Work
Glennray Tutor's earliest work was that of barren landscapes resembling the South West United States and Mexico, with titles such as The Road to the Mesa. [6] This work is marked by muted earth colors and rich blacks and is called "The Structure Series." [7] During this time he also illustrated several book covers by Michael Bishop which can be described as fantasy pieces. [8]
Tutor's first Photorealist paintings were done in the early 1980s, without knowledge of the original Photorealism movement. [7] [9] His subject matter ranged from still lifes of mason jars, fireworks, and toys to rural landscapes. [10] In the mid-1980s he became aware of the original Photorealism painters and was particularly receptive to the work of Ralph Goings. [9]
By the end of the 1980s, Tutor's subject matter had almost exclusively become still lifes consisting of the small commonplace artifacts of daily life, often nostalgic items, such as glass jars, cola bottles, toys, and especially fireworks. [11]
Many of Tutor's paintings have appeared in and on the covers of books, record albums, and magazines. [9] He has participated in numerous group and solo exhibitions, at such venues as The Mississippi Museum of Art, Jackson; Cole Pratt Gallery, New Orleans; Frist Center For The Visual Arts, Nashville; Hahn Ross Gallery, Santa Fe, New Mexico; Gallery Henoch, New York, New York; International Monetary Fund, Washington, DC; Schmidt Bingham Gallery, New York, New York; Helander Gallery, New York; The World's Fair, New Orleans; Frank Marino Gallery, New York; Mendenhall Gallery, Los Angeles; and Jay Etkin Gallery, Santa Fe. [12]
Tutor's work can be found in many public, corporate, and private collections, including The Seymour Lawrence Collection of American Art, The Roger Horchow Collection of Art, FedEx Corporation, The Howard Tullman Collection of Art, Universal Studios, NBC Network, Hospital Corporation of America, and 20th Century Fox Studios among others. [12]
During the years of 1999 - 2000 his artwork was featured in a show known as "Outward Bound: American Art on the Brink of the Twenty-first Century: An Exhibition of American Contemporary Art" which was sponsored by the Mobil Corporation. Tutor's work was displayed alongside other artists such as Roy Lichtenstein, Chuck Close, Audrey Flack, Robert Gniewek and Robert Rauschenberg as well as many others. The traveling gallery show started in Washington, DC and then toured South Eastern Asia. [2] [13]
Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s.
Carroll Cloar was a nationally known 20th-century painter born in Earle, Arkansas, who focused his work on surreal views of Southern U.S. themes and on poetically portraying childhood memories of natural scenery, buildings, and people, often working from old photographs found in his family albums.
Ralph Goings was an American painter closely associated with the Photorealism movement of the late 1960s and early 1970s. He was best known for his highly detailed paintings of hamburger stands, pick-up trucks, and California banks, portrayed in a deliberately objective manner.
Audrey Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
Idelle Lois Weber was an American artist most closely aligned with the Pop art and Photorealist movements.
Dale Threlkeld is an artist who has exhibited his oil paintings in galleries in New York City as well as competitions throughout the United States.
Robert Neffson is an American painter known for his photorealistic street scenes of various cities around the world, museum interiors and for early still lifes and figure paintings.
William (Bill) R. Dunlap is an American artist, writer, and arts commentator on Washington, DC's flagship PBS station, WETA-TV. With a career that has spanned more than four decades, his large scale narrative paintings and constructions concern themselves with history, allegory and the art making process. "Hypothetical Realism" is a term Dunlap coined to describe his work in both the visual arts and fiction - "the places and things I paint and describe are not real, but they could be." Dunlap is an avid and accomplished printmaker as well as painter, sculptor and photographer. His work is included in collections such as the New York's Metropolitan Museum of Art, The National Gallery of Art in Washington, DC, Mississippi Museum of Art, Turchin Center for the Visual Arts, Lauren Rogers Museum of Art, Ogden Museum of Southern Art, Riggs Bank, IBM Corporation, Federal Express, The Equitable Collection, Arkansas Art Center, the United States State Department, and United States Embassies throughout the world. Dunlap is also the author of Short Mean Fiction (ISBN 9781936946709), published April 1, 2016 by Nautilus Press, a collection of 15 stories with excerpts from sketchbooks which read "like tales from the Old Testament rampant with sex violence and death."
Alan Shuptrine is a painter known for his Southern and Appalachian Mountains genre. He is a frame-maker, water gilder, and watercolorist. He is the son of painter Hubert Shuptrine (1936-2006).
Jimmy Baker is an associate professor in the Studio Department at the Art Academy of Cincinnati. He has exhibited work in New York, Los Angeles, Paris, London, Basel, Miami, Chicago, Dallas, and other American cities. His work has been featured in many publications, private collections, as well as permanent collections at the Crystal Bridges Museum of American Art, Zabludowicz Art Trust London, Taschen Foundation Berlin, Cincinnati Art Museum, Columbus Museum of Art, JP Morgan Chase Collection, and Progressive Insurance Collection.
Amy Pleasant is an American painter living and working in Birmingham, AL.
Will Henry Stevens was an American modernist painter and naturalist. Stevens is known for his paintings and tonal pastels depicting the rural Southern landscape, abstractions of nature, and non-objective works. His paintings are in the collections of over forty museums in the US, including the Ogden Museum of Southern Art, the Museum of Fine Arts Boston, the Los Angeles County Museum of Art, and the Smithsonian American Art Museum.
John Baeder is an American painter closely associated with the photorealist movement. He is best known for his detailed paintings of American roadside diners and eateries.
Louis K. Meisel is an American author, art dealer and proponent of the photorealist art movement, having coined the term in 1969. He is also the owner of one of the earliest art galleries in SoHo at 141 Prince Street. In addition to Photorealism, Meisel is responsible for the resurgence of interest in the sub-set of American illustration identified as "Pin-up", and is the largest collector of original art of both genres. Louis and Susan Meisel own the largest collections of Photorealism and pin-up art in the world.
Valerie Jaudon is an American painter commonly associated with various Postminimal practices – the Pattern and Decoration movement of the 1970s, site-specific public art, and new tendencies in abstraction.
Cheryl Kelley is an American painter known for her photorealism, especially her paintings of classic and muscle cars. Her work has been featured on the cover of Harper's Magazine and can be seen at the Scott Richards Contemporary Art gallery in San Francisco, California, the Bernarducci·Meisel Gallery in New York City, New York, and the Seven Bridges Foundation in Greenwich, Connecticut. In 2009 and 2011 she was a finalist for the Hunting Art Prize, and in 2012 she received a Pollock-Krasner Foundation grant. The art collectors' resource Artsy considers her one of ten "Masters of Photorealism".
Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.
Henry Speller (1900–1997) was an American artist and blues musician working in Memphis, Tennessee. His style of drawing and painting is characterized by ornate, colorful, intimidating figures which he likened to "characters from Dallas".
Luster Willis (1913–1991) was an African-American artist from Terry, Mississippi best known for his painting and illustrations. He employed diverse painting styles and collage to draw attention to the shortcomings of mass media.
