Giorgio Forattini (born 14 March 1931) is an Italian editorial cartoonist, caricaturist and illustrator. Since 1973 his cartoons have been published on the chief Italian newspapers. Forattini comments "with a corrosive and irreverent humor, the events of Italian and international political life."[1] His cartoons have been published in many collections, including Referendum reverendum (1974), Quattro anni di storia italiana (1977), Nudi alla meta (1985), Insciaquà (1990), Bossic Instinct (1993), Il libro a colori del post-comunismo (1998), Foratt pride (2000), Oltre la Fifa (2002), Il Signore degli Agnelli (2004), Regimen (2006), Vaffancolor (2007), Revoluscon (2008), Satiromantico (2009), Siamo uomini o giornalisti? (2010), Eurodeliri (2011), Fateci la carità (2012), Napoleonitano (2013), Arieccoci (2016), Abbecedario della politica (2017).[1]
Forattini was born in Rome on 14 March 1931. His parents were both from Rome. His father, a chemist, was originally from Guastalla, Reggio Emilia, while his mother was of Istrian Italian origin.[2]
He graduated from classical high school, then enrolled in the Faculty of Architecture at the University of Rome. He married very young,[2] therefore he abandoned his studies and began looking for work. Forattini was employed in many capacities, including: consultant for a music publishing house, actor, worker in a hydrocarbon industry and salesman.
In the early seventies, he took part in a competition organized by the political newspaper Paese Sera.[1] Forattini stated: “I created a strip with a protagonist named Stradivarius, a sales rep. He was a bit romantic, he loved music and when he got home he would play the violin with a wig on his head."[3] He won the competition, and was hired as a drawer and graphic designer, collaborating to the layout of the newspaper.
On 14 May 1974 he proposed a cartoon to illustrate the news of the day: the victory of the "No" in the divorce referendum. The cartoon was published on the newspaper's front page.[4] His activity is considered journalistic, in fact since 1975, after passing the state exam, he was registered as a professional journalist in the Order of Journalists of Lazio. His career continued at Panorama,[1] with which he still collaborates to this day, and finally arrived at the nascent newspaper La Repubblica. In 1978 he created the insert Satyricon, the first insert in an Italian periodical devoted entirely to satire. With Forattini they published some new signatures, including Sergio Staino and Ellekappa. In September 1979 he accepted the direction of the satirical newspaper Il Male.
In 1982 he was called by Turin's La Stampa,[1] with which he returned to the first pages, and was acclaimed for his work. Forattini's cartoons were the first to be published on the first page of a national newspaper in Italy, and they are issued on a daily basis (another novelty for the Italian press). In 1984 , he returned to the Roman newspaper, continuing to publish one cartoon a day for the front page. After 16 years of uninterrupted collaboration, in 2000 Forattini left la Repubblica following the controversy ensuing from a cartoon depicting D'Alema, for which the cartoonist was sued.[5]
From 2000 to February 2005 he is again the cartoonist of La Stampa.[4] From 2006 to mid-2008 he collaborated with Il Giornale, which he later left due to some disagreements with the new director Mario Giordano.[6] On 2 August 2008 he began a collaboration with the three newspapers of QN Quotidiano Nazionale.
In 2012 he declared that he dislikes political parties: "I hate fundamentalism. I can't stand a party that professes 'whoever is not with me is against me'. To be honest, I can't stand any party."[7]
Most discussed cartoons
One of his best known cartoons is the one he did in 1974 on the occasion of the victory of the no in the referendum on divorce: it represented a bottle of sparkling wine on which was written "NO" that was uncorked by throwing in the air a cork that had the features of Amintore Fanfani.
Forattini was sued and convicted for a cartoon on Bettino Craxi, in which the socialist leader is depicted reading La Repubblica and commenting "How much I like this newspaper when there is Portfolio!" (Portfolio was a contest attached to the newspaper), with the evident implication that Craxi was a pickpocket. Forattini was convicted because, according to the judge's motivations, the implication was clearly false.
Also famous is the cartoon depicting Craxi upside down with a noose tied to his feet. This cartoon dates back to April 1993 and was produced immediately following the news of the Parliament's vote against for the release of authorizations to the Milan Public Prosecutor to proceed against the socialist leader.
