Gibson J-160E

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Gibson J-160E
John Lennon's missing 1962 Gibson J-160E guitar in the exhibit (clip3) - Ladies and Gentlemen... the Beatles! exhibit at LBJ Presidential Library, Austin, TX, 2015-06-12 11.37.55.jpg
John Lennon's 1962 Gibson J-160E
Manufacturer Gibson
Period1954–present
Construction
Body typeRound-shoulder dreadnought
Neck joint Dovetail
Woods
Body Sitka Spruce top
Mahogany back and sides
Neck Mahogany
Fretboard Rosewood
Hardware
Bridge Rosewood
Pickup(s) uncovered P-90 [1]
Colors available
Natural, Heritage Cherry Sunburst, Vintage Sunburst

The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation.

The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2] ). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar. The J-160E used plywood for most of the guitar's body, and was ladder-braced, whereas other acoustic Gibsons were X-braced. The rosewood fingerboard had trapezoid inlays, and the guitar had an adjustable bridge. For amplification, a single-coil pickup (an uncovered P-90 pickup) [1] was installed under the top of the body with the pole screws protruding through the top at the end of the fingerboard, with a volume and a tone knob.

John Lennon and George Harrison frequently used one with The Beatles, both on-stage and in the studio. Gibson produces a standard J-160E and a John Lennon J-160E Peace model, based on the J-160E he used during the Bed-In days of 1969. Epiphone makes an EJ-160E John Lennon replica signature model.

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References

  1. 1 2 "70th Anniversary John Lennon J-160E: Features". Gibson Guitar Corp. Archived from the original on 2015-06-19. Retrieved 19 June 2015.
    "The 70th Anniversary John Lennon J-160E is built in the exacting image of the groundbreaking original J-160E of the 1950s and '60s. ... Gibson applied a great deal of forward-looking, out-of-the-box thinking to the design of the J-160E in 1954. ... To build one of the world's first truly successful electro-acoustic guitars, Gibson re-drew the blueprint: it crafted a three-layer laminated Sitka spruce top with ladder bracing specifically to resist feedback, used a mahogany back and sides for added warmth and richness, added an adjustable bridge, and installed a P-90 pickup (without traditional cover) beneath the top at the end of the fingerboard, along with a single volume and tone control and a 1/4" output jack. In addition, the guitar's solid mahogany neck was attached at the 15th fret to give performers plenty of access to the highest of the instrument's jumbo frets."
  2. Duchossoir, A. R. (1998). "CF-100E". Gibson Electrics – The Classic Years. Musical Instruments Series. Hal Leonard Corporation. p.  165. ISBN   978-0-7935-9210-4.
    "As implied by its designation, the CF-100E is the electric version of the CF-100 Florentine cutaway acoustic introduced by Gibson in 1950. First marketed in 1951, the model was discontinued in 1959 owing to its flagging sales. ... / NECK • 24 3/4" scale length ... • 19-fret bound rosewood fingerboard ... / Structurally, the CF-100E was a fancier off-shoot of the traditional LG series built with a sharp Florentine cutaway. The main evolution during the 50s was the inception of a 20-fret fingerboard in 1955. / SHIPPING TOTALS – A total of 1,257 CF-100Es were shipped between 1951 and 1959 with a peak of 250 instruments in 1952."