Gina Czarnecki (born 1965, in Immingham) is a British artist. Her art spans a variety of mediums, including film, sculpture, installation art, and video and is frequently informed by biomedical science. She is the daughter of a Polish father and an English mother. Czarnecki currently resides in Liverpool, England. [1]
Since the start of her career in the early 1980s, she has participated in several group exhibitions including the International Symposium on Electronic Art (ISEA) (1998), [2] Ars Electronica (1999), [3] and the Brisbane Festival for international arts (2009). She has won numerous awards for her work, including the Creative Scotland Award (2002), [4] Fleck Fellowship Banff Centre for Arts and Creativity Award (2004), [5] Australian/New Zealand Best Dance Film Award (2005), [6] and Australian Dance Award for Dance on Film (2005). [1] [6]
Czarnecki's works 'Nascent', 'Cell Mass N2' and 'Infected' were included in the 2010 edition of 'New Frontier' at the Sundance Film Festival. [7] [8] She had a retrospective exhibition [9] at Bluecoat (formerly Bluecoat Chambers) from 9 December 2011 to 19 February 2012, which included the work 'Palaces' commissioned for the exhibition. [10] As a bioartist, Czarnecki's project ‘Heirloom’, created in collaboration with John Hunt from the University of Liverpool, was included in the exhibition ‘No Such Thing as Gravity’ [11] at the Foundation for Art and Creative Technology (FACT) in 2017 as well as the Medical Museion (Copenhagen) in 2018. [12] [13] Her sculpture ‘Tooth Fairy Palace' was exhibited at the Science Museum, London followed by the Herbert Art Gallery and Museum in Coventry in 2013. [14] Czarnecki’s work ‘I’, employing iris scanning technology, was exhibited as part of the Lumiere festival, Durham, also 2013. [15] [16]
Czarnecki's works 'Cell Mass 2 [17] and 'Quarantine' [18] were commissioned by Forma UK. [19] Her work Spintex (2008) [20] is held in the Animate Projects [21] archive. Czarnecki's works Tattoo 2 (1991), [22] Parade (1987), [23] Facade (1987) [24] and Moral Judge (1987) [25] are held as part of LUX [26] (formerly London Video Arts).
People Like Us is the stage name of London DJ multimedia artist Vicki Bennett. She has released a number of albums featuring collages of music and sound since 1992. In recent years, she has performed at a number of modern art galleries, festivals and universities.
Joanna Berzowska is an Associate Professor of Design and Computation Arts at Concordia University in Montreal. Her work and research deal primarily with "soft computation": electronic textiles, responsive clothing as wearable technology, reactive materials and squishy interfaces.
Lauren Greenfield is an American artist, documentary photographer, and documentary filmmaker. She has published four photographic monographs, directed four documentary features, produced four traveling exhibitions, and published in magazines throughout the world.
Jan Peacock is a Canadian interdisciplinary artist, curator and writer.
Peter d'Agostino is an “artist” and a professor of Film and Media Arts, Temple University, Philadelphia.
Max Hattler is a German video artist and experimental filmmaker. He created the kaleidoscopic political short films "Collision" (2005) and "Spin" (2010), abstract stop motion works "Shift" (2012) and "AANAATT" (2008), and psychedelic animation loops "Sync", "1923 aka Heaven" and "1925 aka Hell" (2010).
Kathy Smith is an Australian independent animator, painter, new media artist, and Professor with the USC School of Cinematic Arts. Smith chaired the John C. Hench Division of Animation & Digital Arts from 2004 - 2009 & 2010 - 2014.
