Giovanni Florimi or Florini was a 17th-century Italian engraver, active in Tuscany.
He was a pupil of the Flemish engraver Cornelis Galle the Elder. He worked at Siena in 1630. His works consist principally of portraits, and among them, that of Francesco Piccolomini, after Francesco Vanni. He also engraved the frontispiece for the book of Concetti Davidici Figurati by the Olivetan abbot P. Orazio Pandolfini, published in Pisa in 1635. [1] He also engraved a portrait of Camillo Borghese, archbishop of Siena, and a picture of the Martyrdom of Saint Cecilia. [2]
The Sienese School of painting flourished in Siena, Italy, between the 13th and 15th centuries. Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Francesco Bartolozzi was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving.
Giovanni Battista Cipriani was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Francesco Cozza was an Italian painter of the Baroque period.
Remigio Cantagallina was an Italian etcher active in the Baroque period.
Giovanni Francesco Cassioni was an Italian engraver in wood. He was born in Bologna, and made a number of portraits of painters for Carlo Cesare Malvasia to use in his Felsina Pittrice in 1678.
Enrico Pollastrini was an Italian history painter and art school director.
Giovanni Battista Ramacciotti was an Italian painter of the Baroque period, as well as an engraver and priest, active in Siena.
Francesco Vaccaro also known as Vaccari, Vacari was an Italian painter and engraver of the Baroque period, who trained in his native Bologna under Francesco Albani. He was chiefly known as a painter, from his landscape and architectural views.
Carlo Biffi (1605–1675) was an Italian painter of the Baroque period. He was born in Milan, where he trained with Camillo Procaccini.
Giovanni Battista Bissoni (1576–1636) was an Italian painter. He was born in Padua. He was first a pupil of Francesco Apollodoro, called Il Porcia, a portrait painter, and afterwards of Dario Varotari the Elder. Bissoni painted for the churches and convents at Padua and Ravenna. In the refectory of the convent of San Vitale, he painted a Last Supper.
Giovanni Monevi or Monevo was an Italian painter of the Baroque period. The name Giovanni Moneri is used by a number of authors, but may reflect a misspelling.
Luca Antonio Colomba (1674–1737) was a Swiss Baroque painter born at Arogno. His style was distinguished for its happy compositions and its careful design, as also for the delicate and tender colours. He painted in oil and fresco.
Antonio Baratti was an Italian engraver, etcher and printmaker.
Jacopo Zoboli was an Italian painter of the late-Baroque period.
Giovanni Angelo Criscuolo was an Italian painter active mainly in Naples.
Francesco Nasini was an Italian painter of the Baroque period, active mainly in towns outside of Siena, Italy.
Francesco Floriani was an Italian painter, known for his portraits and sacred subjects.
Cornelis Galle the Elder, a younger son of Philip Galle, was born at Antwerp in 1576, and was taught engraving by his father. He followed the example of his brother Theodoor in visiting Rome, where he resided for several years and acquired a correctness of design and a freedom of execution in which he greatly surpassed both his father and his brother. After engraving several plates at Rome, he returned to Antwerp, where he carried on the business of a printseller and engraved many plates after the works of his countrymen and his own designs. He became a master of the Antwerp Guild of St Luke in 1610. One of his pupils was Giovanni Florimi of Siena.