Giovanni Baronzio

Last updated
The Feast of Herod and the Beheading of the Baptist Giovanni Baronzio - The Feast of Herod and the Beheading of the Baptist.jpg
The Feast of Herod and the Beheading of the Baptist

Giovanni Baronzio, also known as Giovanni da Rimini, (died before 1362), was an Italian painter who was active in Romagna and the Marche region during the second quarter of the 14th century. His year of birth is unknown. [1] Giovanni Baronzio was the eminent representative of the second generation of painters of the school of Rimini who were influenced in by the activity of Giotto in Rimini. [2]

Contents

Life

The name Johannes Barontius appears in the signature of a polyptych representing the Madonna and Child Enthroned with Saints (Galleria Nazionale delle Marche, Palazzo Ducale, Urbino). The work was originally placed in the church of San Francesco at Macerata Feltria. Usually, Barontius (which is the Latinized form of Baronzio) is a surname. However, from a document of 1362, which records the painter's tomb in the church of San Giuliano in Rimini it is clear that it was a patronymic. The only documentary evidence on the artist to date is a deed dated 1343 that cites “Iohanne Baroncio pictore” as a witness.

Scenes from the Life of Christ Giovanni Baronzio - Scenes from the Life of Christ.jpg
Scenes from the Life of Christ

Based on the style of the painter, who may have been a disciple of Giotto but at second hand, Baronzio must have started his career around 1320 or a little later. [2]

Work

The polyptych representing the Madonna and Child Enthroned with Saints (Galleria Nazionale delle Marche, Palazzo Ducale, Urbino) is the only secure basis for reconstructing his oeuvre. His Scenes from the Life of Christ (mid 1340s, Metropolitan Museum of Art) shows that Baronzio was a competent craftsman using a delicate range of colours. He also appears to have followed established Riminese iconography. Baronzio paid much attention to detail and used chromatic effects and decorative patterns as was common in the ossified traditions of the local school in its later stages.

Baronzio is one of several fourteenth-century painters from Rimini, others being Giuliano, Pietro and Giovanni. The work of the Rimini school was influenced by Giotto who had visited and worked in Rimini. [2] Chiesa di San Francesco

Other attributions

Though unconfirmed, the following works have also been attributed to Baronzio:

Related Research Articles

<span class="mw-page-title-main">Piero della Francesca</span> Italian painter

Piero della Francesca was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.

<span class="mw-page-title-main">Duccio</span> 13th and 14th-century Italian painter

Duccio di Buoninsegna was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.

<span class="mw-page-title-main">Agnolo Gaddi</span> Italian painter

Agnolo Gaddi (c.1350–1396) was an Italian painter. He was born and died in Florence, and was the son of the painter Taddeo Gaddi,who was himself the major pupil of the Florentine master Giotto.

<span class="mw-page-title-main">Lorenzo Lotto</span> Italian painter

Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.

<span class="mw-page-title-main">Pinturicchio</span> Italian painter (1454–1513)

Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.

<span class="mw-page-title-main">Pietro Perugino</span> Italian Renaissance painter

Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.

<span class="mw-page-title-main">Francesco Albani</span> Italian Baroque painter (1578–1660)

Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).

<span class="mw-page-title-main">Bernardino Luini</span> 16th-century Italian painter

Bernardino Luini was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.

<span class="mw-page-title-main">Benvenuto Tisi</span> Italian painter

Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.

<span class="mw-page-title-main">Cristoforo Roncalli</span> Italian painter

Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.

The decade of the 1460s in art involved some significant events.

<span class="mw-page-title-main">Giovanni Boccati</span> Italian painter

Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.

<span class="mw-page-title-main">Francesco Mancini (1679–1758)</span> Italian painter (1679–1758)

Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.

<span class="mw-page-title-main">Pietro di Giovanni Lianori</span> Italian painter

Pietro di Giovanni Lianori was an Italian painter, active in Bologna.

<span class="mw-page-title-main">Jacopo di Michele</span> Italian painter

Jacopo di Michele, also called Jacopo Gera, Iacopo di Michele, or Gera da Pisa is a 14th-century painter, active mainly in Pisa and elsewhere in Tuscany, in a Gothic style. His activity is documented from 1361 to 1395. He is the brother of Getto di Jacopo

<span class="mw-page-title-main">Diptych by Giovanni da Rimini</span>

Among the paintings attributed to Giovanni da Rimini are two panels from a former diptych, dated to 1300–1305, of which the left wing is in the collection of the National Gallery, London, and the right that of the Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome.

Paolo Bontulli was an Italian painter, mainly of sacred subjects.

The Master of Staffolo was an anonymous late-Gothic style painter active in the region of Marche and Umbria.

<span class="mw-page-title-main">Pinacoteca Nazionale in Ferrara</span> Art museum in Ferrara, Italy

The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.

References

  1. Doina Little. "Baronzio, Giovanni." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 June 2016
  2. 1 2 3 Giovanni Baronzio Brief Biography at the National Gallery of Art, accessed 16 June 2016