Semiconductor is UK artist duo Ruth Jarman and Joe Gerhardt. They have been working together for over twenty years producing visually and intellectually engaging moving image works which explore the material nature of our world and how we experience it through the lens of science and technology, questioning how these devices mediate our experiences. Their unique approach has won them many awards, commissions and prestigious fellowships including; SónarPLANTA 2016 commission, Collide @ CERN Ars Electronica Award 2015, Jerwood Open Forest 2015 and Samsung Art + Prize 2012. Exhibitions and screenings include; The Universe and Art, Mori Art Museum, Tokyo, Japan, 2016; Infosphere, ZKM, Karlsruhe, 2016; Quantum of Disorder, Museum Haus Konstruktiv, Zurich, 2015; Da Vinci: Shaping the Future, ArtScience Museum, Singapore, 2014; Let There Be Light, House of Electronic Arts, Basel 2013 ; Field Conditions, San Francisco Museum of Modern Art, 2012; International Film Festival Rotterdam, 2012; New York Film Festival: Views from the Avant Garde, 2012; European Media Art Festival, 2012; Worlds in the Making, FACT, Liverpool 2011 ; Earth; Art of a Changing World, Royal Academy of Arts, London, 2009 and Sundance Film Festival, 2009.
Tom Corby and Gavin Baily (1970) are two London based artists who work collaboratively using public domain data, climate models, satellite imagery and the Internet. Recent work has focused on climate change and its relationship to technology and has involved collaborations with scientists working at the British Antarctic Survey.
Phoebe Boswell, is a multi-media artist and film maker based in London, UK. She has won awards in the UK and Ukraine.
Arleen Schloss is an American performance artist, video/film artist, sound poet, director and curator of the lower Manhattan art, video, performance art and music scenes. Schloss began through A's – an interdisciplinary loft space that became a hub for music, exhibitions, performance art, films and videos. In the 1990s A's became A's Wave where website works and other forms of digital media were shown.
Mike Stubbs is a curator/director and filmmaker based in the UK, currently, the Creative Producer at Doncaster Creates. For 11 years he was the Director/CEO of FACT, the Foundation for Art and Creative Technology, a leading arts organisation for the commissioning and presentation of new media art forms. He has been a key contributor to the development of culture and cultural policy in Liverpool, UK. Stubbs was jointly appointed in May 2007 by Liverpool John Moores University, where he is Professor of Art, Media and Curating. He is father to two daughters Saskia and Lola Czarnecki-stubbs.
Lynette Wallworth is an Australian artist and filmmaker, known for her use of emerging technologies such as virtual reality (VR), and interactive installations. She is known for her 2016 VR project Collisions, which tells of the "collision" between Aboriginal Australians and western culture in the form of British nuclear testing at Maralinga in the 1950s. She has won two Emmy Awards for her work: one for Collisions and one for Awavena.
Ulf Langheinrich is a visual artist and composer.
His work is mainly concerned with non-narrative environments and performances focusing on a specific approach to time, space and body. Since 2016 he is the Artistic Director of the International Festival for computer based art CynetArt in Dresden, Germany.
Sarah Pucill is a London-based film artist. Her work is distributed by LUX, London and LightCone, Paris. She is a Reader at University of Westminster. Central to her work is "a concern with mortality and the materiality of the filmmaking process". Much of her work appears within the restrictions of domestic spaces. In her "explorations of the animate and inanimate, her work probes a journey between mirror and surface".
Annette Louise Barbier was an American artist and educator. She worked with video art, net art, installation art, interactive performance, and emerging and experimental technologies since the 1970s. Themes in her work address "issues of home, defined locally as domesticity and more broadly as the ways in which we relate to our environment." An early work, "Home Invasion [1995]," incorporating critical dialogue and audio, is accessible from Leonardo. "Domestic space—formerly inviolable—is increasingly disrupted by electronic communication of all sorts, including radio, TV, email and the telephone." She was Chicago-based.
Sara Margaret Rankin is a professor of Leukocyte and Stem Cell Biology at Imperial College London. She is known for her work in stimulating endogenous bone marrow stem cells to repair the body. Rankin identifies as being neurodiverse.
Elizabeth Vander Zaag is a Canadian media artist, writer, and entrepreneur who has been working in video and computer arts since the 1970s. She is based in Vancouver, British Columbia.
Mauro Martino is an Italian artist, designer and researcher. He is the founder and director of the Visual Artificial Intelligence Lab at IBM Research, and Professor of Practice at Northeastern University.