Girolamo Nanni was a 17th-century Italian painter of the Baroque period, active mainly in Rome. According to Baldinucci's Notizie, he was called Girolamo Nanni Romano, also called il Poco e Buono (few and good). He is known to have frescoed in the chapel of the church of Santa Croce in Gerusalemme [1] and in the chapel of the Assumption of the Virgin in Santa Caterina dei Funari. [2] He painted in the chapel of the Sancta Sanctorum (Chapel of St. Lawrence) in the Lateran Palace.
Jacopo d'Avanzi was an Italian painter of the Renaissance period. He is also known as Jacopo Avanzi or Jacopo de Avanzi, although apparently often confused with other artists, including Jacopo de' Bavozi and the Vicentine Avanzo.
Filippo Baldinucci's Notizie de' Professori del Disegno, Da Cimabue in qua, Secolo V. dal 1610. al 1670. Distinto in Decennali was a major art biography of Baroque painters. Written by the erudite Florentine professor of the Accademia della Crusca, it is often verbose and rife with factual errors; however, it is a broad compendium of stories about generally contemporaneous Baroque painters.
Ottaviano Jannella was an Italian sculptor of the Baroque period.
Orazio Mochi (1571–1625) was an Italian sculptor of the late-Mannerist period, active mainly in Florence. He was a pupil of Giuseppe Caccini. The sculptor Francesco Mochi was his son.
Cosimo Lotti (1571–1643) was an Italian engineer, scenographer, and landscape designer. He worked around Florence until in his mid-fifties he moved to Madrid where he produced theatrical spectacles for the royal court.
Pier Francesco Silvani (1620–1685) was an Italian architect and designer, active during the Baroque period, in Florence and other sites in Tuscany.
Giovanni Stefano Marucelli was an Italian painter and architect of the Baroque period, active in Tuscany, including Florence and Pisa.
Jan Gerritsz van Bronckhorst was a Dutch Golden Age painter and engraver. He is considered today to be a minor member of the Utrecht Caravaggisti.
Adriaen van Nieulandt was a Dutch painter, draughtsman and engraver of the Baroque period.
Pieter, Peeter, or Peter Danckerts de Rij, Dankers de Ry, or Peteris Dankersas. was a Dutch Golden Age painter mostly active in the Polish–Lithuanian Commonwealth and Sweden.
Pieter Verbrugghen I was a Flemish sculptor from the Baroque.
Chiarissimo d'Antonio Fancelli was an Italian sculptor and architect of the late-Mannerist and Baroque periods, mainly active in Tuscany. Domenico Pieratti and Giovanni Battista Pieratti were his pupils. It is unclear how he fits into the large pedigree of Tuscan sculptors including Cosimo and Luca Fancelli.
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. He died in Siena.
Agostino Bugiardini was an Italian sculptor active in the early Baroque period, mainly in his hometown of Florence, but also in Rome. He was a disciple of Giovanni Caccini, and fellow pupil of Gherardo Silvani.
Pellegrino Piola, also called Pellegro Piola or il Pellegro, was an Italian painter of the Baroque period, active in Genoa.
Donato Mascagni (1579–1636) was an Italian painter of the Renaissance active in Florence, Volterra, Rome, Mugello, and Salzburg. He was a pupil of Jacopo Ligozzi. He is also known as Fra or Frate Arsenio because he joined the Servite monastery in 1605. He however obtained special dispensation through cardinal Gerolamo Bernerio to move to Florence and become a priest in 1609. His income from painting was used to support his family. After much travelling, he returned to Florence in 1630.
Giovanni Battista Bracelli or Braccelli is the name of more than one engraver and painter active in central Italy in the Baroque period, between about 1616 and 1649.
Ottavio Semini was an Italian painter of the late-Renaissance.
Anastasio Fontebuoni (1571–1626) was an Italian painter of the Baroque, native of Florence. Fontebuoni proved to be one of the Florentine painters are more open to the influence of Caravaggio's naturalism. Fontebuoni was educated in the school of Domenico Passignano. According to Giovanni Baglioni, he visited Rome in the pontificate of Paul V, where he painted some pictures for the churches. His work flourished in Rome from 1600 to 1620 but this promising artist died young in Florence in 1626.
Willem or Guiliam van Nieulandt, sometimes Nieuwelandt (1584–1635) was a Dutch Golden Age painter, engraver, poet and playwright from Antwerp.