Giulio Segni da Modena, also Julio Segni and Biondin (Modena, 1498- Rome, 1561) was an Italian composer known for his ricercars in Musica Nova (Venice 1540). He was a pupil of Giacomo Fogliano and became second organist at St Mark's Basilica, San Marco, Venice, in 1530. [1]
In art history, "Old Master" refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print made by an artist in the same period. The term "old master drawing" is used in the same way.
San Marcello al Corso, a church in Rome, Italy, is a titular church whose cardinal-protector normally holds the (intermediary) rank of cardinal-priest.
Cristoforo Landino was an Italian humanist and an important figure of the Florentine Renaissance.
Paolo da Pergola was an Italian humanist philosopher, mathematician and Occamist logician. He was a pupil of Paul of Venice.
Marco Zoppo was an Italian painter of the Renaissance period, active mainly in Bologna.
The decade of the 1530s in music involved some significant events, publications, compositions, births, and deaths.
The decade of the 1540s in music involved some significant events.
The decade of the 1490s in art involved some significant events.
Lorenzo Canozzi or Canozio (1425–1477), also called Lorenzo da Lendinara, was an Italian painter of the Renaissance.
Giacomo Fogliano was an Italian composer, organist, harpsichordist, and music teacher of the Renaissance, active mainly in Modena in northern Italy. He was a composer of frottole, the popular vocal form ancestral to the madrigal, and later in his career he also wrote madrigals themselves. He also wrote some sacred music and a few instrumental compositions.
Antonio Gianettini was an Italian organist, concertmaster and composer.