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Giovanni Battista Livizzani was an Italian painter and poet, who lived in the first part of the 17th century. Some of Livizzani's pictures have been engraved. However, he was more famous for his written works than his paintings. [1]
James Ward was a British painter, particularly of animals, and an engraver.
Giovanni Tuccari (1667–1743) was an Italian painter during the Baroque period, active in Sicily.
Ottavio Leoni (1578–1630) was an Italian painter and printmaker of the early-Baroque, active mainly in Rome.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures.
Francesco Vecellio was an Italian painter of the early Renaissance, best known as the elder brother of the painter Titian. In his youth, he was a soldier. As a painter, he was mainly active in 1520-1530s in Cadore. In 1524, he signed an altarpiece for San Vito in Cadore. In 1540s, he painted a polyptych at Candide. In late 1540s he painted the organ shutters of San Salvatore in Venice. He painted an Annunciation for San Nicola di Bari, now in the Gallerie dell'Accademia, along with Madonna and Child with Saint Jerome and Saint Dorothy (Glasgow).
Events from the year 1671 in art.
Mariano Riccio was an Italian painter of the Renaissance period.
Marco Boschini (1602–1681) was an Italian painter and engraver of the early Baroque period in Venice.
Orazio Vecellio was an Italian painter of the Renaissance period, born in Venice around 1528. The son and pupil of Titian, he distinguished himself as a painter of portraits, some of which were thought little inferior to those of his father. He occasionally painted historical subjects; one of the most important was destroyed in the conflagration in the ducal palace at Venice. He neglected painting to devote himself to alchemy. He died of the plague in Venice, in 1576, the same year as his father.
Cristoforo Coriolano was a German engraver− of the Renaissance.
Pieter Nason was a Dutch painter. He became a member of the Guild of Painters of The Hague in 1639, and in 1656 was one of the forty seven members who established the 'Pictura Society. From a MS. by Pieter Terwesten, it appears not improbable that Nason was a pupil of Jan van Ravensteyn; and it is believed that his name has been effaced from pictures since attributed to Mierevelt, Moreelse, and above all to Ravensteyn. It is certain that he painted the portrait of Prince Mauritz, Governor of the Brazils, engraved by Houbraken, and those of Charles the Second of England, engraved by C. Van Dalen and Sandrart, and of the Grand Elector. At Berlin there is a full-length portrait, dated 1667, of the latter, by Nason; also a still life, representing gold, silver, and glass vessels, likewise a portrait by him signed and dated 1670. There are others at Copenhagen and at Rotterdam. The date of his death is not known, but his life was long. Redgrave gives the initial of his Christian name wrongly as R.
François Bouchot (1800–1842), a painter and engraver, was born in Paris in 1800. He studied engraving under Richomme, and then became a pupil of Regnault, and subsequently of Lethière, and obtained the 'grand prix de Rome' in 1823. He exhibited at the Salon from 1824 till his death, which occurred in Paris in 1842. A 'Drunken Silenus' by him is in the Lille Gallery, and the 'Burial of General Marceau ' in the Mairie at Chartres. He was also celebrated for his portraits.
Frederik Bouttats, an engraver, was born at Antwerp about the year 1620. He engraved several plates after his own designs, principally portraits, and some after other masters. They are worked with the graver, in a neat style, and are not without merit. We have by him, among others, the following:
André Bouys (1656–1740) was a French portrait painter and mezzotint engraver.
John Byrne (1786–1847) was an English painter and engraver. He came from a family of artists and he lived with his sister Elizabeth Byrne who also exhibited her landscapes.
Pierre Coustain was a painter and sculptor at the Court of Philip the Good. His name occurs in the records of the brotherhood of St. Luke at Bruges in the year 1450 as Painter Royal.
Henry Edward Dawe (1790–1848) was an English engraver and subject painter, the brother of the artist George Dawe
Events from the year 1688 in France
Events from the year 1645 in France
Events from the year 1682 in France
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