Masaccio, born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.
Arezzo is a city and comune in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about 80 kilometres southeast of Florence at an elevation of 296 metres (971 ft) above sea level. In 2013 the population was about 99,000.
Piero della Francesca, originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Luca Signorelli was an Italian Renaissance painter who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Pietro Lorenzetti or Pietro Laurati was an Italian painter, active between c.1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
The History of the True Cross or The Legend of the True Cross is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo. It is his largest work, and generally considered one of his finest, and an early Renaissance masterpiece.
Sansepolcro, formerly Borgo Santo Sepolcro, is a town and comune founded in the 11th century, located in the Italian Province of Arezzo in the eastern part of the region of Tuscany.
Francesco Botticini was an Italian painter of the Early Renaissance. He was born in Florence, where he remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits.
Monterchi is a Comune (Municipality) in the Province of Arezzo in the Italian region of Tuscany, located about 80 kilometres (50 mi) southeast of Florence and about 20 kilometres (12 mi) east of Arezzo. It sits in the northern part of Valtiberina, the valley where the Tiber river runs going from Emilia-Romagna towards Rome. The valley runs through Romagna, Tuscany and Umbria, parallel to the Casentino Valley.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
The Basilica of San Francesco is a late Medieval church in Arezzo, Tuscany, Italy, dedicated to St Francis of Assisi. It is especially renowned for housing in the chancel the fresco cycle Legends of the True Cross by Piero della Francesca.
The decade of the 1460s in art involved some significant events.
The decade of the 1450s in art involved many significant events, especially in sculpture.
A Madonna del Parto is an iconic depiction of the Virgin Mary shown as pregnant, which was developed in Italy, mainly in Tuscany in the 14th century. Examples include works by Taddeo Gaddi, Bernardo Daddi and Nardo di Cione, but the fresco by Piero della Francesca in the Museum of Monterchi, in the province of Arezzo, is considered the most famous one. The Madonna was portrayed standing, alone, often with a closed book on her stomach, an allusion to the Incarnate Word. These works were associated with the devotions of pregnant women, praying for a safe delivery. Sometimes, as with a statue by Sansovino in the Basilica of Sant'Agostino in Rome, the depiction is of a Virgin and Child, which was however known as a Madonna del Parto, because it was especially associated with devotions related to pregnancy. Here the Virgin wears the Girdle of Thomas, a belt of knotted cloth cord that was a relic held in Prato Cathedral, which many versions show her wearing.
The Brera Madonna is a painting by the Italian Renaissance master Piero della Francesca, executed in 1472–1474. It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon.
Giovanni Angelo d'Antonio was an Italian Renaissance painter belonging to the Camerino school that also included Giovanni Boccati and Girolamo di Giovanni.
Master of Città di Castello, in Italian, Maestro di Città di Castello, was an anonymous painter of Medieval art. Mason Perkins is responsible for his identification and naming in 1908, based on the styling from the Master preserved at the Pinacoteca comunale, Città di Castello, in Umbria.
Giovanni di Francesco del Cervelliera or Giovanni di Francesco was an Italian painter, active in Florence in the mid-fifteenth century.
The Pinacoteca Comunale ofCittà di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form.
