Giuseppe Mastroleo (died in Naples, 1744) was an Italian painter.
He was a pupil of Paolo De Matteis. He painted a St Erasmus for the church of Santa Maria la Nuova in Naples. [1] He also painted for the Nunziatella of Pizzofalcone. [2] One of his pupils was Josef Lujan Martinez from Zaragoza. [3]
Pietro (Libertino) Liberi was an Italian painter of the Baroque era, active mainly in Venice and the Veneto.
Santa Caterina a Formiello is a church in Naples, in southern Italy, located at the extreme eastern end of the old historic center of the city, on Via Carbonara and Piazza Enrico de Nicola, near the gate called Porta Capuana. The term Formiello comes from the forms or containers for water spouts found in the convent. Diagonally across the street and South is the Fontana del Formiello against the rear wall of the imposing Castel Capuano.
Andrea dell'Asta was an Italian painter of the late-baroque period.
Agostino Bonisoli (1633–1700) was an Italian painter of the Baroque period, who was born and worked mainly in Cremona. He was the pupil of the slightly older painter Giovanni Battista Tortiroli, and afterward studied under a relation named Luigi Miradoro Agostino Bonisoli. He was more indebted to his own natural abilities and his studies of the works of Paolo Veronese than either his instructors. He was chiefly employed in easel pictures of portraits, and of religious and historical subjects. His largest work was painted in the Church of San Francesco, Cremona, depicting a dispute between St Anthony and the tyrant Ezzelino
Giacomo Boni was an Italian painter of the late-Baroque period, active mainly in Genoa.
Luigi Garzi was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni.
Orazio Riminaldi was an Italian painter who painted mainly history subjects in a Caravaggist style.
Giovanni Luigi Valesio, also known as Giovanni Valesio or Luigi Valesio, was an Italian painter and, most prominently, an engraver of the early-Baroque, active in his native city of Bologna, and then in Rome.
Giovanni Maria Bottala (1613–1644) was an Italian painter active in the Baroque period.
Giuseppe Bottani was an Italian painter active in the Baroque period.
Francesco Borgani (1587–1624) was an Italian painter of the Baroque, mainly active in Mantua.
Baldassare Bianchi was an Italian painter of the Baroque period.
Lodovico Leoni was an Italian painter of the Renaissance period, mainly active in Rome. He was also a medallist, and coin-engraver. Other sources cite his name as Luigi Leone
Francesco Caccianiga (1700–1781) was an Italian painter and engraver.
Pompeo Cesura, also known as Pompeo Dall'Aquila or Pompeo Aquilano, was an Italian painter and engraver. It is stated in the 'Abecedario Pittorico' by Orlandi to have been a painter of history, specializing both in oil and fresco. He flourished in the latter part of the 16th century. There is a painting by him in the church of Santo Spirito in Sassia in Rome, representing the Deposition, which was engraved by Orazio de Santis in 1572. Several frescoes by him can be viewed in his birthplace of L'Aquila, Abruzzo.
Giuseppe Errante was an Italian painter.
Pasquale Cati was an Italian Mannerist painter active mostly in Rome.
Gaetano Alemani was an Italian painter, active mainly in Bologna in the architectural and ornamental painting (quadratura) for the decoration of churches and theatres, as well as a scenic designer.
Stefano Orlandi was an Italian painter, active mainly in Bologna in the architectural perspective painting. He is known for painting fanciful architectural canvases, known as Capricci.
Luigi Rodriguez, also called Luigi Roderico was a Spanish-Italian painter, active in Naples, Italy.