László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.
George Nelson was an American industrial designer. While lead designer for the Herman Miller furniture company, Nelson and his design studio, George Nelson Associates, designed 20th-century modernist furniture. He is considered a founder of American modernist design.
MillerKnoll, Inc., doing business as Herman Miller, is an American company that produces office furniture, equipment, and home furnishings. Its best known designs include the Aeron chair, Noguchi table, Marshmallow sofa, Mirra chair, and the Eames Lounge Chair. Herman Miller is also credited with the 1968 invention of the office cubicle under then-director of research Robert Propst.
The Eames Lounge Chair and Ottoman is a lounge chair and ottoman manufactured and sold by American furniture company Herman Miller. Introduced in 1956, the Eames Lounge Chair was designed by Charles and Ray Eames and is made of molded plywood and leather. It was the first chair the Eameses designed for the high-end market. The Eames Lounge Chair and Ottoman are part of the permanent collection of New York's Museum of Modern Art.
The Moholy-Nagy University of Art and Design, former Hungarian University of Arts and Design, is located in Budapest, Hungary. Named after László Moholy-Nagy, the university offers programs in art, architecture, designer and visual communication.
Lucia Moholy was a photographer and publications editor. Her photos documented the architecture and products of the Bauhaus, and introduced their ideas to a post-World War II audience. However Moholy was seldom credited for her work, which was often attributed to her husband László Moholy-Nagy or to Walter Gropius.
Vitra is a Swiss family-owned furniture company with headquarters in Birsfelden, Switzerland. It is the manufacturer of the works of many furniture designers. Vitra is also known for the works of notable architects that make up its premises in Weil am Rhein, Germany, in particular the Vitra Design Museum.
Alexander Girard, affectionately known as Sandro, was an architect, interior designer, furniture designer, industrial designer, and a textile designer.
György Kepes was a Hungarian-born painter, photographer, designer, educator, and art theorist. After immigrating to the U.S. in 1937, he taught design at the New Bauhaus in Chicago. In 1967 he founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
Bernice Alexandra Kaiser Eames was an American artist and designer who worked in a variety of media.
Charles Eames and Ray Eames were an American married couple of industrial designers who made significant historical contributions to the development of modern architecture and furniture through the work of the Eames Office. They also worked in the fields of industrial and graphic design, fine art, and film. Charles was the public face of the Eames Office, but Ray and Charles worked together as creative partners and employed a diverse creative staff. Among their most recognized designs is the Eames Lounge Chair and the Eames Dining Chair.
Peter Laszlo Peri was an artist and sculptor.
Florence Henri was a surrealist artist; primarily focusing her practice on photography and painting, in addition to pianist composition. In her childhood, she traveled throughout Europe, spending portions of her youth in Paris, Vienna, and the Isle of Wight. She studied in Rome, where she would encounter the Futurists, finding inspiration in their movement. From 1910 to 1922, she studied piano in Berlin, under the instruction of Egon Petri and Ferrucio Busoni. She would find herself landlocked to Berlin during the first World War, supporting herself by composing piano tracks for silent films. She returned to Paris in 1922, to attend the Académie André Lhote, and would attend until the end of 1923. From 1924 to 1925, she would study under painters Fernand Léger and Amédée Ozenfant at the Académie Moderne. Henri's most important artistic training would come from the Bauhaus in Dessau, in 1927, where she studied with masters Josef Albers and László Moholy-Nagy, who would introduce her to the medium of photography. She returned to Paris in 1929 where she started seriously experimenting and working with photography up until 1963. Finally, she would move to Compiègne, where she concentrated her energies on painting until the end of her life in 1982. Her work includes experimental photography, advertising, and portraits, many of which featured other artists of the time.
The Neues Sehen, also known as New Vision or Neue Optik, was a movement, not specifically restricted to photography, which was developed in the 1920s. The movement was directly related to the principles of the Bauhaus. Neues Sehen considered photography to be an autonomous artistic practice with its own laws of composition and lighting, through which the lens of the camera becomes a second eye for looking at the world. This way of seeing was based on the use of unexpected framings, the search for contrast in form and light, the use of high and low camera angles, etc. The movement was contemporary with New Objectivity with which it shared a defence of photography as a specific medium of artistic expression, although Neues Sehen favoured experimentation and the use of technical means in photographic expression.
The Eames Molded Plastic & Fiberglass Armchair is a fiberglass chair, designed by Charles and Ray Eames, that appeared on the market in 1950. The chair was intentionally designed for the International Competition for Low-Cost Furniture Design. This competition, sponsored by the Museum of Modern Art, was motivated by the urgent need in the post-war period for low-cost housing and furnishing designs adaptable to small housing units.
The Miller Company Collection of Abstract Art was formed in Meriden, Connecticut, as part of the Miller Company. The collection was formed by then CEO Burton Tremaine Sr. and his wife, Miller Co. art director Emily Hall Tremaine in 1945. Works from the collection were featured in the Painting Toward Architecture exhibition, putting forth post-WWII art, design and architecture crossovers, originating at the Wadsworth Atheneum in Hartford, CT, and traveling to 28 additional venues in 1947–1952 across the United States.
The Bauhaus was seen as a progressive academic institution, as it declared equality between the sexes and accepted both male and female students into its programs. During a time when women were denied admittance to formal art academies, the Bauhaus provided them with an unprecedented level of opportunity for both education and artistic development, though generally only in weaving and other fields considered at the time to be appropriate for women.
The Good Design exhibition series was an industrial design program organized by the Museum of Modern Art (MoMA) in New York, in cooperation with the Merchandise Mart in Chicago, held between 1950 and 1955. No awards were granted to designers whose work was put on view in these exhibitions, despite misinformation suggesting otherwise.
Farkas "Wolfgang" Ferenc Molnár (1897–1945) was a Hungarian architect, painter, essayist, and graphic artist. He is associated with the first generation of Bauhaus movement, and was active in Budapest.
Marli Ehrman née Marie Helene Heimann (1904–1982) was a German-American textile artist, designer and educator. She studied weaving at the Bauhaus, graduating in 1927. While working as a handicrafts teacher at a Berlin school for Jewish children, she married the history teacher Eliezer Ehrman. After the couple emigrated to the United States she taught weaving at the School of Design in Chicago, gaining recognition when she won first prize for her furniture fabrics from New York's Museum of Modern Art (MoMA). She went on to create weaving designs for industry and managed interior design work on a variety of buildings including the Oak Park Public Library.
