Kharahostes or Kharaosta was an Indo-Scythian ruler in the northern Indian subcontinent around 10 BCE – 10 CE. He is known from his coins, often in the name of Azes II, and possibly from an inscription on the Mathura lion capital, although another satrap Kharaostes has been discovered in Mathura.
Sodasa was an Indo-Scythian Northern Satrap and ruler of Mathura during the later part of the 1st century BCE or the early part of 1st century CE. He was the son of Rajuvula, the Great Satrap of the region from Taxila to Mathura. He is mentioned in the Mathura lion capital.
Saunkh, often spelled as Sonkh, is a town and a Nagar Panchayat in Mathura district of Uttar Pradesh, India.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes. Some Buddhist cultural objects related to the Indo-Greeks are known, such as the Shinkot casket. By far the most important Indo-Greek remains found are numerous coins of the Indo-Greek kings, considered as some of the most artistically brilliant of Antiquity. Most of the works of art of the Greco-Buddhist art of Gandhara are usually attributed to the direct successors of the Indo-Greeks in Ancient India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans. Many Gandharan works of art cannot be dated exactly, leaving the exact chronology open to interpretation. With the realization that the Indo-Greeks ruled in India until at least 10-20 CE with the reign of Strato II in the Punjab, the possibility of a direct connection between the Indo-Greeks and Greco-Buddhist art has been reaffirmed recently.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian ("Saka") rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Mitra dynasty refers to a group of local rulers whose name incorporated the suffix "-mitra" and who are thought to have ruled in the area of Mathura from around 150 BCE to 50 BCE, at the time of Indo-Greek hegemony over the region, and possibly in a tributary relationship with them. They are not known to have been satraps nor kings, and their coins only bear their name without any title, therefore they are sometimes simply called "the Mitra rulers of Mathura". Alternatively, they have been dated from 100 BCE to 20 BCE. The Mitra dynasty was replaced by the Indo-Scythian Northern Satraps from around 60 BCE.
The Yavanarajya inscription, also called the Maghera Well Stone Inscription, was discovered in the village of Maghera, 17 kilometers north of Mathura, India in 1988. The Sanskrit inscription, carved on a block of red sandstone, is dated to the 1st century BCE, and is currently located at the Mathura Museum in Mathura. The inscription notes the donation of a water well and tank to the community in 1st century BCE, built by a Brahmana.
The Yavana Era, or Yona was a computational era used in the Indian subcontinent from the 2nd century BCE for several centuries thereafter, probably starting in 174 BCE. It was initially thought that the era started around 180-170 BCE, and corresponded to accession to the Greco-Bactrian throne of Eucratides, who solidified Hellenic presence in the Northern regions of India. The Greeks in India flourished under the reign of the illustrious, Menander - greatest of the Yavana rulers, who campaigned as far as Pataliputra in Eastern India. It is now equated with the formerly theorized "Old Śaka era".
Post-Mauryan coinage refers to the period of coinage production in India, following the breakup of the Maurya Empire.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Deva dynasty of Saketa, was a dynasty of kings who ruled in the area of the city of Ayodhya, Kosala, in India from the 2nd century BCE until the end of 1st century BCE.
The Datta dynasty is a dynasty of rulers who flourished in the northern India in the areas of Mathura and Ayodhya around the 1st century BCE – 1st century CE. They are named after the "-datta" ending of their name, and essentially only known through their coins. It is thought that they replaced the Deva dynasty, which had originated with the rise of Sunga Empire Pushyamitra, and that they were in turn replaced by the Mitra dynasty.
Brahmamitra was one of the first rulers of the Mitra dynasty, a group of rulers whose name incorporated the suffix "-mitra" and who are thought to have ruled the area of Mathura from around 150 BCE to 50 BCE.
The Naga dynasty of Vidisha in central India is known from the Puranas, and probably ruled in the first century BCE. No inscriptions of the dynasty have been discovered. Historian K. P. Jayaswal attributed some coins issued by the Datta rulers of Mathura to this dynasty, but later historians have disputed his theory.
Dhanabhūti or Vatsiputra Dhanabhūti was a 2nd or 1st-century BCE Buddhist king in Central India, and the most prominent donor for the Bharhut stupa. He appears in two or three major dedicatory inscriptions at the stupa of Bharhut, and possibly in another inscription at Mathura. Dhanabhuti may have been a feudatory of the Sunga Empire, or a ruler in a neighbouring territory, such as Kosala or Panchala, or possibly a northern king from Sughana in Haryana. or he may have also been part of the Mitra dynasty of Kosambi.
The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.
Mitra dynasty of Kosambi was centered on the city of Kosambi at the Vatsa region. Its capital Kosambi was among the most important trade centers in the ancient India. The dynasty also likely controlled territory in nearby regions such as Magadha.
The Mitra dynasty were several, possibly related, dynasties ruling in different regions of India:
Brhaspatimitra, also known as Bahasatimita and Bahasatimitra, was a king of Kosambi in India. He was part of the Mitra dynasty of Kosambi.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
