Girolamo di Bernardino or Girolamo da Bernardino, also known as Girolamo da Udine, (active around 1506) was an Italian painter of the Renaissance period. A painter of the Venetian school and a pupil of Pellegrino da San Daniele, he is known primarily for a small picture of The Coronation of the Virgin, painted for San Francesco in Udine.
He decorated the churches at Lestizza and Carmona (now in Slovenia) with frescoes in 1511 and 1518.
Vincenzo Tamagni was an Italian painter of the Renaissance. Born in San Gimignano, he became an apprentice first with il Sodoma at Monte Oliveto Maggiore, and then worked in the Vatican Loggie under Raphael in Rome (1512-1516). Drawings of the Raphael frescoes in Tamagni's hand exist. He mainly painted in the towns surrounding Siena. He painted altarpieces for San Girolamo and Sant'Agostino in San Gimignano. He is featured in Giorgio Vasari's Vite, who refers to him as Vincenzo da San Gimignano.
Girolamo Bonini was an Italian painter of the Baroque period, active mainly in Bologna. Also known as L'Aconitano due to his natal city of Ancona. He was the pupil of the painter Francesco Albani. Bonini was part of a team, including Lorenzo Pasinelli, Luigi Scaramuccia, and Giovanni Maria Bibiena, working under Carlo Cignani in the decoration of the Sala Farnese of the city hall of Bologna.
Giovanni Girolamo Bonesi (1653–1725) was an Italian painter of the Baroque period.
Lazzaro Bastiani was an Italian painter of the Renaissance, active mainly in Venice.
Gennesio Liberale was an Italian painter of the Venetian school. He was born at Udine, and flourished in the second half of the 16th century. He was a pupil of San Danielo da Pellegrino, and painted still lifes cabinet pieces of animals and fish.
Giulio Mazzoni (1525–1618) was an Italian painter and stuccoist, active during the Renaissance period. He was born in Piacenza, but studied in Rome under Daniele da Volterra, and was active about the year 1568. He helped decorate the Palazzo Spada. He also painted a canvas of the Four Evangelists for the Cathedral of Piacenza.
Girolamo da Ponte also known as Gerolamo Bassano was an Italian painter of the Renaissance period.
Pietro Campana (1727–1765) was an Italian engraver.
Bernardino Blaceo was an Italian painter of the Renaissance period. He painted for churches at Udine, among them, the principal altar-piece depicting Virgin and child, with Angels and Saints Lucia and Agatha’' for the church of Santa Lucia, and a Virgin and infant with Saints Peter and John’ for the church in Porta Nuova.
Bernardino Campilius was an Italian painter and follower of Lo Spagna at Spoleto. His name was written beneath a fresco of The Virgin adoring the Infant on the Piazza San Gregorio at Spoleto, and bears the date of 1502.
Andrea di Bertholotti of Cividale was an Italian painter and a master in the Guild of San Vito in 1462. He seems to have contracted for altar-pieces and mural decorations in Udine, San Vito and the surrounding towns, up to 1490. At the Palazzo Communale of Udine is a Crucifixion (1476). The sacristy of Santa Maria di Castello in San Vito possesses by him a Virgin and Child, between SS. Peter and Paul, dated 1488. In Savorgnano is a Madonna (1490).
Francesco da Cotignola, also called Zaganelli, was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna.
Girolamo Benaglio was an Italian painter of the Renaissance period, based in Verona where he painted an altar-piece of the Madonna and Saints (1487). He was a relative of Francesco Benaglio, a painter active in the same period.
Mattia Benedetti was an Italian painter. He was born in Reggio Emilia, and a pupil of Orazio Talami. He active as a fresco painter, active in painting quadratura. He painted the ceiling (1701) of the church of Sant' Antonio at Brescia. In Reggio-Emilia he painted the ceiling of the Capella maggiore of the Monache Bianchi, and the ceiling of the Oratory of the San Filippo Neri. His brother Ludovico or Lodovico was known for painting chiaroscuro and also perspective. Lodovico painted in the church of San Spiridone in Reggio-Emilia, as well as other churches.
Girolamo Santo was an Italian painter of the Renaissance, active in the 16th century. In Padua, he painted the facade of the Cornaro Palace, several frescoes in S. Francesco, and, with Bernardo Parentino, scenes from the life of St. Benedict in S. Giustina. A curious picture of a genealogical tree in the Santo is also ascribed to him. He was still living in 1546.
Girolamo di Giovanni di Camerino was an Italian painter, and is generally supposed to be the son of Giovanni Boccati, and was the painter of an altar-piece at Santa Maria del Pozzo in Monte San Martino, near Fermo, and represents the Madonna and Child, and four Angels, between SS. Thomas and Cyprian (1473).
Bernardino Vitulini was an Italian painter. He was born in Serravalle, and lived at Belluno. He is known to have painted frescoes in the church of Ampezzo and Cadore, in 1350.
Ippolito Costa was an Italian painter of the Renaissance period. He was born in Mantua, the son of the painter Lorenzo Costa. Although not a pupil of Giulio Romano, his style closely imitated that master. He mentored his brother Girolamo Costa (1525-1595) and the painter Bernardino Campi.
Bernardino Zaganelli, also Bernardino di Bosio Zaganelli and Bernardino da Cotignola, was an Italian painter, of the Renaissance period.
Antonio Carneo (1637–1692) was an Italian painter, active in Friuli and Venice, and depicting both mythologic, allegoric, and religious canvases, as well as portraits.