A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although,there are 4 string, 5 string, 6 string, 5 double string, 6, and even 4 a triple string course versions also exist. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
Tito Schipa was an Italian lyric tenor, considered the greatest tenore di grazia and one of the most popular tenors of the century.
In music, a serenade is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word serenata, which itself derives from the Latin serenus. Sense influenced by Italian sera "evening," from Latin sera, fem. of serus "late."
"Quiéreme mucho" is a criolla-bolero composed in 1911 by Gonzalo Roig with lyrics by Ramón Gollury and Agustín Rodríguez. The song was inspired by Roig's wife, Blanca Becerra, and premiered in Havana in 1911 without much success. In 1917, it was included in the sainete El servicio militar obligatorio and performed by Becerra and Rafael Llorens to critical acclaim. Roig published and sold the rights to the song in 1921, and the first recording was made in the United States by singer Tito Schipa in 1923. The English version, "Yours", was published in 1931 in the United States. It featured lyrics in English written by Albert Gamse and Jack Sherr. Both versions have been extensively recorded and arranged by different musicians, becoming Latin music standards.
Canzone napoletana, sometimes referred to as Neapolitan song, is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the love song and serenade. Many of the songs are about the nostalgic longing for Naples as it once was. The genre consists of a large body of composed popular music—such songs as "’O sole mio"; "Torna a Surriento"; "Funiculì, Funiculà"; "Santa Lucia" and others.
A mandolin orchestra is an orchestra consisting primarily of instruments from the mandolin family of instruments, such as the mandolin, mandola, mandocello and mandobass or mandolone. Some mandolin orchestras use guitars and double-basses instead of, or as well as, the lower mandolin-family instruments.
Jan Křtitel Kuchař, or also German: Johann Baptist Kucharz was a Czech organist, mandolinist, harpsichordist, music composer, operatic conductor, and teacher.
Cesare Andrea Bixio was an Italian composer.
Bernardo De Pace was an actor, musician and comedic vaudeville entertainer of the 1910s and 1920s, billed as "the Wizard of the Mandolin". He learned to play mandolin in the Italian tradition under Francesco Della Rosa. De Pace's repertoire and technique was described in the Brooklyn Life as involving "the most difficult violin and piano compositions, executed at inconceivably rapid tempi demanding an uncanny technique seldom heard on fretted instruments". In 1927 the Minneapolis Star said that he had been recognized as one of the best mandolinists in the United States. It added that he was more than a mandolinist, that his skill was in playing on human emotions as few musicians were able.
Giuseppe Pettine was an Italian-American concert mandolinist, teacher, and composer.
Carlo Munier (1858–1911) was an Italian musician who advocated for the mandolin's acknowledgement among as an instrument of classical music and focused on "raising and ennobling the mandolin and plectrum instruments". He wanted "great masters" to consider the instrument and raise it above the level of "dilettantes and street players" where it had been stuck for centuries. He expected that the mandolin and guitar would be taught in serious orchestral music schools and incorporated into the orchestra. A composer of more than 350 works for the mandolin, he led the mandolin orchestra Reale circolo mandolinisti Regina Margherita named for its patron Margherita of Savoy and gave the queen instruction on the mandolin. As a teacher, he wrote Scuola del mandolino: metodo completo per mandolino, published in 1895.
Miguel del Águila is an Uruguayan-born, American composer of contemporary classical music.
Eduardo Mezzacapo (1832–1898) was an Italian mandolinist, recognized as a virtuoso. He was also a composer, and a performer, organizing and playing in a mandolin quartet in France. Although he died before recording technology, his quartet did get recorded between 1905 and 1910. He was also the founder of l'Ecole de mandoline française.
Giuseppe Bellenghi was a virtuoso violincellist and mandolinist, and composer. He was remembered in 1914 as "a devoted champion of the mandolin."
C. A. Bracco was an Italian mandolinist, violinist and conductor, deserving notice by his compositions for mandolin band. While not a prolific composer, he was the author of several operettas and ballets which were produced in his native land. His published works were principally for mandolin and guitar or violin and piano, and were issued solely in Italy.
William Foden was an American composer, musician, and teacher. Foden is considered America's premiere classical guitarist during the 1890s and the first decades of the twentieth century.
Ugo Orlandi is a musicologist, a specialist in the history of music, a university professor and internationally renowned mandolinist virtuoso. Among worldwide musicians, professional classical musicians are a small group; among them is an even smaller group of classical mandolinists. Among members of this group, Ugo Orlandi is considered "distinguished." Music historian Paul Sparks called him "a leading figure in the rehabilitation of the eighteenth-century mandolin repertoire, having recorded many concertos from this period."
Following its invention and development in Italy the mandolin spread throughout the European continent. The instrument was primarily used in a classical tradition with mandolin orchestras, so called Estudiantinas or in Germany Zupforchestern, appearing in many cities. Following this continental popularity of the mandolin family, local traditions appeared outside Europe in the Americas and in Japan. Travelling mandolin virtuosi like Carlo Curti, Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised awareness of and interest in Early music.
Nicholas Laucella was an American concert flautist and composer. During the course of a professional musical career which spanned over three decades, he performed as the principal flute with several leading orchestral ensembles including the New York Philharmonic and the Metropolitan Opera Orchestra in New York City.
