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Scottish literature is literature written in Scotland or by Scottish writers. It includes works in English, Scottish Gaelic, Scots, Brythonic, French, Latin, Norn or other languages written within the modern boundaries of Scotland.
The Golden Treasury of English Songs and Lyrics is a popular anthology of English poetry, originally selected for publication by Francis Turner Palgrave in 1861. It was considerably revised, with input from Tennyson, about three decades later. Palgrave excluded all poems by poets then still alive.
The Oxford Book of English Verse, 1250–1900 is an anthology of English poetry, edited by Arthur Quiller-Couch, that had a very substantial influence on popular taste and perception of poetry for at least a generation. It was published by Oxford University Press in 1900; in its india-paper form it was carried widely around the British Empire and in war as a 'knapsack book'. It sold close to 500,000 copies in its first edition. In 1939, the editor revised it, deleting several poems that he regretted including and adding instead many poems published before 1901 as well as poems published up to 1918. The second edition is now available online.
Modern Scottish Poetry: An Anthology of the Scottish Renaissance 1920-1945 was a poetry anthology edited by Maurice Lindsay, and published in 1946 by Faber and Faber.
The Oxford University Press published a long series of poetry anthologies, dealing in particular with British poetry but not restricted to it, after the success of the Oxford Book of English Verse (1900). The Oxford poetry anthologies are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics. In the limited perspective of canon-formation, they have mostly been retrospective and well-researched, rather than breaking fresh ground.
The Scottish Renaissance was a mainly literary movement of the early to mid-20th century that can be seen as the Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics. The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating folk influences, and a strong concern for the fate of Scotland's declining languages.
The Great Seal of Scotland is a principal national symbol of Scotland that allows the monarch to authorise official documents without having to sign each document individually. Wax is melted in a metal mould or matrix and impressed into a wax figure that is attached by cord or ribbon to documents that the monarch wishes to make official. The earliest seal impression, in the Treasury of Durham Cathedral, is believed to be the Great Seal of Duncan II and dates to 1094.
The Bannatyne Club, named in honour of George Bannatyne and his famous anthology of Scots literature the Bannatyne Manuscript, was a text publication society founded by Sir Walter Scott to print rare works of Scottish interest, whether in history, poetry, or general literature. The club was established in 1823 and printed 116 volumes before being dissolved in 1861.
The Faber Book of Irish Verse was a poetry anthology edited by John Montague and first published in 1974 by Faber and Faber. Recognised as an important collection, it has been described as 'the only general anthology of Irish verse in the past 30 years that has a claim to be a work of art in itself ... still the freshest introduction to the full range of Irish poetry'. According to Montague, "I'm dealing with a thousand years of Irish verse in under four hundred pages. I needed a thousand pages.'
Nationality words link to articles with information on the nation's poetry or literature.
Scottish Gaelic literature refers to literature composed in the Scottish Gaelic language, a member of the Goidelic branch of Celtic languages, along with Irish and Manx.
Literature in early modern Scotland is literature written in Scotland or by Scottish writers between the Renaissance in the early sixteenth century and the beginnings of the Enlightenment and Industrial Revolution in mid-eighteenth century. By the beginning of this era Gaelic had been in geographical decline for three centuries and had begun to be a second class language, confined to the Highlands and Islands, but the tradition of Classic Gaelic Poetry survived. Middle Scots became the language of both the nobility and the majority population. The establishment of a printing press in 1507 made it easier to disseminate Scottish literature and was probably aimed at bolstering Scottish national identity.
Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.
Scots-language literature is literature, including poetry, prose and drama, written in the Scots language in its many forms and derivatives. Middle Scots became the dominant language of Scotland in the late Middle Ages. The first surviving major text in Scots literature is John Barbour's Brus (1375). Some ballads may date back to the thirteenth century, but were not recorded until the eighteenth century. In the early fifteenth century Scots historical works included Andrew of Wyntoun's verse Orygynale Cronykil of Scotland and Blind Harry's The Wallace. Much Middle Scots literature was produced by makars, poets with links to the royal court, which included James I, who wrote the extended poem The Kingis Quair. Writers such as William Dunbar, Robert Henryson, Walter Kennedy and Gavin Douglas have been seen as creating a golden age in Scottish poetry. In the late fifteenth century, Scots prose also began to develop as a genre. The first complete surviving work is John Ireland's The Meroure of Wyssdome (1490). There were also prose translations of French books of chivalry that survive from the 1450s. The landmark work in the reign of James IV was Gavin Douglas's version of Virgil's Aeneid.
References
- ↑ Community in Modern Scottish Literature. Brill. 12 May 2016. p. 117. ISBN 978-90-04-31745-1.
- ↑ Barbara Korte; Ralf Schneider; Stefanie Lethbridge (2000). Anthologies of British Poetry: Critical Perspectives from Literary and Cultural Studies. Rodopi. pp. 202–. ISBN 90-420-1301-X.
- ↑ Tom Walker (2015). Louis MacNeice and the Irish Poetry of His Time. Oxford University Press. p. 99. ISBN 978-0-19-874515-0.
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