In 1991, when the Democratic Party of the Left was accused of still receiving the funding that the USSR had guaranteed for years to the Italian Communist Party, Forattini presented a cartoon in which Achille Occhetto and Massimo D'Alema were seen dressed as prostitutes, they received money from Mikhail Gorbachev, sitting in a luxurious car at the wheel of which was Enrico Berlinguer. Occhetto immediately sued Forattini, followed by D'Alema. In 1994 the court of Milan condemned the cartoonist on the grounds that "the cartoon is not pure and simple satirical expression but a real vehicle of journalistic information and, as such, subject to the limits of the diritto di cronaca."[8]
For a cartoon depicting D'Alema, then Prime Minister, published in la Repubblica on 11 October 1999 he was sued and asked for compensation of 3 billion lire. The cartoon in question depicts D'Alema while with a white-out ereasing the Mitrokhin list and a voice asking him: "So is this list coming?!!" (allora arriva 'sta lista?!) and D'Alema replying, "Wait a minute! The white-out hasn't dried yet!" (Un momento! Non s'è ancora asciugato il bianchetto!). D'Alema then declared that he held satire in the highest consideration, but that he decided to press charges because of the defamation of the cartoon and the false information in it. The lawsuit would be withdrawn in 2001.
Following this vicissitude, not feeling defended by the newspaper he was working for, Forattini decided to leave la Repubblica.[9] Subsequently in protest against the lawsuit and in defense of the freedom of satire he drew for several months D'Alema with an invisible face and only apparent hats and mustaches.
This cartoon will be repeated four times with different protagonists.
In 2005, Forattini returned to the story of the lawsuit with a cartoon on Panorama entitled Rivoluzionari di lusso, where a voiceover announces: "D'Alema got Fiorani to give him the money for his new boat!" and he, in the guise of himself, replies: "He also wanted them from me, but I didn't give them to him!"
On 3 April 2002 Forattini published in la Stampa a cartoon depicting an Israeli tank, marked with the Star of David, while aiming the cannon towards a manger in which a frightened child, identifiable in Jesus by the halo on his head, exclaims: "They don't want to kill me again?!". The cartoon provoked the indignation of the president of the Union of Italian Jewish Communities Amos Luzzatto, who stigmatizes the exhumation of the accusation of deicide, and of various Catholic exponents. The then director of the Turin newspaper, Marcello Sorgi, publicly dissociated himself from the content of the cartoon.
On 6 November 2008 the QN Quotidiano Nazionale (Il Giorno, La Nazione and il Resto del Carlino) published a cartoon by Forattini on the election of Barack Obama as President of the United States, in which former President Bush says, to a Statue of Liberty lying on a bed with a newborn with the face of Obama, that she cheated on him with the "black butler". This cartoon has given rise to a lot of controversy. The Coordination of the editorial committees of the Quotidiano Nazionale expressed in a note "firm and total dissent" against the cartoon.
At TG5 on 17 December 2008 he declared that he had been sued 20 times only by leftists, stating: "The left does not accept satire when it is directed against it."
Works
Since 1974, the year in which he published his first book of cartoons, Referendum Reverendum, Giorgio Forattini has published a long series of publications, with the aim of satirically represent the evolution of Italian political events.
Referendum reverendum, presentazione di Franco Monicelli, Milano, Feltrinelli, 1974.
Quattro anni di storia italiana, con un commento di Giorgio Bocca, Milano, A. Mondadori, 1977.
Un'idea al giorno, Milano, A. Mondadori, 1978.
Librus, Milano, A. Mondadori, 1979.
Res publica, con un'intervista di Giampaolo Pansa, Milano, A. Mondadori, 1980.
Satyricon, Milano, A. Mondadori, 1982.
Scomodoso, introduzione di Guido Ceronetti, Milano, A. Mondadori, 1983.
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↑ According to Prima Comunicazione, Forattini's tenure at Il Giornale ended with an irreverent cartoon of an underwear-clad Berlusconi, depicted as Atlas carrying the earth on his shoulder. On the earth, instead of continents, it was painted his own face. Cfr. Prima Comunicazione, aprile 2012.
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