Giuseppe Gherardi (Piacenza, 1756 - Piacenza, 7 November 1828) was an Italian painter, active in the Neoclassic style.
He painted a San Disma for the church of the Santa Maria in Torricella in Piacenza, a canvas that stood alongside an altarpiece by Roberto Da Longe. [1] He painted a Moses and a David for the church of Santa Maria in Campagna. The altarpieces stood facing St Roch and St Sebastian, painted by Andrea Procaccini. He also painted a Transfiguration that onces stood in the church of San Salvatore in Piacenza. Gherardi became professor of painting at the Istituto Gazzola in Piacenza. One of his pupils was Carlo Maria Viganoni. [2]
Giovanni Lanfranco was an Italian painter of the Baroque period.
San Martino ai Monti, officially known as Santi Silvestro e Martino ai Monti, is a minor basilica in Rome, Italy, in the Rione Monti neighbourhood. It is located near the edge of the Parco del Colle Oppio, near the corner of Via Equizia and Viale del Monte Oppio, about five to six blocks south of Santa Maria Maggiore.
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari, is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.
Girolamo Siciolante da Sermoneta began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
The Church of Santa Maria del Carmelo in Traspontina is a Roman Catholic titular church in Rome, run by the Carmelites. The bridge referred to is the Ponte Sant'Angelo. The church is on the Via della Conciliazione, the primary road of the Roman Rione of Borgo.
Antonio Gherardi was an Italian painter, architect, and sculptor (stuccoist) of the Baroque style, active mainly in and near Rome and his native city of Rieti.
Giovanni Odazzi was an Italian painter and etcher of the Baroque period, active mainly in Rome.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Ludovico Gimignani was an Italian painter, who is mainly known for his altarpieces for churches in Rome.
Gaspare Landi was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza.
Santa Maria in Trivio is a church in Rome. It is dedicated to Mary, mother of Jesus, and is located on Piazza dei Crociferi in rione Trevi. It is near the Fountain of Trevi.
Antonio Prati was an Italian painter and scenographer.
Lattanzio Pagani was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Umbria.
Luigia Massari was an Italian painter and embroiderer.
Carlo Maria Viganoni was an Italian painter, active in the Neoclassic style.
San Giovanni in Canale is a Gothic-style Roman Catholic church located on Via Croce #26 in central Piacenza, formerly associated with a Dominican monastery.
Antonio Peracchi was an Italian painter, active in the Neoclassic style.
Antonio Bresciani was an Italian painter and engraver.
Santa Raimondo is a Baroque style, Roman Catholic church, attached to a functioning Benedictine order cloistered monastery occupied by San Raimondo nuns. It is located at Corso Vittorio Emanuele #154 in the southern edge of historic Piacenza, Region of Emilia Romagna, Italy.