat "takes you to ten movies in the space of a one-year-old album". [13] NME listed it as the 35th best album of 1979. [14]
Retrospectively, Dean McFarlane of AllMusic wrote: "There are very few records that can be considered truly important, landmark works of art that produce blueprints for an entire genre. In the case of this album, it's clear that this seminal work was integral in shaping the genres of post-punk, avant rock and post-rock, and like all great influential albums, it seemed it had to wait two decades before its contents could truly be fathomed." [3] Peter Marsh of BBC Music called it "one of the strongest and strangest debut records of all time. Seemingly born out of the fervent experimentalism of the UK post-punk scene, This Heat's beautifully skewed mix of improvisation, lo-fi tapework and stretched, ghostly songform actually had more in common with maverick longhairs like Henry Cow and Faust. [...] The music here seethes with an economy, invention and power that still shocks a quarter of a century on." [15] Steven Grant of Trouser Press wrote: "Though insolent and withdrawn, the music is adventurous and, in its own peculiar way, engrossing." [16]
Pitchfork included the song "24 Track Loop" on their list of the "Greatest 500 Songs from Punk to the Present". [17]
All tracks composed by This Heat
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Damned Damned Damned is the debut studio album by English punk rock band the Damned. It was released on 18 February 1977 by Stiff Records. Produced by Nick Lowe, Damned Damned Damned was the first full-length album released by a UK punk group.
Marquee Moon is the debut album by American rock band Television. It was released on February 8, 1977, by Elektra Records. In the years leading up to the album, Television had become a prominent act on the New York music scene and generated interest from a number of record labels, eventually signing a record deal with Elektra. The group rehearsed extensively in preparation for Marquee Moon before recording it at A & R Recording in September 1976. It was produced by the band's frontman Tom Verlaine and sound engineer Andy Johns.
My Aim Is True is the debut studio album by English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.
The Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.
The Idiot is the debut studio album by American musician Iggy Pop, released on March 18, 1977 through RCA Records. It was produced by David Bowie and primarily recorded at the Château d'Hérouville in Hérouville, France. The album followed the break-up of Pop's band the Stooges in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions.
This Heat were an English experimental rock band, formed in early 1976 in Camberwell, London by multi-instrumentalists Charles Bullen, Charles Hayward and Gareth Williams.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
Germfree Adolescents is the 1978 debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo", "Identity" and "Germ Free Adolescents" which reached No. 18 in November 1978. Upon release, the critics noted it wasn't all new material: five songs on the twelve tracks had already been released on A-sides and B-sides of singles.
Chairs Missing is the second studio album by English rock band Wire. It was released on 8 September 1978 by Harvest Records. The album peaked at number 48 in the UK Albums Chart.
After the Heat is a 1978 album by Brian Eno, Dieter Moebius and Hans-Joachim Roedelius, credited to "Eno Moebius Roedelius". The album represents the second collaboration by the trio, the first being 1977's Cluster & Eno. As with the previous album, After the Heat was created in collaboration with the influential krautrock producer Conny Plank.
Youth of America is the second studio album by American punk rock band Wipers. It was released in 1981 by record label Park Avenue.
Dragnet is the second studio album by English post-punk band the Fall, released on 26 October 1979 through Step-Forward Records. Appearing less than eight months after its predecessor, Live at the Witch Trials,Dragnet established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members.
Deceit is the second and final studio album by English experimental rock band This Heat, released in September 1981 by Rough Trade Records. As with their self-titled debut album, the tracks on Deceit were assembled from largely improvised recordings that the band accumulated since their inception in 1976, with varying degrees of audio quality. However, it is generally considered to be more song-oriented than its largely abstract predecessor. The title is in part a pun on the band's name.
Joggers and Smoggers is a double album by punk artists The Ex, released in 1989 as a double vinyl record album, and issued as a double CD in 1992. It is the first of the Ex's albums to feature extensive use of improvisation and instruments outside of the standard guitar/bass/drums arrangement of punk rock, as well as great numbers of international guest musicians, most notably New York's Sonic Youth, Glasgow's Dog Faced Hermans, Amsterdam's Instant Composers Pool, as well as numerous folk musicians from a variety of European and Middle Eastern traditions. The album marked a turning point in The Ex's artistry, foreshadowing many collaborations and delvings into avant-garde, experimental, improvisational, folk and world music that the band would mix with their abrasive trademark post-punk sound in the 20 years to come.
Sabotage/Live is a live album by John Cale. It was recorded at CBGB, New York on 13–16 June 1979, and released by SPY Records in December 1979.
Scrabbling at the Lock is the first of two albums by Dutch punk band The Ex in collaboration with avant-garde cellist Tom Cora. It is also the first of The Ex's studio albums to feature the work of then Dog Faced Hermans guitarist Andy Moor, who has remained in the band ever since.
The Buried Life is the second album by American rock band Medicine, released on October 12, 1993 by American Recordings.
The New Age Steppers is the debut studio album by The New Age Steppers. It was released on On-U Sound in 1981.
