Giuseppe Mazza (Milan, September 13, 1817 – Milan, February 14, 1884) was an Italian painter active in a Romantic style. [1]
Milan is a city in northern Italy, capital of Lombardy, and the second-most populous city in Italy after Rome, with the city proper having a population of 1,372,810 while its metropolitan city has a population of 3,245,308. Its continuously built-up urban area has a population estimated to be about 5,270,000 over 1,891 square kilometres. The wider Milan metropolitan area, known as Greater Milan, is a polycentric metropolitan region that extends over central Lombardy and eastern Piedmont and which counts an estimated total population of 7.5 million, making it by far the largest metropolitan area in Italy and the 54th largest in the world. Milan served as capital of the Western Roman Empire from 286 to 402 and the Duchy of Milan during the medieval period and early modern age.
Italy, officially the Italian Republic, is a country in Southern Europe. Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates San Marino and Vatican City. Italy covers an area of 301,340 km2 (116,350 sq mi) and has a largely temperate seasonal and Mediterranean climate. With around 61 million inhabitants, it is the fourth-most populous EU member state and the most populous country in Southern Europe.
Romanticism was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalization of nature—all components of modernity. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, the social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing liberalism, radicalism, conservatism and nationalism.
He was a resident of Milan. Among his paintings are: Maria de' Medici; the genre painting Arte antica (exhibited at 1881 at Milan); Chi va e chi viene dal mercato and Un miniatore in Cantina (exhibited in 1884 at Turin); [2] and Il giuramento di Pontida (The Oath of Pontida, 1851).
The Oath of Pontida refers to putative historical event where an oath made by the representatives of the cities of Northern Italy to make the Lombard League on April 7, 1167 in the town of Pontida in the province of Lombardy. The joined forces of the Lombard league would join together and defeat the Holy Roman Emperor Frederick Barbarossa at the Battle of Legnano.
He studied at the Brera Academy in the 1830s, and then under Francesco Hayez. In 1848, along with Luciano Manara and Augusto Anfossi, he joined the revolution against the Austrian occupation of the city. He also fought with the Italian armies in 1859. [3] The Museum of Science of Milan has over a dozen of his works on display, including: Alla fonte (1881); Busto di donna (1880-1884 ); La soppressione del monastero (1867); La bottega di un antiquario (1876-1879 ); Anticamera d'un patrizio (1876); Mattino di Quaresima (1882); Rembrandt e i suoi modelli (1856 ); Donna con cane e gatto vicino al caminetto (1875-1880); Masaniello (1857); L'addio (1881); Donna con cani (1875-1880); Bambina con fiore (1850-1860); Self-portrait (1850); and Baciamano di un cavaliere (1878-1883).
The Accademia di Belle Arti di Brera, also known as the Accademia di Brera or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni, but the move had not happened by early 2017.
Francesco Hayez was an Italian painter, the leading artist of Romanticism in mid-19th-century Milan, renowned for his grand historical paintings, political allegories, and exceptionally fine portraits.
Luciano Manara was an Italian soldier and politician of the Risorgimento era, who took part in the Roman Republic.
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